Shane and Sensory Regulation
Caught up in my feelings about Shane actively learning to accept and work through sensory regulation and his overstimulated nervous system.
In my mind, Yuna happened upon Jellycats when Shane was pretty young (I had one as a kid because my mum got excited about toy trends and most of my classmates had one so she saved for my birthday and I LOVED it). Anyway, I think Yuna would purchase one when Shane suddenly doesn't hate Kindergarten because his teacher has acquired a Jellycat for the quiet corner of the classroom. In my mind Shane spends all his time completing puzzles and reading books in this corner when he can, and Yuna is just like, "okay, he's not making friends or playing with kids, but AT LEAST he doesn't hate school now," and so she buys him one. She gets him the Bashful Bunny version. At first she's unsure, its light pink, its got flower designs in the ears, but when she shows Shane the website, its the one he wants. Says its just like the one at school. And, well, Shane is so particular, Yuna knows her son, and in my mind, Yuna is a supportive mom, but she's also got some ideas about perception and maybe deep down she thinks ideas about boy vs girl toys are reductive, but she is way more preoccupied with fitting in. Molding and changing herself has been a part of her identity since her family immigrated when she was young. She was always making herself smaller for people, always considered too different too driven too confident, and she doesn't want Shane to be ostracized the way that she was. So in my headcanon of Shane's childhood, Yuna is always just lightly steering Shane onto the path of least resistance. I think David initially resists this a bit, preferring to let Shane be whatever way he is, and I think their marriage was probably pretty rocky during those early years of raising Shane because of disagreements about how to raise and respond to their son, but ultimately, I think David just decides to steps back a bit on that front (maybe in result of a larger fight in which Yuna expresses that he will never understand the way she was treated and thus will never fully understand the struggles Shane will face being biracial.)
Anyway, all this to say, I think after Shane, ever stubborn, ever himself while he's young (not yet knowing that he was supposed to shrink himself to fit in) tries to steal the Jellycat from school and thus twists Yuna's hand. She buys him the Bashful Bunny and god he loves it, (hilariously names him Bun-edict with the help of David), and carries it everywhere, cuddles with it on the couch, pets its floppy ears when he's upset, rubs his cheek on the fluffy top of its head absentmindedly, he hugs it to his chest tightly while he's reading. When it arrives he's doing a happy wiggle just waiting for Yuna to open the box and she's TAKING TOO LONG MOM, and Yuna is at first uncomfortable with how much he likes it, worries about it getting dirty. She closes the blinds when he's in the kitchen with the plushie just in case the neighbor will peak through the blinds of the stuffy house next door in the suburban hell which is the their home and hate her five-old-son who doesn't care to know that pink soft things are for little girls. This neighbor who already looks at them funny when she lets Shane play and jump in the front yard sprinkler, who smiled noncommitally when she offered to invite her son over for a playdate with Shane, saying, "For sure! I just don't know if that their will be anything he can eat" and "Well are boys are just raised so differently," and "my son is just so rowdy they probably don't have much in common. But really, you got so lucky with such a....sensitive kid, must be a dream." But then Shane nuzzles the bashful bunny and hums happily with his nose stuck in a Second Grade Reader booklet about Silly Hotdogs, her son, so smart and so small and already so different, and she just can't bring herself to take that comfort away from him. So she washes the toy and carefully air dries it so stay fluffy and soft and she lovingly rubs its tufts with Tatami scented oil which Shane adores and snuffles and when she gathers her son in her arms, he smells like home and Yuna can't breathe in enough of it even as she struggles to pull in the next rush of air.
Then one day, Shane comes home from second grade without Bashful Bunny (whom he'd packed in his backpack to read with on every library day since the first grade), and doesn't speak when asked where his plushie went, he just gives a blank stare and looks away. At dinner, she asks again, and he just shrugs his shoulders but she knows her baby and its not nonchalant, but stilted and sad and his fingers are digging into his thighs where they once dug into Bun-edict's soft fur. He quietly says that he is too old for stuffed animals now and asks if he may be excused to his room after dinner. Yuna doesn't know what happened, but she suspects, and her suspicion festers as Shane grows and resists the soft things he used to love, festers more when he hums less and becomes rigid like a board with his thumbs tucked safely into the little pockets of his cargo shorts instead of wiggling around trying to contain his latent energy. and joy. And that suspicion turns into longingguiltpain and desperation to make the world understand her son, but she sits with it all because she knows it might be for the best that Shane learns early to mold himself for the world because she knew better than most that the world was never going to change for him.






















