sorry i cant stop thinking about it
shane: hey :) play better next time best buddy :)
scott: take ilyas dick out of your mouth before you talk to me
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@scunthotter
sorry i cant stop thinking about it
shane: hey :) play better next time best buddy :)
scott: take ilyas dick out of your mouth before you talk to me

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happy wet shane wednesday!
inspired by this post by @ilyasmole , the whole thing is incredible, but specifically this part:
ilya's own fingers dig into the soft flesh of shane's waist and he tugs him impossibly closer, murmurs, "are you gonna come for me, hollander?" all low and sensual, and shane can barely speak, can only give a desperate nod as his eyes squeeze shut and his cock bobs in the mirror. "yeah? you gonna show me how you come from just this?" and he punctuates the words with the slow pounding of his hips, burying his nose in the side of shane's face and keeping his eyes fixated on where shane continues to leak.
thank you for your beautiful inspiring wonderful hornyposting <3
full art on ao3
my art tag
donβt forget to reblog <3
there's a beautiful symmetry in shane's "i don't think i can keep pretending i don't like you anymore ... i think i like you maybe a little too much." and ilya's "good morning. i like you." in the first scene, shane is in the darkness of that tampa hotel room letting his walls down for ilya and watching ilya do that in return. this is the first time that shane admits his sexuality out loud and that ilya offers shane any information about his home life. they visibly take the other's trust in them very seriously. and then the second scene has ilya, glowing in the morning sunlight, keeping his promise to shane to be honest about what he's feeling. coming right off the heels of talking about ilya's mother in front of the fire, another moment of walls coming down and trust being built.
and they like each other. in these moments, that's perhaps the most powerful truth they can trust each other with.
i do truly believe that the centaurs hand troy the aux he plays one song and ilya has to go over to him and be like this is the saddest song i have ever heard and i lived in russia for eighteen years. and hazy is like just out of curiosity how many days during the past two weeks have you had thoughts like
Ilya, just saying the most poetically romantic think that Shane has ever heard (think borderline romantic/possessive cliches in a russian accent) and Shane responding with "shit dude, yeah. π"

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SHANE HOLLANDER WEEK 2026 Day One: Favourite Moment β Ilya visits Shane in Hospital (S01E05)
Ilya being born 30 years before Shane, defecting from the USSR to get away from his father and going to Montreal. He's alone and depressed and maybe he isn't as careful as he should be. Maybe it was an accident, maybe it wasn't but now he's haunting his mansion, well actually he's haunting his mother's necklace which is tucked behind a drawer in the master bath.
People don't like living in Ilyaβs mansion, they can feel him there. Then along comes young and hungry rising mlh star Shane Hollander, who after billeting his first year jumps at the chance to buy the Ilya Rosanov's old house. The last great player on the Voyageurs, the one whose death led them to a 20 year losing streak that Shane is there to fix.
Shane likes living there, its not creepy no matter what Hayden says. He likes the heavy feeling of eyes on him at all times, it makes it impossible for him to feel like he's disappearing. He likes the feeling of hands brushing against his skin, of phantom lips and teeth, of a big body right behind him at all times, its less lonely. Every night he dreams that Ilya Rozanov forces him to take his cock. Shane just really likes the place, it's got good bones.
An Archive of Our Own, a project of the Organization for Transformative Works
Shane moaning a little "yeah" when Ilya starts kissing his neck num num num delicious gimme 15 of em right now
Ilya has surgery on his shoulder in the off season. The surgery is considered a minor one and everything goes well. He walks up from surgery high as a kite but otherwise fine. Yuna, David, and Shane are talking to Ilya when a nurse walks in. The nurse explains heβs here to examine the small incision and check the stitches but when he tries to pull down the hospital gown, Ilya freaks out and tells him no. βIβm married!β He slurs out. βHappily married!β They try to explain that the nurse is just doing his job but Ilya isnβt having it. Only Shane can undress him so Shane peels back the gown enough for the nurse to look at the stitches. Shane apologizes for Ilyaβs outburst but the nurse shrugs them off and says it was actually kind of cute.
Ilya loves making Shane squirm, both from verbal teasing ("You'll have to ask nicer than that" - "please get on your knees please?" - "No") and physical teasing (hayden phone call thumbs up blow job face slap) which is where I think Ilya's sadomasochism lines up perfectly with Shane's. The way Ilya grew up, his experience with power was that it was always stolen or extorted, never a gift. His brother expects him to give him money in exchange for slurs and insults, and it never stops ("bol'she ilya, bol'she, bol'she"). His father demands he apologize to Russia while he ridicules and belittles him, which echoes how Ilya saw him treat his mother ("I don't want you to think she was weak. He was so hard on her"). So the idea that power could be something given from one person to another freely, happily, willingly, is a revelation to Ilya. It's like a drug. An antidote to the poison of abuse.
Shane squirming is evidence of his struggle to give up his power, and if ultimately Shane felt worse after the fact, if he didn't want to continue but Ilya made him anyway, then the cycle would continue, and Ilya would be replicating his own suffering onto someone else. It would be extortion, abuse, all the things that people think sadomasochism is who don't understand what's at it's core.
But Ilya doesn't want Shane to feel worse afterwards. Ilya wants Shane to give up power and to like it. Not in a hollow way, not because Shane thinks he "should" like it or because he thinks Ilya likes it so it's the only way to keep him interested. But to truly, deeply, enjoy it for himself.
This is why the Vegas sex scene is such a lightning rod, because to describe Shane as only feeling "better" or "worse" afterwords would be dismissing the nuance and depth of Shane's arc with his own desires at that point. Shane wanted to follow Ilya's orders and play the game with all its sharp edges, and then afterwards he wanted to feel soft. To be kissed. For Shane, giving up power is a risk, a vulnerability, an act of trust that could end badly, but that is rewarded tenfold every time it doesn't. And Shane comes back to Ilya after Vegas. It's not a clean line from one encounter to the next, but they don't make it to the cottage without Shane deeply enjoying the dance that Ilya curates for them.
And for Ilya, making Shane squirm is evidence that it's not an easy thing, that it's actually quite profound for Shane to give him that power, that it's always a risk. And Ilya loves the thrill of it. Seeing Shane's soft underbelly as he slides up further on the back of the couch, while Ilya holds his trust in his hands as he slides them further up the hem of his (obscenely short) shorts. Gives Shane challenges he has to struggle not to lose, because but-if-you-get-hard is how Ilya injects adrenaline into Shane's bloodstream. Interrupts and embarrasses him while he talks on the phone, because the edge of embarrassment is the tick-tick-tick of a heart beating faster and pushing warm blood to flushed skin. And then finally, the giggling, smiling, "Why was that so hot?" afterwards is Ilya's wild reward, his evidence that taking power is worth it if it's actually a gift.
The experience that Ilya ultimately wants to create is a transformation of what he grew up with, what shaped him, what wounded him and left him wanting to be healed, and that's the experience of giving and getting power on purpose, for fun and for pleasure and for love. The consent is the cure. The power exchange is the familiar, painful struggle that transforms into the dance that transforms into the hottest sex you've ever seen.

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i have a bunch of disgusting ideas if anyone's interested
something about ilya admitting to shane that he looked up the word compatible really gets to me. shane is the one person he never had to hide his language barrier from because shane never treated him differently for it. covering for him at the press conference and never batting an eye at any struggles he had.
the fact that ilya could tell shane that he looked up that word specifically, especially in reference to rose landry, to them, to all of it, and not be afraid to admit that he needed that clarification and reassurance regarding such a vulnerable topic
shane hollander crazy arch ass spread open by his husbands hands hole shiny with lube and gaping a little multiple loads spilling out. google image search
things that shane has said to his babies as things i have said to my nephew:
"woah dude thats a really cool chip. i wonder if theres a way to eat it" at baby with pacifier in mouth
"nope! puppy water. nope! puppy water. nope! puppy water" as baby is trying to drink from the dog's water bowl
"thats the patio door. yeah i know you can look through it but its not even open! what the heck? i guess we'll never know whats really out there"
i do things besides sexualize shane. for example im about to make pasta

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I think carter vaughn as a black hockey player who has been in hockey locker rooms his entire life has learned to play the offensive when it comes to loudly being an ally and generally letting other players know where he stands so that he knows which guys are also cool and which guys are calling him a liberal cuck
There is a kid out there who did every single one of his school essays and projects and short stories and friendly introductions at the beginning of the year about Shane Hollander. He did his book reports on the books Shane recommended in interviews. He saved his money to buy that stupid cologne Shane advertised. He got a puck from Shane once at warm ups and he slept with it in his bed for three weeks. He writes his moms name on his stick tape because Shane did it first. He watches the Olympics in awe. He gets into fights with kids at school about whose a better hockey player and its Shane all the way, no matter what the other kids told him or what their moms and dads said. Shane is the best.
And this kid did not have a lot of friends. His teachers thought he wasn't very smart because he made everything about hockey. And they dismissed him when he struggled with math and reading. "if you could just put some of your hockey energy into school, then maybe you would get better." His classmates laughed at the hockey themed valentines day cards him and his mom had to hand make because nowhere was selling hockey themed valentines day cards. And they laugh at him when he repeats the same thing over and over about "getting pucks deep, pucks deep, pucks deep." When he would play all by himself on the yard pretending he was skating, picking up any big stick he could find on the ground, they'd push him around. "Can we play? We'll be defenders" and ram him and take his stick. And he'd just go through all the penalties they would have just gotten over and over again until he can calm down. He celebrated every birthday at the ice rink in his full hockey gear even though he didn't really have classmates showing up. Not for lack of invite.
And his parents try to steer him away from it. They try and watch new sports, they try and get him to watch kids shows, get into things kids his age like, but all he wants to do is watch reruns of the metros cup wins. Wants to wear his hat backwards with his black shirt because that's how Shane looks in the interviews. Memorizes the answers he gives in french even though this kid never learned french in school. And its useless. This kid is hooked and they just kinda have to ride this wave.
So when the announcement comes for the Game Changers camp, these parents do absolutely everything to get him there. They don't care what it takes, this is like a light for all of them really in the midst of all the bullying at school and the meltdowns at home and the obsessive routines that fall apart if even one thing is out of place.
And they explain to the camp that their boy might have a hard time. Might need some time to adjust. That he struggles with math, and reading, and can get caught up in all the rules sometimes. Preemptively trying to say "he's not a bad kid. he's trying his best."
So at the end of the first day, his parents are prepared for a meltdown. Its new, its a lot of kids, the rink can get loud and cold, and he doesn't always do well with transitioning out of hockey. He's hard to pull off the ice at home.
And they can see some upset under the surface when they arrive. He clearly doesn't want to go home. Thats no surprise.
What is a surprise is the way Shane gets down on one knee next to where the boy is sitting upset on the ground. He doesn't move to touch him. He just gets down and the two of them softly have a chat. The boy is tugging on his hair and nodding at what Shane says. And eventually he stands and the parents walk over to them.
"You must be the parents. Its good to meet you," Shane says softly. "I was just going over some things about tomorrow. So that way he would know the schedule."
And they can see their son isn't quite happy, still clearly exhausted. He'll nap in the car and be grumpy at dinner. But he is much more regulated than they expected him to be.
"And, I was telling him about my schedule when I go home. About getting some quite time, making sure I can decompress. I think that's what all good hockey players need, right buddy?"
"Right buddy," he repeats.
And for all the understanding that seems to be there, his parents are just grateful that of all the things their kid could have a special interest in, its Shane Hollander.