Look At This Mess

An interesting game where you are presented with 10 artifacts from the MET. You have to place where the artifact is from and what time period it is from. Each artifact scores up to 10,000 points, and you lose points the further away your guess is and how far off in time you are. You can only play once a day. Thanks to @baebeylik for showing this to me.

Today I scored really well. Yesterday ... not so much.

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71,899 · top 21% of players today!

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that way we know we’re from tumblr without revealing anything

I’m just going to say this to strangers until i find a tumblr person

must keep reblogering!! Im going to be so suspicious if any one tells me this now!

Remember the answer is: I stole them from the president.

Google set out about a decade ago to push their (relatively unpopular) chromebooks by supplying them below-cost to schools for students, explicitly marketing them as being easy to restrict to certain activities, and in the offing, kids have now grown up in walled gardens, on glorified tablets that are designed to monetize and restrict every movement to maximize profit for one of the biggest companies in the world.

In portuguese, much like spanish, we have no gender neutral pronouns. People who do not use ele/dele and ela/dela (he/him or she/her) all use whatever neopronoun suits them best in portuguese (ie elu/delu, eli/deli) because we have no access to a universal gender neutral pronoun like gringos do. When I brought this up upon them making fun of my "neopronouns", they said to suck it up, and that being foreign does not make neos valid.

In mocking people who use neopronouns in english, you are mocking a very large sum of latin american genderqueer and trans people.

I know various latin language speakers that struggle with their identities in their native tongue due to us not having they/them equivalents, so they are forced to let go of their, in example, brazilian queerness, to appease to anglos who would harass them and call them mockeries of trans people for not sticking to what The Cis want.

When non-anglos tell you the usamerican and british dominance over queer spaces ruins things for them, they mean it. We are forced to repress our identites because you people think they're too "out there and problematic". We are forced to suppress our own queer culture because we don't fit into your neat little boxes of what makes someone gay what makes someone a lesbian what makes someone trans or what makes someone anything else.

You tell us to remember "our queer elders", but do you know of any queer latin american figures? We learn your history, and you refuse to learn ours because you already have "too much on your plate". You disregard us and shame us for not fitting your ideals of queerness and using labels for ourselves you dislike, and try to baby us and tell us the proper way to be gay.

Your culture is not universal.

You are not saving queer people by making jabs at other queer people you don't personally get. Odds are you are harming an entire group of foreign queers you never bothered to consider, because your anglo bubble is too self important.

If you want to do queer people a real favour instead of getting mad at identities that existed long before you were even born, here. Make yourself useful. Donate to queer brazilian housing and support programs. Your beloved dollar is worth a lot more than the Real. Even five dollars help.

Casa Um

Eternamente Sou

Very much did in the sense that I literally do not know where my job is at the moment. But, for the time being I haven't been let go because nobody else including the store owner knows where it is either.

So, I don't wanna risk doxxing myself by posting pictures but goddamn am I tempted because this is not a believable event. This is a cartoon problem. For looneytoons.

But yeah, so, I work(ed?) at a kiosk selling boba tea, right? Freestanding kiosk in the mall with full water and electrical hookups and multiple fridges and sinks and a mini kitchen and the works. Fully functional tea shop. Very important to note that it was there last night, The work chat was discussing another issue last night at closing time. I'll get back to this.

It's been showing signs of being on the way out with how business is being handled lately and I've been considering other options, which is probably why I'm not as torn up about this as I should be, but maybe it just hasn't set in yet, but that's not the point. The point is there's been a lot of shit breaking and not being replaced and nobody mentioning anything about it until I walk into work in the morning and have to figure out why shit like the fucking cash register isn't there today. So I'm kinda used to having to ask questions about big things that nobody bothered to update me on. I was out for two weeks recovering from a surgery, so I came to work this morning assuming there'd be some kind of bullshit, yeah?

So, the question I had to ask the chat this morning was:

Not a text I ever thought I'd have to send in sincerity, but there it is. Because what I found instead was a fenced off patch of discolored tiles and a few holes in the floor where my entire place of employment used to be.

And the answer? Nobody knows! It was there last night when the mall closed, and every single trace of the structure and all its contents including drink making supplies and our safe and cashbox was gone when it opened again. And when I say nobody knows, I mean everyone from last night's closers to the actual (former?) owner of the store jad no fucking clue about this until getting that text from me this morning. For once I am actually the first to know. 🎉.

So. I guess I didn't so much lose my job as had it stolen. Not by AI, but good old fashioned hands-on human beings picking it up and carrying it away somehow. All mall security would tell me was that they were instructed not to tell me anything and have us contact our management. Who also don't know anything. And later on I came across some construction workers around the gravesite of the kiosk discussing filling in the holes, asked them about it, and was told that they "weren't at liberty to say".

So, not only is my job gone in the most literal physical sense of the word, but it was taken in some kind of super secret kiosk extraction in the dead of night without any warning or witnesses and nobody is allowed to speak of it. The store owner said she was gonna figure it out 10 hours ago and still no word back.

My mother in law thinks the FBI took it.

Not any of the other stores around the state. Just the one little kiosk.

Why? Because she loves a conspiracy and is just a little bit extra.

Also because she was around for the massive crackdown on Yakuza-owned businesses in Waikiki (in her homestate) that did actually involve the FBI seizing stores (no confirmation of making kiosks cleanly disappear in the middle of the night though).

Still no word from my job on what's actually going on, but the most likely theory so far is that maybe the kiosk was on lease and got repossessed? The mystery continues

According to the owner, based on what she's been able to find out, the kiosk was not removed legally and they're starting a potentially long process of legal action. I hope she gets to sue the shit out of whoever did it but for now at least I know for sure I'm unemployed.

Really hoping for more details in terms of who/why/how, so I'll keep updating if I learn anything.

For now the summary is: An unnamed entity that is most likely mall management (on account of mall security cooperating with them) stole an entire kiosk and all the contents including money and machinery with barely a trace in the middle of the night grinch-style, with zero warning or explanation, and ensured the silence of both security and the construction crew, in an action that was definitely preplanned and illegal, and as far as I know nobody knows its whereabouts.

Enjoy the unintentionally funniest text I've ever sent in my life

Aaand a close-up:

HEY HI HELLO THIS ONE'S MY FAVORITE

shout out to phillys boat for having THE PRIDE FLAG UP!!!

This study is being done by Dr. Lisa Littman, Dr. Kenneth Zucker, and J. Michael Bailey. The same people behind the “Rapid Onset Gender Dysphoria” and other Transphobic pseudoscience. Do NOT give information to them via ayagdos, they have a long history of retractions and reported misconduct.

Report this ad wherever you see it. The fact that staff allows this kind of shit yet still turning a blind eye to everything else is just pure hatred.

Burden of Proof:

I wasn’t taking notes during it, but this is what I remember to the best of my ability; apologies if there are any inaccuracies:

At this point there is more money coming into animanga from overseas markets than from domestic (i.e., Japanese) markets. Companies are aware that for something to get really financially successful, it has to appeal to international audiences.

And most of that overseas money comes from subscriptions to streaming services. Merch / purchase of physical copies / etc make up only a small % of revenue.

Shonen and isekai outperform everything else to a huge extent. So there continue to be lots of these produced.

About half of all recent/current anime views are going to just a few (like, a single digit # of) series. I believe it was: Solo Leveling, Sakamoto Days, Dan Da Dan, Gachiakuta, MHA, and (I think) JJK. Also Solo Leveling by itself gets far more than any other series.

Quote: "Statistically, if your favorite anime from the last year wasn’t one of these, then no one watched your favorite anime"

Note that these are all shonen (except technically Solo Leveling since the original material is manhwa, not manga, but close enough)

Don’t be surprised that these are the series winning awards, even if you don’t think they hold a candle to [insert your favorite anime here] — there’s just so many more people watching these that it’s virtually impossible for any other series to win.

The only series in the recent top 20 that wasn’t shonen demographic or isekai genre was Apothecary Diaries.

Quote: "Thank god for Apothecary Diaries." lol

Crunchyroll has by far the biggest market share of overseas anime viewership, followed by Netflix to a lesser extent. No other providers come close.

The perception among production companies is that Netflix is where people are getting converted from non-anime viewers into anime viewers, and CR is where established anime viewers go.

Average anime watch time among anime viewers on Netflix is 1.5 hours per month, whereas on CR it’s 1.5 hours per day (?!)

Discovery on Netflix is heavily determined by what the Netflix promotes / actively surfaces to users, and that tends to skew towards particular series — likely reinforces that views are going to already-popular series and that new anime viewers are getting funnelled into certain genres.

Netflix doesn't license all that much anime compared to what they could be licensing, so that further skews things. Also, even if a series is licensed to Netflix, if the Netflix algorithm doesn't actively push it to users, no one on Netflix will watch it.

Rating sites such as MyAnimeList tend to be skewed towards a particular type of fan that is not representative of the actual market, and these ratings are meaningless when it comes to actual success metrics. IIRC he said only a few% of very frequent anime watchers actually rate/review things.

He phrased it as "rating things on MAL is not normal behavior" which made me lol

Anime adapted from light novels tends to perform the best compared to anime adapted from other sources (manga, webcomic, games) and original anime. Adaptations from manga is #2; everything else is wayy behind.

Solo Leveling seems like quite an outlier in this regard since anime adaptations from webcomics tend to be among the least popular

The single feature most correlated with success of an isekai was whether the main female character has big breasts and that’s not a joke.

Quote: "If the main female character has big breasts your anime will likely overperform, and if the main female character is a monster girl your anime will likely underperform. Because things aren’t fair."

At one point he was like yes I really do have to go into serious business meetings and present this anime breast data to client companies.

There’s a perception among audiences that pirating animanga that isn’t legally available in your country will prove there’s a demand for it, and lead to it getting licensed in your country, but this isn’t true. Pirating stats don’t actually have much effect on whether stuff gets licensed — because there’s no reliable conversion from people who pirate -> people who will pay to view legally.

Studios get booked for projects 3-4 years out, so stuff for 2029-2030 is getting booked now. There are a lot of reboots/sequels/franchises/reusing-IPs type projects getting booked, just like what western media studios have been doing, because (as with western media) companies want the reliability of IP that is known to be successful rather than the risk of something new.

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years.  These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.  They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it.  It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face.  Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing.  And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc.  NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres.  What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female.  I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one.  They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO.  If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone.  Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered.   I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.  

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all.  I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole.  That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three.  And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming.  People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries.  And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.  

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart.  This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.  

OP also invented armsocks.