commissioned @bethfuller to do some art of my ranger/rogue Adrien Willoughsby and she did a fantastic job! It’s everything I had hoped it’d turn out to be and you should definitely go follow Beth if you don’t already and take a look at her art!

祝日 / Permanent Vacation
noise dept.
taylor price
hello vonnie

Sade Olutola

Kiana Khansmith
Not today Justin

titsay
d e v o n
todays bird
almost home
Peter Solarz
i don't do bad sauce passes

★

pixel skylines
Xuebing Du
Three Goblin Art
NASA
seen from United States

seen from Germany

seen from Germany

seen from Malaysia
seen from Senegal
seen from China
seen from United States

seen from Australia

seen from Germany

seen from Brunei
seen from Paraguay

seen from Türkiye

seen from United States
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seen from United States

seen from Saudi Arabia

seen from Germany

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@averagemrfox
commissioned @bethfuller to do some art of my ranger/rogue Adrien Willoughsby and she did a fantastic job! It’s everything I had hoped it’d turn out to be and you should definitely go follow Beth if you don’t already and take a look at her art!

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rooby is somewhere she probably shouldn't be in how did she get here
there is so much to unpack in this clip
So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing. They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it. It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing. And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. NOT beginner friendly, is what I’m saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one. They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered. I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.
I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three. And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart. This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.
(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)
Hang on a minute. I recognize the name “penwiper”. Let me check– Ok, yeah, I’ve heard of this person.
OP also invented armsocks.
Y'all might have noticed that your friendly community moderator has been slacking a bit lately. No updates. No organizing. What the heck was
OP I have been thinking about YOUR IMPACT since 2011. Do you know what you did for Homestuck lmao
Another example of a foundational internet text that millions of people don’t know was so influential.
Now I know you know I don’t respect western anime fans in general but hearing alleged pushback for the author saying Apothecary Diaries is fiction and not historical to china is so funny in terms of the fans’ stupidity. They can accept Game of Thrones, Lord of the Rings, Avatar the Last Airbender are fictional settings and not historical fiction yet they see something Vaguely Chinese and assume the author a coward.
We already know that the Witcher isekai’ing to IRL Poland was stupid so why do you want historical fiction so badly when you hate cultural fiction crossing over with history.
As always, charmed @hagiomoto, I love audience participation.
You don’t know how funny it is as someone who likes being a smug-ass nerd about shit that I don’t even like to have learnt/read this. I will allow AI summary to take this one over. I know all this by the way I just don’t respect it enough to use my own words.
She brought back the fucking black death.

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youre the stupidest guy i ever met and youre stupid
🌾🌾🌾
Harvesting my wheat
Hehehehehe
Can I fucking help you?
my senior english teacher told me that any scene with a woman in a cornfield in every piece of literature ever is about her journey to womanhood/pleasuring herself in the field and i just.... believed her
What
What
99% of queer discourse stops right before they define the true difference between bisexual and pansexual!
FOR THE LAST FUCKING TIME
BISEXUALS GROW FROM THE GROUND
PANSEXUALS GROW FROM THE CEILING
Absolutely bonkers that I'm now one of those weirdos you hear about on Twitter
I committed to the bit so hard that I also committed misdemeanor impersonation of a government official
when a songs lyrics use repetition to signify growing desperation and emotion that additional words wouldnt be able to convey

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Raven’s such an ass, but I understand why. Love her long time.
Inspiration from this.
Oh, c’mon Yang!
revolutionary girls
print for AX 🌹
Companies that rushed to replace human labor with AI are now shelling out to have IRL workers to fix the technology's screwups.
Delicious. We love to see it.
@ralfmaximus
Ultimately, she spent 20 hours redoing the copy from scratch — and with her $100-per-hour rate, that meant her client was shelling out $2,000 for copy that likely would have ended up being far cheaper had a human just written it in the first place.
I love stories like this.
Get peer reviewed!
They make me sick..

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these human creatures have strange customs. some are nice tho
Okay, if you are tired then you won't be able to read. There I say it. No one else want to say it. It is strange. If you are tired, if you cannot finish a book that's a given. That's why you need to read...at work. You need to steal your reading time from your employers.