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@airedelalmena

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Drawings of a smaller versions of koplytėlės. The first photo shows koplytėlės on poles while the second one is koplytėlės that got nailed to trees.
Usually seen in crossroads, they were a lot less decorated than standing ones, often only had a single wooden sculpture or a carving inside.
"Lietuvių liaudies menas. Jo meninių formų plėtojimosi pagrindai" by Paulius Galaunė, 1930
P.S.: my family calls the ones on poles "koplytstulpis", they're often seen on crossroads, middle of a country road or even on hills, if you ever went to Hill of Crosses you would notice lots of them. What I'm wondering about is if they're not the same as the "shrines" seen in church yards, you know, the ones that have various saints in them.
Aa for the ones nailed to trees - my grandfather had one at the edge of his garden, eventually it grew old and couldn't hold. It had "rūpintojėlis" (a specific Jesus carving, I'll scan a page about them too) inside, after many years we still have him. I can only assume rūpintojėliai were a very popular addition to such koplytėlės!

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RIP to the legend
I had been to the Chornobyl museum once, on a school trip. I wanted to go again as an adult, especially after visiting actual Prypyat and Chornobyl and seeing the Chornobyl nuclear power plant myself.
Earlier this year the museum underwent some big repairs and updates and expansions in its display, and I was already making plans to go there within weeks.
And then russia destroyed it. The entire historical building it was in. Part of the building turned into ruins.
First they destroy things. And then they destroy even the memory if the things they destroyed earlier.
And you all aestheticize and praise them for it. And often help them do it.
Lion by Vasyl Omelianenko
The Earth Is Blue as an Orange (2020) dir. Iryna Tsilyk
Traditional Ukrainian costumes illustrated by Olena Kulchytska

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Painting by Uyghur artist Kerim Nasridin
Illustration for the Ukrainian fairy tale "The Old Man's Daughter and the Old Woman's Daughter" by Hanna Samutina, 1971
Sunset by Hryhorii Svitlytskyi, 1940s
"Invitation" by Vira Barynova-Kuleba
"Sorochyntsi Fair" by Vira Barynova-Kuleba

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Mother's Youth by Hanna Samutina, 1980
Crimean Roma (Çingene) were deported alongside Crimean Tatars. During World War II and nazi occupation of Crimea, Crimean Roma faced the threat of mass extermination as part of the Romani Holocaust. Most of the mass murders of Crimean Roma took place from 1941 to 1942.
However some were saved by local Crimean Tatars claiming remaining Crimean Roma as Crimean Tatars. But then, due to being registered as Crimean Tatars, Roma population was deported by the soviets in 1944.