if christopher nolan was really the visionary and ground-breaking director everyone claims he is he would have cast ben affleck as penelope
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if christopher nolan was really the visionary and ground-breaking director everyone claims he is he would have cast ben affleck as penelope

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learning that AMC cancelled the akasha final concert scene mid-production explains a lot about the tvl finale
*rolls over in bed at 2 AM still clad in full plate to gaze upon my feudal lord’s heavenly visage* You think I’m a good knight right
Call me 'baby' when you forget my name, I'm just glad that you came Call me 'baby', let me die on the stage, let the orchestra play
The Vampire Armand — Theatre, Etta Marcus (full width on youtube)
For me it's the way Armand constantly escapes the camera frame and sticks to its borders when Louis' words begin to unravel him

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julian de narvaez piranesi illustration i will think about you every day for the rest of my life
people saying Nolan is woke and praising his Odyssey is a humiliation ritual when he didn't even make Odysseus a black woman and the sirens slutty gay men
The standards for woke have slipped so much. Back in woke 1.0 the Odyssey would have been considered an offensively anti-woke movie. In 2021 they made a He-Man TV show where He-Man dies in the first episode and a black woman takes his place for the rest of the show. They made the My Little Ponies start saying "everycreature" because "everypony" was a microaggression. Woke used to fucking mean something. Everycreature has forgotten now.
u ever think about how some mental health disorders literally have criminal activity as a criteria…like not even pretending just straight up “if you don’t follow the laws of the state you’re insane” hmmm wonder why that might be
Nolan is decidedly an artist who has an appreciation for and respect for cinema and the craft of film making, and he has a love for making films that are supposed to be strange, dreamlike, even nonlinear. which is hindered by the fact that he, strangely, seems completely uncreative and artistically bland.
nolan’s odyssey is such a textbook study on the idiocy and dangers of presentism. yes of course penelope is a modern day feminist who wants to rule ithaca by herself. they make telemachus say that GREECE IS THE GREATEST CIVILIZATION IN THE WORLD as if the entire point of the massing of achaeans at troy for one unified cause isn’t spectacular precisely because THERE IS NO CONCEPT OF A UNIFIED GREECE NATIONS DO NOT EXISTTTTTT YETTTTT. literally 101 on historical writing is making sure that you’re avoiding strict periodization because the people living in a “period” will not identify themselves that way. ever. five million cheeky nods to “the sea peoples” but we’re being cute and coy and calling them “the people from the sea.” the obsession with xenia but refusal to call it xenia yes let’s say “zeus’s law” a hundred times and reduce it to the literal expectation that any stranger could be a god in disguise. how was penelope just hanging out in the main hall of the palace with her husband’s dinner guests while they were playing with weapons with her HAIR COMPLETELY DOWN no veil no nothing just chilling casually. comical. stoppppp making movies that engage in historical viewpoints if you’re going to slather a modernized coat of paint over the top. “the past is a foreign country, they do things differently there.” or fucking whatever.

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and if i said nolan's odyssey starring no greek actors and with no recognizable aspects of greek culture or involvement by greeks, is the direct legacy of white supremacist colonialism that treated ancient greece as not just the pinnacle of ancient culture, but of an artificially created "european" culture, which white western europeans and their settler descendants, as the new pinnacle of culture, were the sole spiritual inheritors of.
#no you have a point#weird how we don't let greek history be. you know. the history of the greeks#it is All Of Our History#History with a capital H#see also rome
prev. see als germany esp obviously ww2
i think with some things, uh, americans feel like it's universal history somehow?
and i mean, my greek friend considers the odyssey history, which i think is a bit of a stretch, it's a story alright, and it tells of ancient times, but i'm not sure it's bald ... history.
i mean it's nolan and he's very much not an american and all that, but it still feels like people have a sense of ownership over homeric tales that i think might take away from their specificity.
still gonna watch it tho.
Now that everyone is discussing Nolan's Odyssey movie, I feel like it's a good time to let non-Italians know that the production dumped plastic props into the Italian sea. Weirdly enough I could not find any article in English about it but it's a fucking problem nonetheless.
I might translate this article later today. This one was the most complete one, even in Italian news it's not talked about that much.
Non è la prima volta che la produzione solleva un vespaio in Sicilia. A Lipari una squadra di sub sarebbe però già impegnata a bonificare i
zero stars for nolan because odysseus, on his journey home to ithaca, was NOT visited by a ghost that tells him that once he reaches his home, once he slays all his enemies and sets his house in order he must do one last thing before he can rest. the ghost does NOT tell him to pick up an oar, walk inland, keep walking, until somebody mistakes that oar for a shovel. for that would be the place that no man has ever been troubled by the sea. and that's where he'd find peace.
"armand isn't owed an apology after all the shit he did to louis, i can't believe they made him do that"
hey guys? Do we maybe think that Armand's tit-for-tat mentality, and the way he's been tallying up his and everyone else's sins against each other is a problem? Is it maybe possible that Louis managing to find empathy for Armand in the face of the monstrosity being done to him, and that radical act of kindness and honesty (about the ways he unintentionally hurt Armand) moving Armand so much that it nearly breaks him, is idk a major theme of this whole season?
you know, sorta like how Lestat was holding onto his feelings of betrayal about the book, and all it did to serve him was make him absolutely miserable and lonely and push him into the arms of someone actively harming him. And how it was only after he let that go, and helped Louis even though he still thought that Louis didn't give a shit about him, that they were able to connect again and be happier than we've ever seen them.
Or like how Louis was able to look past his initial feelings of revulsion and betrayal about the Sophia lie, and offered comfort and a space to speak honestly, and how that granted him a deeper understanding of Lestat, and ultimately strengthened their bond.
Are we seeing the pattern here? How they're breaking the curse of loneliness when they stop seeing each other as monsters, and extend a bit of empathy, even when it's hard or not deserved? How addressing the gaping wound behind the actions might open the door to healing for both parties?

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Assad Zaman as THE VAMPIRE ARMAND
THE VAMPIRE LESTAT | 3.07 "THE FAILURES"
Emmy-winning expressions here