Born to be Brave

It's also definitely not a stretch at all to say he'd probably met people who self-medicated with cocaine to deal with what we'd now call ADHD. Like, the second ever Sherlock Holmes story begins with Watson protesting Holmes' overuse of cocaine, and Holmes replying that he needs it to deal with his overactive brain -- it's entirely plausible that ACD had had that exact conversation with someone or multiple someones.

At a time when cocaine was regularly administered by other doctors, Doyle wrote Watson to have a clear aversion and dislike of the drug and understood that it was bad for you. It’s written as a clear indication that Sherlock, despite all his brilliance and genius, is still a human being who can make very bad decisions for himself.

Not only that, but Watson does ultimately win and gets Sherlock off of his addition to cocaine in the end. It takes him a while, but Sherlock is weened off the drug and this is seen as a good thing for everyone involved. In fact in a later story Watson comes home and sees a needle and fears that Sherlock might’ve had a relapse (he didn’t, the needle was just being used for something else involving a case).

He had a clear disdain for social convention while understanding deeply how to conform to it in order to survive; a lot of Holmes' deductions actually depend on assumptions about typical human behavior in a given situation rather than physical evidence alone. It's the kind of encyclopedic conscious knowledge of unwritten social rules you might develop in order to mask successfully.

something i struggle with these days, as a millenial who has lived through greenwashing and carbon credits- is hope an op? are we getting peddled idealism and hope to cover for us being well and truly screwed?

i love this blog so much and i want to have optimism but i’m also so, so scared that this is a dupe, another shell (not u but like in general)

how do you combat that? how do you push past that?

Hi Anon,

This is a great question and definitely a not-uncommon feeling. I do sometimes get the not-so-nice version of this sentiment expressed at me in angry asks accusing me of lying or being paid to say the things I say.

I think that a confluence of factors, including the manufactured climate denial that got us where we are now, has understandably made a lot of people suspicious of hope in general. That if someone disagrees that everything is irredeemably broken beyond the point of trying to fix it, that if they say good things can happen sometimes, they are complicit in letting everything that is problematic and awful and unfair in our world off the hook.

Comic by Tom Gauld

While there is certainly old-fashioned climate denialism still out there, many entities with a vested interest in stalling climate action have switched their narrative to “it’s too late to be worth doing anything”. They’ve changed from blind, passive optimism to blind, passive pessimism, but it has the same impact of suppressing action. Dr. Simon Clark has a great in-depth video about this.

One quick test for possible manipulation is to think about what tangible action a message is likely to encourage and who that would benefit. Hope, or at least the kind of hope I try to promote on this blog, is not “things will get better no matter what we do”—that is blind optimism. Hope is “we can make things better through our actions”.

I’ve gotten many asks from folks telling me this blog inspired them to start environmental careers or volunteering that they previously felt too hopeless to pursue—and from people who felt the good news helped them pull out of a mental health spiral and get back to their lives. Dr. Hannah Ritchie, a climate change sustainability researcher at Oxford and Our World in Data, nearly did not go into the environmental field because she felt so overwhelmed by doomerism. I do not think hope prompts the kind of actions that the people who would dupe us and stall climate action are going for.

That being said, I do very much understand that knee-jerk, wary feeling. A dear family member recently got me the book How to Fall in Love With the Future by climate activist Rob Hopkins, which imagines various hopeful futures that could exist when we take positive environmental action and discusses how doing so can help us commit to fighting for those futures. Some of these radically hopeful futures made me so uncomfortable that I had to take a break from reading. Something about imagining things going really well felt unsafe or irresponsible, like it was too painful to open myself up to hoping for something so good.

Engaging with hope and the imperfect, complicated work of trying to make things better comes with uncertainty and uncertainty is scary. Sometimes certainty feels safer and more in-control even if it’s a negative certainty. I don't have any easy tips for getting over that hump, but I do think it helps to acknowledge that the hump is there and that it comes from a place of understandable fear and pain. Give yourself space and patience in letting those emotions run their course. It's a process for me as well.

Something I can say with complete certainty is that the future will be better than it otherwise would have been if we believe we have the power to make it better.

I hope this helps you trust the hope at least a little more, Anon. <3

‘I worked 20-hour days to make Naomi Osaka’s Wimbledon dress’

The Japanese designer Hana Yagi created the striking all-white bridal-inspired kimono that drew cheers from the crowd at the All England Club

The Japanese kimono and the traditional western wedding dress are difficult enough to walk in, let alone play tennis. But Naomi Osaka did so anyway, emerging on to Wimbledon’s Court 3 in a gown that was a hybrid of both garments to play a round of practice shots.

The dress, which drew cheers and wolf whistles from the crowd, was the Japanese player’s latest fashion display, following the gold sequinned outfit that she wore at the French Open and her extravagant turquoise and green dress at the Australian Open in January. Her Wimbledon effort was the work of Hana Yagi, a 26-year old Japanese designer, who created it alone in ten days in her studio in Tokyo.

2026 French open, designed by Kevin Germanier in collaboration with Nike:

Yagi was asked to create an outfit for the “walk on”, when players enter the court before the beginning of a match, a well-established opportunity for fashion statements. At the French Open, Osaka compared her sparkling dress to the illuminations of the Eiffel Tower. Her extraordinary Australian Open outfit was inspired by jellyfish.

Australian Open 2026, designed by Robert Wun for Nike:

But Wimbledon imposes strict rules — above all that all clothes must be completely white (Roger Federer once got a telling-off for wearing shoes with orange soles). “First, it had to be all white,” says Yagi. “Visually, [Harper] gave me the image of a kimono or junihitoe [a traditional 12-layered kimono of the Japanese imperial court]. As a part of the concept, they wanted to reinterpret the tradition in the context of sport.”

The vintage wedding dresses she had in her own stock were cream and ivory — shades unacceptable at Wimbledon. She went to shops in Tokyo and bought the pure white western style wedding dress that forms the lower part of the Osaka gown, and a shiromuku, the traditional nuptial kimono in which brides are wrapped for delivery to their new husbands.

It is this, embroidered with brocade images of cranes and cherry blossoms, that forms the upper part of the dress, but drastically restructured to allow freedom of movement. “I didn’t want her to walk with small steps — in this she won’t have any difficulty walking,” Yagi says. “And it’s not like a tight corset, but a dress that Naomi herself can adjust.” Osaka wore her playing dress, created by her sponsor Nike, below Yagi’s creation, so it had to be lighter than a conventional kimono. The other condition was that the player had to be able to put on and remove the dress quickly.

“It was my first experience of that, because all my past works were art pieces, and not really aiming to be functional,” she says. “But this has to come on and off in three minutes. I kept it putting it on myself over and over again to confirm that it worked.” The secret ingredient? Extensive strips of Velcro.

Some more of Naomi Osaka's show-stoppers:

US Open 2024. Designed by Yoon Ahn for Nike:

US Open 2025. Designed by Osaka herself:

Every single play in American Football is scrutinized. Every single player is at risk of a penalty every single play — for jumping at the line or for blocking slightly wrong or for being slightly out of position or for not stopping defensive contact after exactly five yards, etc etc etc. If the ball goes out of play, it is measured to the exact spot the play ended. Time management is arguably as critical to American Football as the actual play calling. There is an entire game-within-a-game of managing the clock in the last two minutes of play. Time is added back by seconds for imprecise clock measurements.

I don’t even need to explain baseball - dgmw the world loves it, but that ball is in or out of the strike zone by millimeters. Etc.

Here comes soccer (football to everyone else of course). It’s 90 minutes, ish. But sometimes 100 or 102:47. You get extra time. How much? Ref decides! Ball is close to the line - did it go out? Line judge isn’t sure, players kept playing probably fine. Throw it back in where it went out - but you can move, you can keep hopping down the line, nobody is really policing how far you can move when given a throw in. Penalties are almost entirely based upon who gets the ball. Take a penalty, just throw the ball down and free kick it. When is the game done? Nobody knows!