Planet Amazonia

In 2021, Swarovski (the company that makes the very sparkly crystals you see in certain jewelry, on figure-skaters' twinkliest outfits, on red carpet dresses), decided they didn't want the grubby fingers of small-time jewelers, clothing designers and costumers and crafters on their shiny beads and rhinestones anymore. They decided to limit their sales to "luxury" and couture creators, not girls who sell stuff on Etsy. The tenor of their press release on the subject was snide and insulting. Resellers (like your favorite bead shop) would no longer be allowed to carry their product; the average Jane on the street would not be able to purchase them. You could only get them if you had an authorized business agreement that bound you to very strict brand behavior. And those of us who still had good stock of the crystals would no longer be "permitted" to use the brand's name in our listings for sale.

Every bead shop and craft supply place and many, many small clothing makers--wedding shops, prom and dancing dress suppliers, the sort of salt of the Earth mom and pop time machines of shops that are the backbone of the field--scrambled to find something that could replace them. The last of the stock dwindled quickly, all of us grabbing what we could get while there was any chance of it, and then it was gone and we no longer had any access.

I was Big Pissed about it at the time. It was just so goddamn stuck-up, when wholesalers and indie jewelers had made them so much money, when some people I knew--when *I!*--had been brand-loyal for decades. But with no recourse, everyone pivoted fairly quickly, most of us to Preciosa Crystals. Those are Czech, quite sparkly, and considerably less expensive than Swarovski. The faceting method they use is different, but not worse; any differences are hardly noticeable when you're seeing them as a hundred pinpoints of light.

Well, out of nowhere, Swarovski just dropped this: https://www.harmanbeads.com/swarovski-brand-policy-update

"Effective June 1, 2026, Swarovski updated the distribution and brand usage policies introduced in 2021. Businesses may now purchase Swarovski Crystals without signing a Brand Control Agreement, and Authorized Distribution Partners may once again sell Swarovski Crystals to resellers, including bead stores and online retailers. Businesses may also use the Swarovski brand name when following Swarovski’s Proper Use Guidelines. Designers, manufacturers, artists, brands, retailers, and resellers are now eligible to purchase Swarovski Crystals through authorized distribution channels."

They want us back. A lot of the companies who could have kept a brand relationship with them also have swapped to Preciosa, over the last half-decade, in solidarity with indie creators and out of a sour awareness that it could be them, next. And it doesn't hurt that Preciosa was able to expand their line quite a bit now that everyone who wanted sparkle had no choice but to go to them.

And I'm not seeing nearly anyone who intends to return. The feeling is, "Y'all told us to fuck off! Off we fucked! And now, that's what you can do, too!" I'm seeing a lot of "How many of us did you stab in the back?" comments from the people whose money they're hoping to attract.

(via bsky)

The AIDS epidemic was monstrous. Not only for the lack of cure, but for the easy excuse it made for 'good people' to rid themselves of those disgusting gays.

The national willingness to discard an entire generation of (at first) gay men and then any queer persons has done immeasurable damage to every single one of us who survived it. The horror stories you might have seen in tabloids or online memorials only scratch the surface. We were unpersoned. We were named dangerous simply by our existence, and our presence was a herald for death and disease.

Our joy was not in spite of this. Our mad parties, the tendency to live in the moment, the stereotypical 'cattiness' and sex-crazed outlooks that media showers us with us even now, these were survival techniques. We dance because we lived another day. We craved physical contact from a world that feared us even in the same room, or touching the same door handle, or gods forbid us holding your hand.

And it's happening again.

If you notice your queer elders seem a little agitated beyond their usual baseline with what's happening with their trans peers this time around it's because we all recognize it from the 70s, 80s, 90s.

Name it a disease. Imply it's contagious, made-up for attention, or masking the 'real' problem (it's always pedophilia, always), often in the same breath. Consistency doesn't matter, only fear and hatred.

Say trans folks aren't worth the same considerations that good, upstanding people are. Deny them the medical care that, were they not trans, they would otherwise qualify for. Gender affirming care. Hormone treatments. Comprehensive therapy. Acceptance.

(Hell, even those lucky enough to escape obvious open discrimination find it on the back end, with medical care suddenly not being covered after being prescribed. Ask me how I know.)

And it's not just the right-wingers. Ask your Democratic or NP rep, if you have one, their thoughts on transgender rights. Listen close. See if they actually say anything of substance.

And then when trans people start dying off in droves, vanishing to forced detransitioning, assault, murder, or worse, well, that's just proof there's something wrong, isn't it? Not with the system. With us.

happy new year -------------_--------------------

"One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918, all but one of my close friends were dead."

So, for example, Pilgrim's Progress is an allegory of Christian salvation. It's sort of a novel? There are characters who do stuff? but also they are very one-dimensional. The main character is a guy named Christian--yes, really!--who is journeying from his hometown ("the city of destruction") to the Celestial City (heaven). There is not much subtlety to it. It is pretty much what it is. There is no slippage, no playing around with the theme, no places where the symbolism is ambiguous. John Bunyan, the author, is hitting you over the head every step of the way with the Meaning That You Are Supposed To Be Getting From The Story.

Not all allegories are that crude or simplistic; the Narnia books are also allegory for Christianity. They have a lot more subtlety to them and a lot more nuance, and there's a lot of stuff in there that isn't allegorical, but on the crucial matters there is still a 1:1 correspondence. Aslan is Jesus. He's not like Jesus, he's not a character that has some similarities to Jesus or takes themes from the stories of Jesus, he is Jesus.

Tolkien is not doing allegory. Tolkien is taking the material of his life--his faith, his experiences in WWI, his linguistic and historical knowledge, his favorite books--and using them as the building blocks of his story. The themes and imagery and symbols draw heavily from all of that, the characters and settings draw heavily from all of that, but they are too complex to be allegorical. There's a lot of symbolism! It's not allegory.

So, for example, let's take the Dead Marshes referenced above. Does the experience of walking through this muddy wasteland with corpses all around that are rotting but still look like people draw from Tolkien's WWI battlefield experience of dead bodies in the trenches? Of course it does! but there are also a lot of differences. These dead are not from the current war, they are from a previous one--they are a reminder of old conflicts, of the ways the systems and powers of the current war have not come out of nowhere, there is history here. There is meaning that is not drawn from the Somme. And they are also drawing from literary references Tolkien was familiar with--primarily William Morris. Modern readers don't get the references because we have generally not read The House of the Wolflings, but that doesn't mean that the references aren't there.

Pawpaws are a Michigan native fruit that looks like it should not be a Michigan native fruit.

I'm told that it has the consistency of avocado, but tastes like a combination of banana, pineapple, and mango, with and earthy aftertaste. They are EXTREMELY delicate fruits, such that they are not really shipped anywhere- to eat them you have to find someplace local that has trees, or have trees, yourself.

I've always wanted to try them, so, I bought a few saplings, and spent a couple hours tonight planting them. They won't fruit for another 5 years at least. Each hole dug, each rootball excavated from its pot, each circle of mulch around the base of them... that's hope. That's a promise to be here 5 years from now, to see them flower, to pull sweet fruit from the limbs and try it for the first time.

Compiled some basic information I know about drawing fat characters for beginners since I've been seeing more talk about absence of really basic traits in a lot of art lately.

I haven't seen people talking about this, but the pilot for The Ebony Witch dropped! the visuals are absolutely beautiful. it has the same magic as old disney (if disney was brave enough to give us a hot elf who is actually 50 cats in a trenchcoat)

Like for the majority it really is "oh i'm hungrier and moodier than usual"

If, before you get your period, you feel furiously angry, suicidal, irritated by every tiny thing to the point you want to murder someone, stuck in a black hole you'll never escape from. If you are experiencing extreme emotions for what seems like no good reason, especially if you get your period and those extreme emotions just go away. You're probably not just PMSing , you may have PMS's feral big sister PMDD and it's treatable.