So as an artist who has been known to play a few instruments, I've been thinking about this recent thing radfems are doing, where theyâve decided, seemingly out of nowhere, to just wildly shit on ukulele music. And not just the music, but to brand it as âcringe transmasc music.â
And look, even if that wasnât deeply racist, it would still be stupid. And wrong. But the fact isâŚ
The ukulele is a Hawai'ian instrument, descended from the machete de braga, a small Portuguese guitar brought to Hawaiâi in the late 1800s by Portuguese immigrants from Madeira. Hawaiian luthiers adapted and reimagined it into what became the ukulele. Itâs a cultural symbol with a history of colonization, cultural appropriation, and resilience, born from the blending of immigrant traditions with Native Hawaiian artistry.
When you reduce it to some internet stereotype, youâre not just making a dumb music take, although you are also doing that, more importantly youâre participating in the long tradition of white mainland culture flattening and mocking Indigenous Hawai'ian traditions for sport.
Itâs also worth noting that the ukuleleâs popularity didnât explode because itâs âquirkyâ or âinternet tweeâ, itâs because itâs approachable. The instrument is physically small, light, and low-tension compared to guitars or violins. You donât need huge hand strength to fret it, the (usually) nylon strings are soft, and it can be tuned in a way thatâs forgiving for beginners. That makes it accessible to disabled musicians, kids, elders, and anyone without the privilege of formal music education. You can teach yourself entirely off the internet or even practice alone if you're dedicated.
I say this as someone who used to play violin and piano but now plays ukulele and ocarina because those are instruments my bad back and hand tremor will actually allow me to enjoy.
My own ukulele was an investment, imported from Hawaiâi, made of mango wood, rosewood, and bull bone. Itâs a gorgeous instrument, itâs one of the most expensive things I own (a very spicy $500), and I cherish it deeply.
But hereâs the thing: you donât need a $500 ukulele to make beautiful music. You can get a perfectly playable one for cheap, especially secondhand.
That means this is an instrument thatâs accessible to poor and working-class people, including those from marginalized communities who often donât get the same access to âprestigiousâ music education or expensive instruments or expensive equipment and programs to make music digitally.
So when I hear someone mocking âcringe transmasc ukulele music,â hereâs what I know immediately:
Theyâre definitely not an artist making art with any real value
Theyâre transphobic toward trans men and likely nonbinary people too
And if someone is happy being a mediocre artist whoâs also multiple kinds of bigoted, thatâs their prerogative, but Iâm not going to respect their opinion on art, or trans people, or disabled people, or Indigenous people, or poor people.
I genuinely donât have much more to say. Thatâs it.
You make fun of ukuleles like itâs an aesthetic crime instead of a living piece of Hawai'ian culture and a vitally accessible instrument for marginalized folks, youâve told me exactly who you are.