# ILYA ROZANOV IS A COMEDIAN
CONNOR STORRIE as ILYA ROZANOV HEATED RIVALRY (2025—)

shark vs the universe
occasionally subtle
🪼
I'd rather be in outer space 🛸

d e v o n
trying on a metaphor

roma★
DEAR READER
PUT YOUR BEARD IN MY MOUTH

祝日 / Permanent Vacation
dirt enthusiast

❣ Chile in a Photography ❣
KIROKAZE
h
Cosmic Funnies
TVSTRANGERTHINGS
YOU ARE THE REASON
Monterey Bay Aquarium
seen from Philippines

seen from Brunei

seen from Türkiye
seen from United States
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seen from United Kingdom

seen from Spain

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seen from Venezuela
@cactusspatz
# ILYA ROZANOV IS A COMEDIAN
CONNOR STORRIE as ILYA ROZANOV HEATED RIVALRY (2025—)

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Ryan Gosling hosting Saturday Night Live Season 51, Episode 14 (March 7, 2026)
One thing I haven't seen discussed a lot, and that's been executed so well, is the portrayal of Shane's autism and struggle to understand subtext/implied meaning, in relation to Ilya's internal struggle regarding his own family.
We are starting off strong with the introduction of Ilya's father in episode 1, where right off the bat, he calls Ilya lazy and in need of discipline after just having signed his rookie deal. We later see his father shaming Ilya for losing a game, basically calling him a disgrace (right after his brother used a slur against him), while Ilya goes quiet, enduring the treatment he's used to. We also have his brother telling him that they can live without him, so there's that.
In the very same episode, we see the first time Shane misses the cues regarding Ilya's family history on the rooftop, when he tells Ilya, "You're just up here sulking because, what, you couldn't take another victory lap around me?" and Ilya replies with "Not everything is about you!". To be fair, Shane can't know at this point, that losing this award would mean more punishment from his father, but still, Ilya is visibly tense and upset, so when he tells Shane that he'll be going back to Russia, and Shane says that it must be nice, it's clear that he entirely missed the physical cues from Ilya, which would have told him that it is, in fact, not nice at all.
In episode 2, we are focusing on the Winter Olympics, with Shane guessing that Ilya's family must be happy that they're in Russia, to which Ilya is slow to reply at all. In the same breath, Shane asks if his family is gonna be there, and Ilya reluctantly discloses that his father and brother might come. It is glaringly obvious that this is, again, not something he is looking forward to, but Shane misses it, and instead focuses on the support he receives from his own parents. The contrast is gut-wrenching - Shane's parents are thousands of miles away and still show up, Ilya's family is right there, and emotionally couldn't be further away from him. And Shane misses that because in his small world, parents are supportive, so why would it be different for Ilya?
But oh, oh, then we get the first crack in Shane's understanding, and it's awkward and beautiful and complicated and heartbreaking all at once. Cut to Russia, Shane sitting in that café, with Scott and Vaughan joining him, the latter pointing out that Russia isn't safe for gay people, something that serves as a gut punch for Shane, who is figuring out in real time that they are in Russia, and Ilya is in Russia, and Ilya is Russian and (presumably) gay, and oh no, oh nonono, how did he miss this? How must Ilya be feeling? He really needs to know if he's okay and safe asap. So, when he spots Ilya, he walks up to him, but Ilya is, of course, tense. That should have been answer enough. Ilya knows they can't get caught, not here, in Russia, but Shane still needs verbal confirmation, so he asks if he's okay. And Ilya doesn't let him in, even though his body language speaks for itself - or so he thinks. But Shane, sweet rejection-sensitive Shane, thinks Ilya simply doesn't want anything to do with him, so he gets defensive and leaves, even when it's clear that Ilya is hating every second of his stay in Russia.
When we get to Vegas, Shane finally tries a more direct approach, when he asks Ilya if he's going back to Russia, and then asks him why he is going back. Ilya tries to explain that Russia is home, even if it's hard and complicated and messy, but Shane doesn't understand, asks if it's safe and if he even likes it there. And honestly, what a bloody brilliant question and one we see Ilya contemplating long after Shane is gone, because to Ilya it's always been clear that he doesn't have a choice, but Shane, inadvertently, opened up a door that's been closed for far too long. Even when Ilya deflects, again and asks him what difference it makes if he likes it there. To Shane, for once, it's clear. At the same time, he completely misses the conflicting feelings someone experiences who has been nothing but abused by his family, but feels responsible for them anyway, simply because they are family, they are home, and you don't just give up home.
In episode 4, we have the phone calls between Ilya and his father/his brother that Shane witnesses and asks about, trying to open up the conversation about Ilya's family, which Ilya quickly shuts down again, and Shane, ever insecure, doesn't dare to probe again when Ilya doesn't give him an answer.
Episode 5 then gives us the breakthrough in the hotel room in Florida, where Ilya, for the first time ever, is being open and direct with Shane about his family. He also repeats the sentiment of "does it matter how I feel?" and I love the parallel to episode 2, where Shane asked him about going home. This scene, in a lot of ways, is yet another mirror scene and beautiful storytelling. And of course Shane, at first, misunderstands when Ilya tells him he wouldn't be able to go back to Russia. Ilya clarifies, clearly upset and still very much held back by his loyalty to his family and home country, certain he won't ever be allowed to be happy - and for the very first time, he shows Shane his true emotions and lets Shane comfort him, too. This scene serves as a turning point in their relationship but also in Shane's understanding of Ilya's internal struggles, and we see the change when he later asks Ilya about his family again, and Ilya deflects, but there's no longer a real bite behind it, because he has realised Shane truly cares about him.
By the time we get to their phone call, there is no more pretence left. Ilya is honest about his family being a mess, about him not being okay, and Shane is able to respond to that, is able to offer comfort, something Ilya hasn't been used to up until that point, at least not to this extent. Again, a mirror scene - Shane is thousands of miles away and still showing up for Ilya, the same way Shane's parents showed up for him when he was in Russia. And while Shane doesn't understand a word Ilya is saying, he does feel the underlying emotions, and that's enough for the moment. And, it's still the first time Ilya verbalises just how deep the pain he feels about his own family goes.
Finally, we get this beautiful moment of vulnerability between them, showing just how far they've come in figuring out how to communicate, how to open up, how to understand. It shows us that even if Shane has been unable to read between the lines for years, he does want to show up and be there for Ilya. He does want to hear about his thoughts, feelings and struggles. Likewise, Ilya learned that Shane needs direct communication, and he's willing to give him that, because in return, he receives so, so much love and support.
In short: Ilya's struggles with his home country and family create a focal point, that, through the years, serves an example of how Ilya's and Shane's relationship evolves, both in terms of communication, vulnerability and trust, and it really is so subtle because these moments are so fleeting, but in the end it all comes together so heartbreakingly beautiful and it's yet another thing I absolutely adore about this show.
you're owen lars. your father has fallen in love with a woman and she's enslaved. you and your father aren't rich, but eventually you manage to free her. this one woman. one woman on a planet full of injustices.
you're owen lars. the woman you call mom had another child once. it doesn't make her love you less, but she talks about him in a way that makes it clear that she loved him, too. he's off to be a jedi now and she's very proud.
you're owen lars. your mother's been kidnapped and you have to assume the worst. a man and a woman step into your home and the man announces himself to be that kid who went off to become a jedi. he knows you less than you know him and before anything else can happen, he takes off to bring back his mother, a feat you think is impossible.
you're owen lars. anakin skywalker brings your mom's corpse to your doorstep. her funeral is interrupted by a message of utmost galactic importance.
you're owen lars. your brother is dead. you never saw him again after that first time. there is another jedi on your doorstep, with a baby in his arm and you know what it means and you can't bring yourself to face him as he hands your nephew off to your wife.
you're owen lars. obi-wan ben kenobi is a pain in the ass. he was more your brother's brother than you ever were and he doesn't understand your particular kind of grief, is drowning in his own. you don't even know the full story and kenobi will never tell you all of it. but you have a child to care for so you tell him off and get back to work.
you're owen lars. you didn't know your brother, but you know your nephew and your nephew wants out of this place as soon as possible. you know he won't be safe out there but in the end you're helpless to stop him. and you know the stories, you remember the one time you met him, the days your mother died. and you do this for her and you do this for your father and you do this for your brother and you do this for your nephew.
you're owen lars. your last act is to protect your brother's child. your child.
shane and ilya and a decade's worth of casual eye contact in public places

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Alright I want to know something here:
the 🙃 emoji means (approximately)
silly!*
ugh!*
secret third thing you will explain in tags*
*if comfortable doing so, you may include your age range/generation in the tags for helpful demographic data
kindly reblog for bigger sample size, thanks!
Grace's house on Erid
When you're googling Google for your Buffy fic to figure out whether the characters would be using Google in the summer of 2000 and then the Wikipedia entry for 'Google (verb)' includes this:
Back at it again with my Sandra Hüller posting, but her acting in Stratt's betrayal scene is just another level.
Film critics have noted that she tends to be very subtle in her performances, keeping the characters close to her chest, only to reveal extraordinary depths of emotion when the moment finally comes.
There are no explosive outbursts in Stratt's betrayal, no dam of emotion broken. Stratt cannot allow herself to break, but, for a moment, she cracks, and Hüller reveals for the first time just a glimpse of the weight Eva Stratt carries every day, this human being forced to play God.
"Grace, we will lose... a quarter of the world's population in the next thirty years. And that assumes that the nations of the world work together to ration food. Which they won't. So I doubled the estimate."
There's so much fear in her voice here. So much grief. But so much resolve. Eva Stratt was handed the fate of every single life on the planet and she will not drop it. But it's hard. Whatever she claimed, it is hard.
Hüller shows Stratt visibly fighting to maintain her composure as Grace loses his, forcing herself to maintain eye contact, to keep her voice steady, the first almost imperceptible slip in her usually flawless English. There's a strain in her voice she can't quite allow to be desperation as she pleads with the closest thing she allowed herself to a friend to understand what she has to do.
"I have to do it," she tells him. And after Grace flees, we see Stratt alone with herself, and we know it, too.
help me out here, people
I'm having a disagreement with my family, and it's turning into a whole Thing, so I turn to you, the fine people of tumblr
Have you ever heard the word "panopticon" before, and do you know (without looking it up!) what it means?
I have heard it before, and I know what it means
I've heard it before, but I don't know what it means
I haven't heard this word before, and I don't know what it means
Reblog for reach, and thank you in advance for your answers

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This might be the funniest reply I’ve ever seen in my life
I AM WHEEZING
PLEASE STOP REBLOGGING THIS OMFG
everything coming full circle (2/∞)
this doggo brought the umpires water between innings
ANDOR | MAKE IT STOP (2x10) - dir. Alonso Ruizpalacios
final boss of parental neglect ilya rozanov

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for the record im not technially 100% anti-AI, in the sense that its a broad category of tech being lumped under one umbrella term so it feels over-zealous to say i hate all of it all the time forever. but i also think trying to discuss what it actually IS good for is difficult right now when i cant take one step without something trying to convince me to use chatgpt to summarize my life and speed up my hobbies and turn my friends into chatbots and optimize my life into oblivion. i am certain there is nuance to the topic but can we stop cramming the square peg into the round hole before you start trying to sell me on the legitimate benefits of the square peg. please.
Neural Nets have existed for decades and are genuinely useful. It's a form of AI that recognizes patterns, and can do stuff like identify cancer cells, tell whether an egg is fertilized or not, detect fraud, and optimize routes.
Those are Expert Systems, tuned to do exactly one thing. If you (say) ask a medical expert system a question about financial law, it's useless. The autopilot that flies a 787 has no idea how to drive a truck on the freeway. A Coulter Counter is excellent at identifying lymphocytes in a blood sample but can't predict the next card in a blackjack game.
And so on.
The problem with so-called generalized AI (AGI) is that we don't have that yet. It doesn't exist. It MIGHT some day, but AGI has been "10 years away" since the 1980s. The goals keep moving as we learn more about how people and machines process data.
But the current crop of AI techbros have been selling generative Large Language Model AI (LLM) as AGI because generative systems do a good job of faking it. There's no actual thought going on, merely the illusion of thought via predicting the next word in a sentence accurately.
If you let a human toddler listen to 800 hours of YouTube car influencer videos, that toddler might end up sounding like a car influencer. They'd parrot horsepower numbers and 0 to 60 times, mention EV range and MSRP numbers.
But they wouldn't understand any of it.
That's ChatGPT.
And yeah, it's worse than useless because it doesn't even know when it's lying or hallucinating. It just babbles convincingly until you stop it.
But for techbros to make money selling that as "AI"? It's the perfect scam, especially if you don't understand how it works.
I fucking hate it.
Heated Rivalry s01e06 | I'll Make You a Deal