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@mala-taste
Hello! I got your message and I’ll respond shortly — I’m currently in the middle of eating a Peach, which is a delicate operation and thus I cannot type right now. Hope you understand!

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saw a post rightfully complaining about the fantasy trope of the petite/agile fmc’s weapon of choice being a dagger, considering that most serious styles of dagger-based combat are literally just wrestling where the winner gets to stab the loser. however i will point out that there are many historical traditions (i’m very familiar with east asian instances of this, and i seem to recall some european ones as well) of noblewomen carrying daggers or wearing big heavy hairpins designed to stab SO THAT they can commit suicide and die with spotless honor if threatened or captured. so if a woman’s primary weapon is a dagger, it means she’s been handed the premodern equivalent of a cyanide tooth and decided to get absolutely fucking jacked to make it everyone else’s problem
Do you think people who write genre fiction can be saved?
People hate on genre fiction like 90% of literary fiction isn't also dog shit
Dear Mala-Taste,
I just finished the Djerba sequence of PiF (misery and anguish, I had my doubts about Marthe because the last time we had a doppleganger for Lymond he turned out EVIL and she's also provoking Lymond the way Joleta did, which is all not great) (also RIP to Jerott and his gay repressed homophobia) and remembered you said there was a clue in here about why it couldn't have been Lymond with Oonagh in Tripoli! Very curious about what that was, if you would like to reveal!
All in all, I'm loving this book most of the series so far; it's hilarious and traumatic but still less stressful than DK was, somehow. Also I would die for Philippa Somerville.
Sincerely, your sister in suffering,
@no-where-new-hero
Dear Sister (platonic) (needs to be said explicitly in this fandom),
I actually didn't mean to imply that the Djerba sequence has a clue about who it was that slept with Oonagh in the tent! I just remembered that you thought Oonagh might be the endgame love interest and didn't want to spoil the fact that she dies brutally halfway through the story. Which happens in Algiers, not in Djerba, I now realize - I had them mixed up lmfao.
The actual clue I was referring to is in Queen's Play - during the sex scene Dorothy says something along the lines of, "it was the first and the last time they did it" - I think you once asked me to what extent these books were preplanned and, well, while some people have pointed out some early installment weirdness with GoK, QP contains clues to the central mystery of books 5 and 6 (which helped me almost solve it!), so I don't think she'd have written that if she meant them to have sex again in the next book. I didn't want to spoil things for you by saying they never have sex again!
Having just finished my DK reread a couple of hours ago, I can also sort of comment on my other theories:
Oonagh is not a character that's intuitively comprehensible to me, so I spent a loooot of time trying to understand where her seemingly irrational and erratic actions are coming from. One aspect of her is that she's deeply idealistic - she's looking for a Grand Leader to fall in love with and submit to and be led by as he embodies her own ideals that she, being a woman, can't independently exercise - she had hoped O'Connor and Renaissance IRA might be that but turns out not. This is super relevant within the themes of DK. The other aspect of her is that she's an abuse victim with a cripplingly avoidant attachment style, so the notion of not being in control and being in someone's power are anathema to her. So she fears what she craves and resents what she doesn't fear and that's why she ends up rejecting everyone at the end of QP - O'Connor was threading a thin line with her by sort of managing to look like both if you're delusional enough, and the events of QP made him fall off.
Gabriel the master manipulator understands this - a lot of time and care is used in DK to describe how much effort he's making not to crowd her, to respect her boundaries, to leave her with her own sense of independence and autonomy and privacy, and how well she's responding to that. Lymond, when they meet, while being flirty, also makes sure that she knows that he's doing it in a friendly way - he also sets a firm and honest boundary because he understands that this is what she'll respond best to. After that, despite all of Gabriel's talk about how she mustn't interrupt Francis's Great Destiny by hitching her wagon to him, she seems ready to go with him, because his behavior makes the boundaries between them clear and comprehensible and honest and that feels safe to her.
Oonagh thinking that Francis came to the tent then could then have two effects:
If Gabriel also embodies the ideal that she craves but fears while they're having sex and she thinks he's Lymond, then falling prey to her feelings and submitting to the ideal all over again once again annihilates her own sense of control and independence (big theme for DK). Having sex with "Lymond" brings her back to the state that she's trying to avoid and escape, so she'll feel unsafe and out of control (and potentially manipulated) and rather doom herself than stay trapped in said state. Oonagh craves relinquishing control (and finding a companion who's an equal partner) but does NOT want it consciously and tries to avoid it if she can. Especially if she feels that what he's expressing is not genuine - awareness of it is part of why she didn't stay with him in QP and her knowing that he's not in love but still came to her perhaps makes her perceive him as unsafe in DK as well.
2. "Francis" coming to have sex with her makes her think that he's succuming to his own impulses instead of following the path of leadership and righteousness that she's hoping he'll follow, so she decides to take herself out of the equation before that happens, especially considering (1) (she can't trust herself to really leave him once she's free).
TBH I was vacillating between the two and I'm still unsure of which one it is, exactly, but I'm leaning towards more 1 than 2, since she already thinks he's throwing away his grand destiny before he comes to the tent and seems relatively fine with it because she trusts him to do what's best and balance everyone's interests well. In this interpretation Gabriel wants her to feel threatened by her own feelings and follow her worst and most avoidant impulses, so that's why he does it, in addition to just finding her hot and deriving pleasure out of pulling one over on someone so staunchly independent.
Also, in a way, Gabriel's giving Oonagh the choice between Francis the man and Francis the intimidating yet appealing ideal, and she chooses Francis the ideal, and anything that sort of flaws this ideal (like him shallowly coming to her to get his rocks off) makes her distance herself from him in an effort to maintain it. If he refuses to embody the ideal she'll MAKE him embody it by removing all other choices from him. Between saving herself and having an honest friendship with Francis and feeling like she's the one who brought the grand ideals of the prefect leader to fruition, she'll choose the latter. And her own freedom is another ideal that she's pursuing.
But I may be overthinking it and he just did it on a whim because he was attracted to her, the way he told Meg Erskine about Tom's death with no ulterior motives.
Another more practical consideration is that Gabriel needs Dragut to think they're lovers, so Dragut doesn't connect the dots and figure out the potentially blonde child is Lymond's and not his. Since Dragut's guards are constantly watching them.
Anyway, PiF is IMHO the best book in the series, and the very stressful parts are yet to come! This is the fun chill part!
I feel in love with Philippa the first time I saw her in GoK so I get you completely <3 She's my blorbo <3
Yours faithfully,
-- @mala-taste (my formatting got fucked when I used the numbered list so I can't make the font fancy... Sorry!)
EDIT: Another thing that comes to mind is that a man who's had sex with her could probably tell that she's pregnant. While she can trust Francis to not throw his mission away for her, she knows he would for the child, ergo she needs to "die".
NEVER ASK YOIR PARENTS TO PICK YOU UP A BEER WHAT THE FUCK KS THISSSS
Listen tails this is my smart beer I’m smarter when I’m drunk
tonight, we let the LKLDS🏛️IL talk

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Edvard Munch
Madonna
Lithograph
1895/1902
Will you be seeing red after taking this quiz?
I can only read “dogs” and only see anything in one other. I see nothing in any other.
8/10 but fuck, OW.
8/10 also!
Wtf is my browser high on man🥀💔
Do you have the link for this? I need some rage this morming 🩵
Ofc!🫶 Source: The Conversation https://share.google/5HIhhwaaynMFEt5Q6
I got ragebaited so bad by this ngl😔
i'm getting the sense some of you are not actually forklift certified.
well damn . egg on my face
THE PLOT THICKENS @averagejoey2000 explain yourself
I can't believe this is how I'm finding out that I got a scam forklift cert.
I took the cargo ops class at school but my teacher explained that it doesn't give a certification and I'd only be okay for ship's crane and the school forklifts. she said I could take an online exam and get my cert. I paid 60 bucks.
I'm googling and I'm seeing a lot of resources saying that the online programs cover the classroom part of the exam but not the in person practical aspect.
29 CFR 1910.178 (l)(2)(ii)
but I did the in person practical shit at school.
the back of the card even had fancy numbers on it. I couldn't have known that this isn't the one. this website sounded more official than certifyme.net, and there wasn't one with a .gov address.
so, I emailed OSHA, and they said that so long as I live and work in California, there's no such thing as forklift certification. I have to be told how to do it every time I get the job.
Update: I took a certification class in shipboard Material Handling Equipment at my federal job. *now* I'm forklift certified, but only on ships and piers and only for this company, but also rated to forklift explosives and hazardous materials. Also I'm a woman now.

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No guillotine could take away the head I would give you btw
Someday your hands will be old and wrinkled, the skin spotted and bunching over your knuckles. And a child will watch you make something. It's a simple task, you'll have done it a thousand times before. But to that child, the smooth, confident way your hands move will seem like impossible magic. You have to keep living.
prev these tags have me crying. this is absolutely what it's all about
omg wait i didn't see the bit about asking for no raccoon emojis mb. ☕ instead + 🦄 for a generic writing question: how do you decide when to show a scene via dialogue between characters vs tell the reader via narration?
🦄 [free space] - for a generic writing question: how do you decide when to show a scene via dialogue between characters vs tell the reader via narration?
It depends on how pivotal a scene is to the plot and whether I have a really good joke to make. An important scene that sets up something that comes later, establishes a dynamic or delivers a particular resolution is best delivered through a mix of free indirect discourse + dialogue if there are multiple characters there. Also, if you have a really good joke to make. However, sometimes you will be called on to kill your really good joke. Writing is not a hobby for the faint of heart.
☕ - a fact gathered while researching:
I have literally been thinking for six months now about the fact that 95% of modern thoroughbred horses can trace their descent to one (1) horse stolen from Syria by the British consul at the time, in the 18th century:
The same year, an elegant, handsome four-year-old Arabian bay stallion, obtained in Aleppo, Syria, by the British consul Thomas Darley, was shipped back to his merchant brother at the family home, Aldby Park in Yorkshire. Darley had first seen the horse through his Syrian hunting-club activity and trading connections. After trying unsuccessfully to buy the horse from a Bedouin sheikh, Darley had the horse stolen and smuggled out through Smyrna. Darley’s Arabian stallion covered mares until 1719. Though a stolen horse that never raced, ironically Darley became a dominant foundation sire, making a highly significant contribution to the development of the thoroughbred racehorse. The horse’s Y chromosomes are now found in more than 95 per cent of all modern male thoroughbreds.
-- Horse Racing & British Society in the Long Eighteenth Century, Mike Hughes
[wip emoji game]
materialist-scumbag
THE TICK THAT DREW THE MAP OF THE WEST June 28, 2026
So the longhorn was a garbage animal. Stringy, mean, half-feral, descended from Spanish cattle that had gone loose in the brush country for a couple centuries and bred for survival rather than meat. In Texas after the war it was worth maybe three or four dollars a head, because there were millions of them and nobody to eat them. The local market was Texans, and Texas was broke. Up in Chicago or New York the same animal was worth thirty, forty dollars, because the Union had spent four years eating its way through the eastern cattle supply and the cities were short on beef.
That spread is the whole engine of the cattle drive. You don't need a tick to explain why a man would walk a cow a thousand miles to multiply its value by ten. The arithmetic does it.
What the tick explains is the SHAPE.
Because the thing about the longhorn nobody in the romance mentions is that it was a carrier. Centuries in the brush had given it a shaky immune truce with Babesia bigemina, a protozoan that lived in its blood and rode around on a tick that dropped off into the grass wherever the herd went.
The longhorn itself looked fine. Walked fine, sold fine, butchered fine. But the cattle it walked past, the fat improved Midwestern stock that had never met the parasite, those animals would start pissing blood and die at a rate that touched nine in ten. The Texans, reasonably, refused to believe their healthy-looking cattle were doing it. They took it to the Supreme Court in 1877 and won, on the entirely correct observation that their cows weren't sick. The cows weren't sick. The cows were Typhoid Mary.
(The disease disappeared every winter, too, north of a certain latitude, which baffled everybody for thirty years until somebody worked out that the tick just froze to death up there, no vector, no disease, the whole thing seasonal in a way that made it look like a moral judgment on Texas cattle specifically. It wasn't anybody's leading hypothesis that an insect was committing the murders. The leading hypothesis for a while was that the longhorns were poisoning the grass.)
So now run the two facts together. The cow is worth ten times more up north. The cow kills every other cow it passes on the way up north. What do you get?
You get a line.
You get a bunch of lines, actually. Quarantine lines, drawn and redrawn by Missouri and Kansas legislatures and eventually by the federal government, declaring that Texas cattle could not cross at all, or could only cross in winter when the tick was dead, or could only cross by rail if they were going straight to slaughter and never touched dirt that a local cow might later stand on. Missouri shut its border. Farmers formed Vigilance Committees (which is a polite nineteenth-century way of saying armed men) and turned the herds back at gunpoint. Kansas banned Texas cattle outright in 1885. And every one of those legal and shotgun-enforced lines was a wall the drive had to find a gate in.
The gate was the railhead.
This is the part that rewires the map. The famous cattle town (Abilene, Dodge City, Wichita, Ellsworth, the whole gunfighter pantheon) is not a town that grew up around ranching or water or gold or a river crossing. It's a point where the trail coming up out of the quarantine zone touched a railroad that could take the cow east to the slaughterhouse without it walking through anybody's protected pasture.
Abilene gets invented basically from scratch in 1867 by a man named Joseph McCoy who looked at the map, found a spot on the Kansas Pacific that was far enough WEST that the trail in from Texas could swing around the settled farm country and its quarantine, and built stockyards there. The town is a loading dock. The cowboy at the end of the trail, in the saloon, shooting the place up: he is a longshoreman who has just finished a shift, and the shift was getting the cargo to the one point where it could legally change from hooves to wheels.
And the cargo had to keep moving west precisely because the tick kept the settled east closed. As Kansas farmers spread and the quarantine line marched west with them, the railhead had to march west too. Abilene to Ellsworth to Wichita to Dodge, each town flaring up and dying back as the line of legal infection-free transfer slid across the state. The towns weren't competing on amenities. They were competing on being the current solvent point in a chemistry problem about where a tick could and couldn't survive the trip.
(Dodge City lasts longest because it's furthest out, last to get caught by the advancing farms, sitting out where the quarantine couldn't reach it yet. Its whole mythological career (Wyatt Earp, Boot Hill, the Long Branch) is a few years long and happens because of an agricultural-settlement frontier creeping toward it at the speed of homesteading. When the farms arrive, the party's over. The party was always a function of the farms not having arrived.)
So the geography of the Wild West, which towns exist and why they're where they are and why they boom for five years and empty out and why the trail bends where it bends, is not topography and not destiny and not the romance of open range.
It's the intersection of a price differential and a quarantine map. The price differential said go north. The quarantine map, drawn by the tick, said you may only go north HERE, and HERE, and now not there anymore, here. The cow drew the route and the parasite drew the borders and the men with the guns were just enforcing a public-health regime they didn't know was a public-health regime.
And it all gets zeroed out, eventually, the same way these things always do, not by a hero but by a logistics upgrade. They build the Kansas City stockyards and the packing plants, and then the rail net gets dense enough that the cow doesn't have to walk to the train at all, the train comes to the cow. Refrigerated cars mean you slaughter in Chicago and ship the meat instead of the animal. The long drive, the trail town, the whole apparatus that existed only to get a tick-bearing animal across a quarantine line to a loading point, it just stops being necessary, and the gunfighter towns settle down into being ordinary Kansas, dry and flat and law-abiding, within about a decade of their own legend.
The cattle tick itself they finally beat in 1943, dipping every cow in the South in arsenic for forty years to break the lifecycle. Nobody made a movie about the dipping vats.
Same as it ever was.
Apparently Tumblr deleted my post about how the Virginia state flag is the only one with a visible boob? Which I was trying to find so I could reblog it with the addition that a Texas school district banned it because of the boob?
A Texas district pulled a lesson on Virginia from some classes over a topless Roman goddess on the state flag. Yep, really.
Well here, I’m gonna post it anyway. Hopefully no sex perverts will turn into cartoon wolves and make alarm bell and steam whistle noises

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Naples, Italy (by Pier Luigi Valente)
i'm not reading your fuckass card links brother youre a grown man in 2026
Guy who's card just links to his LinkedIn