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@mala-taste
Hello! I got your message and I’ll respond shortly — I’m currently in the middle of eating a Peach, which is a delicate operation and thus I cannot type right now. Hope you understand!

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📂 Dune
Paul's conquests of all the great houses are propagandized as a great tide of blood and orientalist noble savage warrior prowess but the only way simple attrition didn't derail the whole thing the first time they needed to occupy a real urbanized set of population/production centers was a wide array of former Atredis allies among the lesser houses and opportunists willing to take Guild bribes switching sides as soon as the war effort managed its first impressive off-world victory.
every major structural social problem right now is basically "we don't have enough skilled workers on the ground" and the reason is always "well we've been intentionally underpaying and understaffng them for decades to increase corporate profits" and somehow the news always just mentions the "shortage" without digging into the cause
air travel is a mess? shortage of air traffic controllers - for some mysterious reason
logistics a mess? shortage of truck drivers - for some mysterious reason
public transit can't meet demand? shortage of bus drivers - for some mysterious reason
We even mysteriously have shortages of doctors, nurses, teachers... FOR SOME MYSTERIOUS REASON
FUCKING PAY PEOPLE AND HIRE ENOUGH STAFF
We need a sort of "six sigma no-blame" process, except taught to journalists. Report not just the immediate failure, but what sort of systemic causes allowed the failure. "This person fucked up" means the system failed to prevent the error, and that's still on the system - it usually means management is pushing the human component past spec.
Or failing journalists, some meta-organization above them better than "supernatural memes on Tumblr" would still be nice...
We have a shortage of doctors not because doctors aren't being paid enough but because doctors have successfully lobbied the government to prevent the shortage from being filled, in order to increase their wages.
I think that was actually one of the examples I had in mind when I wrote my reply - there are known causes for a lot of this, and it would probably be vastly easier to fix if we could just get journalists to actually dig in a few layers, instead of stopping at the superficial surfaces.
Teachers genuinely seem underpaid and over-administrated (and watching the administration bloat has got to make the underpaid thing hurt more) Air Traffic Controls are under the most absolutely insane obligations and working conditions ever. I cannot fathom why anyone would do it, unless it was funding their coke habit.
Doctors are an artificial shortage by strangling one part of the pipeline, and it would be so incredibly easy to fix that one. People still want to be doctors!
I'd imagine truckers are underpaid and under-appreciated, alongside facing a fairly clear threat of automation at some unspecified point in the future. But they also have a really strong union, and it's doing some solid work fighting against automation. But also it's social isolation for weeks on end, with nothing but music and podcasts to keep you company.
I have no clue what's up with bus drivers, honestly.
And a lot of times corporations are just firing salary-lowering gunshots when they complain: they can get as many workers as they want, they just resent paying a living wage.
we should mandate industrial themed nonbinary names to balance out all of the people naming themselves after trees. throw Anvil into the mix

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the halftime show had such a crazy mix of everything like what do you mean bts was sandwiched between madonna driving a disco car with ronaldinho and a justin bieber ballad before shakira's choir came in and then it panned to tom cruise and miss piggy
Dear Mala-Taste,
Here is my promised missive about RC! Like I said before, I found this one a little hard to get into coming off of PiF, but honestly, the ending was as gutting as every single other of her books, and I was grateful that at least we returned to the subject of the two infants, because I seriously thought Dorothy was going to end the book without addressing them at all.
Because Francis’s reasons for saving Kuzum did make a lot of sense; after the end of PiF, my shippy heart was like—did he do it for Philippa’s sake, saving the boy she had come to love? And even if it was more from the opposite direction (he saved the boy that knew how to love, and more specifically had a place of love to rest in), it is interesting that it’s confirmed at the end of a book where Dorothy’s own insistence about the lack of sentimentality kind of breaks down. Lymond isn’t a machine, and we watch him crack twice (when he falls in love, and then when he confronts Gabriel’s corpse again); he’s outwitted for the first time through the power of love and loyalty; the more he tries to control, the more you can feel his control slipping.
As I touched on before, I did really like the relationships between him and Ivan (partly because Ivan is as much of a freak as he is) and between him and Diccon (partly because Diccon is one of the sanest people in the entire series). I also liked Güzel because she felt like the non-toxic version of Margaret Lennox (who is such a good villainess, by which I mean, I hate her).
I guess my biggest question is about the very final page, where it says that both Ivan and Güzel were still waiting for him (pitch-perfect tragical tone for the book to end), even though it seemed indicated that Ivan was prepared thoroughly to shun him and Güzel had already moved on (either to the Baida, or just in her own mind, prophesying that Lymond would never return to Russia). Did they sincerely hope Lymond would go back to them? Or was it less hope as expectation, as they both had figured out enough of Lymond’s nature to know that he would have gone back if not forcibly prevented, no matter the consequences?
I do kind of feel a little bad for him that he was prevented from returning to Russia, even though I know that was just an escape mechanism and he really does have to come face to face with himself at last. I may have more thoughts as I let this one percolate, but I'm also diving headfirst into Checkmate, so there may not be enough time for that lol.
Your delighted correspondent, @no-where-new-hero
Dear no-where-new-hero,
I think his reasoning for which boy to save is a combination of both of the reasons you listed. It does also explicitly say in the book that he also does it for Philippa, but not for shippy reasons (he sees her as a child at that point, unlike my girl Marthe, who does immediately notice how well she cleans up lmfao), just because it's also an overall net benefit to also not traumatize Philippa too much if he can manage it. Basically he takes everyone's feelings and needs into consideration except his own: he sees himself as a sort of emotionless god/devil floating above them all and making perfectly rational moves, which is exactly what RC sets out to break down. He didn't make a sentimental decision in PiF, he stayed the perfect utilitarian actor throughout, but it destroyed him psychologically, and now Dorothy is gearing herself up to point out that living that way is unsustainable and that true utilitarianism means also taking into account that you're a soft human animal as well :) (and this is also why I insist on people interpreting Lymond's decisions in the previous books correctly - if you don't understand the extent to which he's trying to be an impersonal moral and political actor while sort of dehumanizing himself then the deconstruction of this tendency in the final books makes less sense and hits less hard)
On a very related note, he never would have been able to help Russia like he wanted to, so I don't feel bad about him not coming back. His logic is that having to make hard, rational decisions almost annihilated him psychologically because those decisions involved people that he loved or that were otherwise personally connected to him, so he'll just go to a place where he doesn't know anyone and doesn't connect to anyone and doesn't have to feel anything. But the book spends so much time describing exactly how both Mary and Ivan are slowly going insane because that's what happens when you have only power and no one to address your human needs and emotions or be human with... Note how desperate for any sort of connection both of them are, to the point where they can be alternatively led around by the nose over it and expected to lash out with disastrous consequences.
Also, it's very hard to make permanent changes to a country or society if you don't connect to its mentality or people and aren't really part of its society, because you'll just be superficially imposing your own method without bothering to be a leader to the people. You won't really understand how to make the changes stick, which is why it all implodes as soon as Lymond leaves. What he wants is not sustainable or realistic. The outcome of Lymond going back to Russia isn't, as Lymond likes to believe, him saving and reforming Russia, it's him going insane and his judgement becoming compromised, dropping dead, or both. Which is what the people around him understand as well and why they prevent him from going back.
It's funny because of all the Lymond books, this one is basically... set out to underline the inherent flaws of white saviourism, while also being the most, er, orientalist one of the bunch? Because the Russian characters barely felt human to me, which, ok, is also a question of POV (compare Turkey through Jerott's POV and Philippa's, for example), but probably also a consequence of the time period the book was written in haha :')
Also, Güzel non-toxic? Did you miss the part where Lymond is sort of blackmailed into sleeping with her so she'd stop molesting the underaged servant boy? I love her character and find it really fun but non-toxic she is not and that was also part of Lymond's plan btw, attaching himself to a woman who, even if she ends up suffering because of him, sort of had it coming. Anyway, I think she made her play as she always does and I think she had plans B, C, and D as she always does. If it looked like Lymond wasn't coming back, Baida was option B, but she'd have preferred Lymond and screwed over Baida to rejoin him had Lymond come back.
Ivan is very erratic, so he'd have taken Francis not coming back very personally and childishly, but Francis believed that he could turn him around if he came back, and jury's out on how accurate Francis's assessment is. A little bit of Column A and a little bit of Column B, I guess.
Your obedient servant (hopefully you catch the reference this time around?), -- mala-taste
tragic failure state where someone gets sufficiently enthused researching the elite culture and literature of some historical period (which, in fairness, is very often the only kind we can easily access) that they start actually believing the legitimizing mythologies disseminated through it.
For treatment I recommend paleopathological analysis of commoner graves and skeletons vs. elites and a bit of light reading on famines and/or execution methods.
Fun fact (I don’t see many people talk about this one): While traveling through Italy, Mark Antony rode on a litter (couch-like sort of thing used for transportation) with freedwoman Volumnia Cytheris. Romans were shocked that he treated someone much lower-class so kindly, and Antony’s rivals, such as Cicero, used this instance as a way to attack Antony’s character.
Berlinde de Bruyckere

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Shield of Achilles by Philip Rundell, originally modeled and cast in plaster by John Flaxman
English, 1821-1822
Silver-gilt convex shield
Royal Collection Trust (acquired by George IV and displayed at his coronation banquet)
The Golden Gauntlet, Henri III of France’s armour (detail), c.1550 [564x624]
I am sure this is mostly the internet providing a warped and unrepresentative picture but the rule of thumb that any group organized exclusively on the principle of 'we're all [demographic], so clearly we should all be friends. Everyone who is [demographic] is welcome!' is going to be a miserable toxic snakepit so far remains entirely undefeated.
Disney is doing crazy things in the japanese mobile game sphere rn
you may be familiar with disney twisted wonderland, the gacha game in which various disney villains are used as direct inspiration for handsome anime boys. well that game was so successful that disney is trying to do it again but this time they're just animeboyifying whatever
here's mickey, goofy, donald, and chip & dale. yeah they turned mickey & friends into anime boys. they're an idol unit or something. they're technically not anime boy versions of the source characters, they have different names. mickey's guy is "Neo Michel". not michael, michel, like he's french. chip & dale are "Ruska Moncrief" and "Ranka Monk", they have different last names, they're not brothers anymore so that they can be yaoibait instead, anyways this post isn't actually about these guys I'm just setting the stage for the actual humanizations I wanted to show you
They also did monsters inc. And. Well it's obvious from the designs who mike and sully are. but you will also notice. the blonde one on the left. with glasses. monsters inc is kind of famously about just the two guys so they didn't really have a lot of other non-villain characters to take anime boys inspiration from, I guess, so, well,
Yeah it's her. they made an anime boy version of the mean receptionist slug. her name is roz btw, as all of boygachagame twitter has become extremely aware of in the past 3 days as we speculated prior to the release of the full image who tf the third guy was. the anime boy's name is "noah slugger". at this point no parody of the types of things gacha games will make gijinkas of will ever be able to live up to what disney is officially spending their own real money on designing
Horses, WWII battleships = cute anime girls
Monsters Inc. characters = cute anime boys
There’s a deep pattern here which gets at the very heart of Gender, but I am not smart enough to see it.
Whenever I see some anon asking an artist if it's "okay to take inspiration" from their art it makes me want to make some kind of manifesto or billboard or PSA or skywriting campaign to undo whatever damage strange litigious illustrator types inflicted upon the most basic foundations of the creative process. We can't let them get away with this

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why don't you present yourself more femininely?
fat medieval hedgehog
"how will you ever love yourself?" 🏳️⚧️🏳️⚧️🏳️⚧️🏳️⚧️