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im nonbinary in a way that doesnt really matter

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people have talked about the relative non-presence of children in black sails but the ways in which they are present are also quite interesting... they represent the future for sure that's what children always represent but also from the "nothing left but the monsters in the stories they tell their children" thing to the little kids that gawk at flint when he's about to be executed to abigail to the kids reading the general history of the pyrates at the end they are very frequently in the position of passing down judgment. which is ever so slightly different from just like, the future will judge us, because it's not about what the children will do when they grow up to be adults. children are judges *in their capacity as children.* it's a war over the imagination of children. which of course makes perfect sense it's the prequel to a children's book.
that's sooo interesting because there's something to be said then about the difference re children shown in nassau, given that they are shown either a. working or b. dead. who is the audience. who is valuable. who is disposable. whose imaginations are allowed to flourish, to be captured, and whose are suppressed. even as children.
underrated ship dynamic is a touch-starved housewife who's exclusively into gay men and a lonely gay boy who has not a friend in the world
My artwork for the Legend of Korra concert!
it's pretty interesting to me actually that people seem to sometimes interpret woodes rogers as the real villain of black sails bc i can't really think of anything rogers does that the protagonists don't also do. the writers go to great pains to show that he is kind of Exactly the same as flint except his circumstances (straight, upper-class) allow him to stay on the side of empire. down to changing the name of his dead brother so you can't possibly miss it. he says it, out loud! he even has the same speech that flint does about acknowledging and accepting that to his audience he is in the role of villain. what makes this role real in one instance and fake in another? why, in black sails, would villainy ever be real and not a matter of perspective? the only difference between rogers and flint is that rogers is on the wrong side, and the writers are very careful to show that that is a matter of circumstance and not of character.

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hey hey hey come closer *whispers* you should rewatch black sails
it's time for spring. we'll try again next fall.
(happy time loop tragedy musical in movie theaters day to all who celebrate)
it’s never a normal temperature anymore it’s always some fucking bullshit
Felt like drawing something simple tonight.
Quick digital studies of Grace and Rocky's walk on the beach~
"i am so sorry for working so hard to protect the wrong things. for failing to see that there is nothing important that does not include you" they put this on television.

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tip: a Story is a place you can Live Inside Of
it's interesting that out of all the main characters (other than silver) the only one who doesn't have a backstory is miranda. she doesn't get a father or mother or even a maiden name nothing about her childhood or her education... iirc the chronologically earliest miranda story we get is her talking about her feelings upon meeting her future husband. that's kinda crazy. by her own account her life started when she met her husband. i'm using silver logic to assume that that must mean her childhood was Pretty Bad
a kiss to take with me
edit: prints now available in a5!
A lot has already been said about how Teach manages to beat Rodgers during the keelhauling, but what I noticed this rewatch is that Jack Rackham also manages to beat him.
After Teach survives the first go around the ship, Rodgers says "again" quietly, with self assurance. He's disappointed that teach survived one go, but is clearly not surprised, sending a man under the ship a second time is clearly not uncharted territory for him.
And as he orders this he glances around the ship and is caught and pauses when he sees Jack's look.
This look:
And what catches him completely off guard is that there is no fear here. Jack has clearly figured out what the plan is, he almost certainly knows he is next, as he keeps almost this exact look when he is taken after Teach is assumed dead.
What this look is , is disgust. Jack Rackham, Pirate Captain and enemy to all mankind, is looking down on Woodes Rodger, because this show of force is so grotesque. Rackham meets Rodger's eyes, doesn't break away, and this is what rattles him.
The next time Rodger's orders "again", he shouts it, because being judged by Rackham is getting to him, and this fear is what makes him shoot Blackbeard after the third go. Blackbeard endures this torture and that is impressive to the point of being awe inspiring yes, but it is Rodger's inability to weather the judgement and disdain of a pirate that makes him lose.
anyone else relate

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what's so awesome about miranda hamilton is that she knows full well that revenge brings nothing good and that it will probably make her and her loved ones and many innocent uninvolved people more miserable and that it would not be what the person she lost wanted and she has no illusions about any of it. but when push comes to shove even if the end she's been fighting for for two seasons is in sight she simply cannot let the bastard get away with it
I saw the Hadestown proshot yesterday and I love the way every single Orpheus almost knows what’s going to happen and he’s just as powerless to stop it each time but I specifically love Reeve’s version where he just freezes up at the end
No howling grief, no shaking and sobbing or trying to reach down after her. He just freezes because the story’s over. Orpheus is no longer apart of the story anymore. He is now just a stage actor like the rest of them. He doesn’t even get a single line in the the finale because he can’t sing without his Eurydice