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@mala-taste
Hello! I got your message and Iâll respond shortly â Iâm currently in the middle of eating a Peach, which is a delicate operation and thus I cannot type right now. Hope you understand!

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The binturong of contempt
The binturong unit
Š ë¸Â | do not edit and/or crop logo
We have this interesting situation where we basically no longer have privacy nor the expectation of privacy, but we also don't have community or meaningful connection with others, so we're all simultaneously both completely exposed and absolutely alone, and please understand that when I say this situation is "interesting", what I in fact mean is that it's "nightmarish and I wish I could wake up"

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Mammal in a Sunday Dress, by Georgina M. Cox, 2026
Mammal in a Sunday Dress explores the uneasy relationship between femininity, civilisation, and the animal body. At first glance, the figure appears modest and withdrawn. Her posture is composed, her gaze seemingly lowered towards her bare feet, recalling the conventions of nineteenth-century portraiture where women were often depicted as passive objects of observation. Yet as the viewer moves closer, the illusion collapses. Her eyes are not lowered at all. She is looking directly back. The delayed eye contact transforms the encounter. The viewer approaches believing they are safely observing a woman; instead, they realise they have been observed themselves. The work refuses the traditional power dynamic of portraiture, denying the comfort of anonymous spectatorship. Looking becomes a reciprocal act. For Cox, the painting considers humanity's persistent desire to separate itself from the rest of the animal kingdom. The title quietly undermines this distinction. A "mammal" is not another creatureâit is us. The Sunday dress, rich with cultural associations of femininity, morality, and respectability, becomes an attempt to distinguish ourselves from nature. Yet clothing cannot alter biology. Beneath lace and ritual remains the same vulnerable animal body. The work also reflects on the historical relationship between women and nature. Across art, religion, and philosophy, women have repeatedly been positioned as closer to instinct, emotion, reproduction, and the body itself, while men have been aligned with reason, culture, and civilisation. Mammal in a Sunday Dress does not reject this comparison. Instead, it questions why proximity to nature has so often been treated as something lesser. Chiaroscuro isolates the figure within darkness, allowing the luminous dress to symbolise the performance of civilisation while the bare feet quietly return the body to the earth. Neither is presented as more truthful than the other. The painting exists in the tension between performance and instinct, refinement and biology. Mammal in a Sunday Dress ultimately asks a simple but unsettling question: if every layer of culture were stripped away, what would remain? Not a king. Not a saint. Not a gentleman or a lady. Only another mammal, looking back.
source
huh my classical education is so poor I didn't realise that Syracuse is actually in Sicily, how embarrassing! Carthage being in Tunisia makes sense, and Antioch in Turkey near Syria, Tyre in Lebanon, Caesarea in Judea, no idea where I thought Syracuse was supposed to be, it was just free floating around the Mediterranean somewhere.
It is pretty weird that the largest Greek city in the classical world was halfway across the Mediterranean, almost like if New York City was in Hawaii or something. Other than occasional forays like the Sicilian Expedition during the Peloponnesian War they've largely got a whole separate history going on - mainly this cycle of tyrants taking over and being overthrown, which you can sort of see having an influence in some Greek political philosophy. (Syracuse is where Plato was imprisoned.) And then gradual enmeshment with Carthage and Rome. But all of the stuff you think of when you think of classical Greek history from the Persian Wars onward, very little to do with Syracuse. A lot fewer sources survive for Sicily than for mainland Greece, and sometimes they feel like dispatches from an alternate timeline with an entirely different cast of characters.
were people often going back and forth? it's like a week's journey, which is relatively short but also a week on a ship, it's not that short.
Yeah, at least to some extent. I mentioned Plato being brought over as a tutor, also guys would get sent into exile from Syracuse and go to mainland Greece. A Corinthian named Timoleon led an expedition from Greece where he overthrew the tyrant there and became ruler himself. But it was far enough from the eastern Mediterranean that its politics never had the Persian orientation mainland Greece had to adopt.
actually that's reminding me of viking settlements and colonies, where there are kings of some regions and even large armies but also occasionally a bunch of dudes just over there doing their own thing while remaining in communion so to speak with the broader Norse world.
That's not an unreasonable comparison. There were Greeks in modern France who were neighbors with Gauls and Greeks in modern Ukraine who were neighbors with Scythians. Those settlements maintained contacts, especially with their mother cities, but had their own largely separate interests and histories we often know little about.
huh my classical education is so poor I didn't realise that Syracuse is actually in Sicily, how embarrassing! Carthage being in Tunisia makes sense, and Antioch in Turkey near Syria, Tyre in Lebanon, Caesarea in Judea, no idea where I thought Syracuse was supposed to be, it was just free floating around the Mediterranean somewhere.
my classical education is so poor I thought Carthage was that stuff in your knees and nose.
*nodding* sharks are mostly Carthaginian apparently
The Romans fought three wars against osteoarthritis...
so venezuela has become a usamerican colony. like that happened and everything carried on like normal
like i know venezuela is going through a huge humanitarian crisis right now and their political regime is low in the list of priorities when tallinmg about it obviously it's just it shocked me to read trump congratulating his secretary of energy on how well he's running what used to be a sovereign country until a few months back you know
He wants to do that to Canada, Cuba, and Greenland too and is simply shocked that it hasn't happened yet.
Hey so it's worse then that
Does anybody remember when back in January Trump kidnapped the Venezuelan president? Well the American government proceeded to place someone else in charge and is directing them via text message. They are telling him who to appoint into office and allowing US businesses into the country.
They are "not looking to instate democratic elections at this time."
Occupation is a hassle. Large countries have many new ways to control small ones.
I'm gonna be honest 'cowboys were a sort of itinerant warrior class common in meiji-era texas' always annoys me a bit because it's a funny post but also No They Weren't. They were an itinerant pastoralist class common in Meiji-era Texas. And indeed the wider western region of post-Risorgimento America

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Sidney H. Sime (1865â1941)
âPattering Leaves Danced (The Journey of the King)â
illustration from âTime and the Godsâ by Lord Dunsany, 1906
source
Whenever Iâm feeling down, I like to remember how the first person to make and sell stuffed animals was a disabled woman. Thank you Margarete Steiff for your services
This post is getting some notes, so let me tell you a little about her history and the company.
[Image ID: A black and white photograph of a woman in a long black dress and a wheelchair. In her hands she holds a teddy bear with overalls on. /End image ID]
Appolonia Margarete Steiff was born in Giegen, Germany on 24 July 1847. At just 18 months old, she would contract a high fever that lead to paralysis in her legs and limited use of her right arm, but wouldnât be diagnosed with Polio until she was 3. While her parents aggressively consulted with doctors and travelled to find Margaret treatment to restore functionality in her legs- even going as far as pursuing surgery- they were unsuccessful, and Margaret would become a full-time wheelchair user. Of course, this is the 1800âs, and at the time being a wheelchair user meant that you could only anticipate a grim future, because it was assumed that the afflicted person could never be a housewife, mother, or wage earner.
Despite the pain in her arm, she would attend needlework classes where she completed her training to become a seamstress at the age of 17. By being paid to teach people how to play the zither, she saved up to buy herself a sewing machine- the first one in Giegen- and would begin working out of the new workshop that her father built for her. She would eventually be told by her cousinâs husband to start a real company, and sold handmade felt clothing and garments as her start-up.
Then, in December of 1879, Margaret would find a pattern for a stuffed baby elephant in the German magazine Modenwelt, and began sewing some. She originally gave them to friends as presents, but would start selling them in 1880 once they became popular amongst children. This would be around the same time that Margarete Steiff GmbH would have been officially founded.
By the time she sold over 5,000 stuffed elephants, she began making stuffed toys of other animals- including cats, dogs, mice, horses, monkeys, and rabbits. Pull-along and ride-on toys were also added thanks to the development of metal frames inside the toys.
The basis of many of Steiffâs animals after 1897 is attributed to the detailed sketches of Margaretâs nephew, Richard Steiff. In 1902, he would present one to Margaret that would leave her feeling skeptical: a stuffed bear dubbed the âBear 55 PB,â with moveable arms and legs and made of mohair, making it the first âcuddlyâ stuffed toy for children.
[Image ID: A black and white profile photo of a man with a mustache sitting down at a desk. He holds a Teddy Bear up, facing him. In the background is a sign, with the word âSteiffâ visible. /End image ID]
Despite her reluctance, she allowed Richard to present the bears at Leipzig toy trade fair in 1903, when Hermann Berg, an American trader, became interested in them and proceeded to order 3,000 to be sent to the US, where theyâd see great success. Starting in 1906, these bears would soon come to be known as the âteddy bear,â named after then-US president Theodore Roosevelt and his incident with a bear on a hunting trip that he refused to shoot it himself.
[Image ID: A digital scan of Steiff plush tags. Theyâre white with red or black text, and one is yellow with red text. They feature an outline of a Teddy Bear with a button on its right ear, next to their logo and slogan, all in German. The backs of the tags feature standard material and product information. One tag is black and wavy, showing Margaret Steiffâs signature in white and plain text underneath it reading âMargarete Steiff Editionâ. /End image ID]
A major part of their brand is their trademark âbutton on ear,â created in 1904 in order to help their customers identify their genuine, high-quality products from the numerous cheap imitations. To this day, Steiff products can still be identified with this same brand sign.
Unfortunately, Margaret would die unexpectedly at the age of 61 on May 9th 1909, after suffering a severe lung infection from a case of pneumonia. Her passionate and devoted nephews would take over her company, just as Margaret had wished, as a way of honoring her life. Just a year later, Steiff would win the Grand Prix at the world exhibition in Brussels.
[Image ID: A modern photoshoot of current Steiff plushies around a black and white set. Text above it reads âCelebrating 140 yearsâ. The plushies include four elephants and four bears, all with a button on their right ear and another on their chest/side. On top of the photo is the modern Steiff logo on a card, reading: â1880-2020. Tradition. Craftsmanship. Quality since 1880.â Itâs signed with Margaret Steiffâs same signatuture. /End image ID.]
Today Steiff is still going strong, and is widely regarded as being among the most high-quality toy manufacturers in the world, having produced more than 20,000 other stuffed animal designs. Margaret is also still revered as one of the greatest leaders in the toy industry, one that people still visit the grave of to pay their respects to one of historyâs most successful disabled woman entrepreneurs.
Dubois, L. J. J. ~ Nef, Noub, Noum. (Cnèph, Cnouphis, Cnoubis, Chnoumis, Agathodaemon.) Apophis - snake-god of the underworld,(= netherworld deity) ~ Jean François Champollion ~ 1823-1825
"English doesn't really have any equivalent whatsoever to Japanese honorifics, so we just completely leave them out of our subtitles because there's no way that our English-speaking audience could possibly grasp their significance in explaining these character's relationship with each other"
There is a character named Robert Thomson.
At work, he's known as Robert by his coworkers and Thomson by his boss. At home, the people in his neighborhood call him Rob. His parents, spouse, and closest friends call him Robbie. His best friend from childhood calls him Robbie and also sometimes calls him Roberto. The children in his neighborhood call him Mr. Rob but when he does volunteer work at the library the kids there call him Mr. Thomson. Children in the wild who don't know him personally call him sir. When he goes to anywhere with reception, he's typically addressed as Thomson.
So explain to me again why English speaking audiences can't grasp that those kids are calling that woman Oneechan because she's a young adult woman that they aren't personally acquainted with, and more importantly why you chose to localize that to her given name and not the equivalent of "Miss" or even "Miss Given Name"? Because if your goal is to replicate the experience that the original Japanese audience would have with those characters, you're failing spectacularly. Because now not only do you have a bunch of kids going around calling adults by their given names when in the original language they're calling them a cultural equivalent to Miss or Mister, but your insistence on removing all honorifics and just using names means that there's no absolutely zero difference in the way a person is addressed by the people closest to them and total strangers. Which is not only wildly inaccurate to how the Japanese audience would experience that, it's not even that accurate to English, either.
Lost Highway (1997) dir. David Lynch

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Casually mentioning our soldier will be committing mass rape soon.
and implying that rape is just the natural outcome of having more testosterone
And Jesse Watters laughed. Ha ha rape.
Creepy right-wing pundits sure have a lot of stupid things to say about rape lately.
the winds of winter tomorrow