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THE BOY, THE MOLE, THE FOX AND THE HORSE. (2022), dir. Charlie Mackesy & Peter Baynton
the person who helped today when I fell out of my wheelchair actually did a really great job, so I want to share in case other people wonder what to do. [Note: this is not universal, this is merely a suggestion from one person, every wheelchair user's needs are different! I am a person who uses a manual chair usually pushed by someone else who is also disabled.]
Scenario: you see someone in a wheelchair fall out of their chair, and you have the ability to help.
1. Approach and ask "are you okay?"*
2. Next question if they say no, are vague, or open to continuing conversation** is, "is there anything I can do to help?" Or "what can I do?"
If they say no to help, then that's the end, just leave and go do whatever you were doing!
If they ask for help or say they are mildly injured, ask "what would you like me to do?" And wait for an answer before doing anything! If they seem dazed or confused, they might have hit their head or had another medical event*, or they might just be like that due to regular disability. Be patient.
Do not touch the person unless they say to, or they are like, unconcious in the middle of the road, ya know?? Wheelchair users usually have conditions that mean being handled improperly can severely injure us, you could cause much more damage than the fall.
Some things they might need you to do:
Bring their wheelchair closer (mine went about 5 feet away after it dumped me)
engage the brakes of the wheelchair
hold wheelchair steady if it's an unsteady surface (mud, hill, ramp, wet, etc)
offer an arm for them to hold onto to get up (them grabbing you, not you grabbing them) or move another solid item closer for them to use (i.e. a chair) [only do this if you physically have the ability to!]
If the terrain is rough (i.e. a parking lot), they *might* ask you to push their chair to a more stable area once they are back in their chair
nothing
Something else
Do what they ask, NOT what you think would be helpful. If for some reason you have to do something (i.e. you can't stop oncoming traffic and need to get them out) ASAP, tell them what you plan to do
Keep in mind they might also be D/deaf, have a communication disability, be stunned after the fall, have a head injury, not trust other people, etc. Be patient and treat them as a person with autonomy and agency! They might need to just sit on the ground for a few minutes to recover before trying to get back in their chair. They might want everyone to leave them alone. They might ask you to call someone specific. Their chair might have broken and that can be extremely distressing. All of this is like if your legs spontaneously stop working when you're out and about!
A lot of wheelchair users (NOT ALL) have ways to get into their chair on their own once the chair is close enough and brakes engaged (but it's hard from the ground!). Here's what brakes look like on a lot of manual wheelchairs, in case they ask you to lock the brakes. They're levers on each side and pushing the lever pushes a bar against the wheel to hold it still.
ID: A manual wheelchair with the brake levels circled in red and labeled "user brake levers"
*There is also the possibility of course that a person fell out of their chair due to a seizure or other medical event, so that is why it is important to ask if they are okay. If you saw them hit their head, tell them so. If they had a medical event, follow protocol for that, I'm not gonna get into it here (thought I could).
**sometimes a person will be clear after the first question i.e. "I'm all good thanks" clearly means they do not need you to ask another question, you can just leave them alone. Keep walking and don't stare. A lot of the time people will be a bit banged up but be totally fine and able to manage on their own.
TLDR: Ask the wheelchair user if they're okay, then what they need, and then do exactly that, including leaving them alone. Thanks!
an important reply in the tags
[ID: A reply reading, "It's worth noting that unless someone is in immediate danger (on a road, near a chemical spill) there's basically no justification to move a unresponsive person on the ground, basic first aid will tell you that your objective is to stabilize and support until actual trained professionals arrive. Even outside of the context of pre-existing disability and being mishandled, if someone has a brand new neck injury you could seriously, permanently harm them by causing undue stress on the spine. You should always assume an unresponsive person on the ground has internal injuries you can't account for, and unless they're about to get smushed or asphyxiate on vomit leave them where you found them and call an ambulance." End ID]
Assembled bugs on an illustrated title page. The population of an old pear-tree. 1870.
Internet Archive
i think there is some kind of very deep darkness that can be expressed through repetitive sustained whistling with no pitch variation over & over. i developed this impression during a single experience late last year where i was walking to the store & suddenly noticed a graveyard i hadn’t noticed before, i felt irresistibly drawn into it & this was the start of a very dissociative & quasi-psychedelic experience of slowly walking across the graveyard over perhaps ninety minutes. over the course of it i felt like i contacted a certain intense darkness which, even if it was a mere product of my imagination, was not a thing that i could have drawn out of my imagination outside of that experience. there was a strong element of nostalgia for graveyards as they looked different in childhood, as everything looked different in childhood. i felt like i was in the idealized graveyard. but the darkness was like a separate current running alongside this nostalgia. a third feeling was like archetypal grandmother’s uncanny embodiment of both tenderness & death. i remember approaching a statue & imagining if it suddenly turned in my direction & gasped, & the way i pictured it moving was rubbery & fascinatingly terrible in a way i can’t explain. anyway this whole thing concluded after nightfall with me slowly making my way out of the graveyard while whistling over & over

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ごまらーめん aka Gomaramen888 aka Sesame Ramen (Japanese, based Fukushima Prefecture, Japan) - トンネルの向こうへ (Beyond the Tunnel), Paintings: Watercolor
Me, passing a car covered in horny thirst-trap anime girl stickers: while I personally find this to be cringe, given the national push for censorship, I must concede that this is technically Praxis.
Considering they're all pedophilic images of sexualized childlike characters...nah, no we don't have to concede anything actually.
You guys are gonna wanna see this
. A baby giraffe was born Monday at Hogle Zoo (Salt Lake City, Utah). Photo by Kennedy Camarena of KSL News.

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I remember when I was younger, anytime I watched a movie where the characters have to kill a scary monster/alien, I always thought the act of killing it was intended to be part of the horror. Like there’s this amazing creature that we’ve never seen before, and maybe under different circumstances we could’ve coexisted with it, but it’s trying to attack you and you have to defend yourself, but by destroying it you also destroy the ability to ever understand it and that’s sad and is supposed to make you feel conflicted.
It was not until well into my adulthood that I realized most people do not have complicated feelings about movies where people have to kill a scary alien monster, nor is that necessarily meant to be part of the narrative (unless it very obviously is). They just want the scary thing to die because it’s scary. I don’t have a real conclusion to this I just started thinking about it for some reason.
This is so real. I have been trying for sometime to work on an idea of a horror movie that uses the horror as a parallel to war because I think the idea of people being literally phsycially forced by circumstances and very real necessity and/or brainwashed into killing other human beings and occasionally being slowly made to enjoy it can produce a lot of existential dread and discomfort if done right. So yeah what you describe hits.
This is why I never liked stories about knights killing the dragon. That beautiful, wonderful creature.... A knight is a cop, to me. (No surprise most of the fans of the concept online seem to like old John Wayne style cowboys, too....)
When you had a family who actively forcibly prevented you from hitting these milestones at the age you should have and wanted to (abuse), then you never take anything like this for granted. You ARE that child self in this video every single day, out of sheer gratitude to have escaped. You might forget sometimes, but always come back to it.
you ever notice that some people seem to think its only acceptable to have hobbies as an adult if you have autism. like okay yeah sure special interests etc etc its not an unreasonable thing to link together but also if you cant enjoy toys and games over the age of 20 i think youre the one missing out. get a lil whimsy in your heart.
Can't unsee that neck, now. They have a built-in sled, though.
Truly, deeply not into this need to diagnose anyone with academic interests as autistic
greencyborg It's a little strange that most of things now that deviate too much of the social norm is shoved into the neurodivergence box. There is a strong correlation, of course, but at the scale it is done, on social media at least, only reinforces the thought that "conformity to the dominant pattern is natural, any divergence is a symptom".
abductedeeveee people when one dares be different: have you considered that you have a mental disorder?
vengefulmariner it implies that the status quo/norm/typical thing to do is be disinterested in learning new information and that any desire for knowledge is deviation. doesn't it make you wonder... why the status quo... shames and alienates those who seek knowledge.....

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I think it’s normal for people to be mad at each other sometimes even if they’re close friends or family or intimate with each other. Like I think that’s a normal and healthy part of relationships that can happen sometimes
“Why were you on Mad At Me island” because at the time I was mad at you and yet our friendship has weathered that without trouble
I went to Mad At You island because my feelings are my problem. I needed to stomp down the beach until I could sit and watch the sunrise. I built a sandcastle and did some thinking. Then I boarded the good ship You Matter To Me and sailed it all the way to meet you on the Let’s Talk Shore of I Love You Island.
Wait...is this another thing I was raised with that apparently actually isn't common?
A couple of posts down I’ve displayed a few painted carpets from Belarus, popular in 1920s-60s, painted to order by travelling artists. One of the known names is that of Alena Kish (1889 - 1947).
Not a trained artist Alena was earning her bread by painting lovely pictures of “paradise” as she imagined it. Jungle, lakes, kind lions, peace and love, birds and flowers - the whole naive artist’s set, but Alena had a huge talent which one could see immediately. They paid her mainly with food, so she has managed to exist during the war.
After the war the local textile industry started producing “proper” wall tapestries, which where more appealing to peasants and small bourgeoisie. Alena did not have any orders, she was hungry and her skills were nor needed. She killed herself in 1947.