Penguinz In Space

Details here:

His name is Jim Sterling and he is a rather… colorful games journalist who actually uses his platform to report on stuff like horrible working conditions, abuse and even stuff like sexual assault in the games industry.

Why? Because a massive scandal broke at the major game publisher Ubisoft revealing a culture of systematic sexual abuse, including high-ranking officials within the company that would regularly drug and rape female employees, which management and HR seemed fully aware of and would protect and move around the perpetrators Catholic-church-style. Reviewers were told not to talk about it and, when it became impossible to contain, to not talk about it where it’s “irrelevant” – that is, never mention or hint at any such stuff when actually reviewing and promoting Ubisoft games, because it’s a separate thing, see, no need to distract from the game (Ubisoft’s goal here was to be able to continue to advertise their games to players who hadn’t heard about it, and wait out the scandal until those who had just assumed everything was dealt with and forgot, which worked).

Jim refused. They knew this would tank their career, they knew they were throwing away an incredibly promising future. They did it anyway.

James Stephanie Sterling in one of a very small number of game reviewers out there with an actual fucking spine and a moral code made from titanium. They’re still effectively blacklisted from the industry, because since then they’ve refused to reform and play Good PR Robot like reviewers are supposed to do (because the AAA games industry thinks ‘reviewer’ and ‘critic’ are synonyms for ‘PR person in a gig economy’), shining light on repeated abuses and scandals in the industry, both internal scandals like this (discrimination, worker abuse, fraud, the normalisation of crunch culture and not paying workers) and ways at which the AAA industry scams players (abuses of early access, loot boxes and ‘pay to win’ mechanics that used to be the realm of free-to-play games now dominating paid titles while the prices of those titles also go up, abusive subscription models and ‘always online’ services, fun little tricks that companies love to pull with “remastered” games, and lately NFTs). Jim’s usually a good six months to a full year ahead of the curve on spying out this bullshit, able to see and warn about it before it becomes trendy enough for other reviewers to touch, and the result has been being continually silenced by game companies and passively buried by algorithms due to illegitimate DCMA takedowns, incorrect copyright strikes spurious lawsuits, being frozen out of gaming news, and whatever other nasty tricks people can pull. They came out as nonbinary very shortly before hitting a million subscribers (despite the forces agaisnt them) and then suddenly lost a lot of subscribers over a short period of time. Which was surely a complete coincidence. Yep. Just a coincidence. Have they backed down on literally anything? No. Because they decided to do this properly despite the cost and they are NOT fucking around.

They also call out particularly bad bullshit of indie developers (we’re talking the con artists and bigots in indie development in particular), not just AAA, which once hilariously resulted in a tiny no-name developer attempting to sue them for TEN MILLION DOLLARS. (Well, I found it hilarious after the fact. It was incredibly frustrating and somewhat stressful for Jim at the time, if one of the more ridiculous silencing tactics.) You can see them report on that here:

Recovering gambling addicts who turned to videogames as their new vice, only to have realized they spent thousands of dollars on lootboxes and similar monetization because it did utilized the same methods that hook people on gambling addictions.

James Stephanie Sterling is one of the coolest folks on the internet, and one of maybe 10-20 big names in games media with any journalistic integrity, not interested in playing mouthpiece to corporations who will gladly bust unions, abuse, physically, psychologically, sexually, their employees.

And Jim’s been doing this consistently for almost a decade now. They foresaw things like Diablo Immortal; warned us of the direction AAA games were going. And they were right.

Full🧵 here:

And now tech bros are out to plunder that wealth of artistry we've come to enjoy through brute force statistical modelling so they can cut the artists out of the business of selling art. Why would a company bother employing rosters of artists to produce for them when they can hire a handful of people to run the models and tweak the outputs to suit their needs?

There is nothing benevolent or celebratory in this, it is purely about theft and exploitation. It's about violating the copyright of artists in order to churn out content that's Good Enough to suit the needs of capitalists. Do you think that the publishing industry will continue to pay authors for their works if they can just hand an algorithm a prompt and get a completed work in a handful of minutes or hours, and then pay someone to edit it into something coherent (if they even need to)?

This is the end result of the commodification of art. The artistry of the works do not matter, only that they can be sold and generate profit. Capitalism has always been existed in opposition to art, Capital requires steady growth of returns and regular output, art demands innovation and risky endeavours to push the boundaries. Art is of use to capital only in so far as it is able to generate direct sales and intellectual property that can then itself be turned into a commodity. The moment Capital is able to cut artistry and artists out of the equation so that it can further maximize it's profits, it will. And what's worse, the art it produces will be stale and recycled.

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You must be saying, but that is just a regular rooster.

WRONG

At this point you’re probably sweating, maybe shaking and crying saying, surely that child is just short, but again you’d be

WRONG

Two trans men in love: Sky, aged 64. Mike, aged 55.