I like to imagine King Arthur refused to believe he was adopted as a child because if your mean older brother said “You’re not even related to us, a wizard dropped you off at our house when you were a baby.” you would be sooooo skeptical.
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I like to imagine King Arthur refused to believe he was adopted as a child because if your mean older brother said “You’re not even related to us, a wizard dropped you off at our house when you were a baby.” you would be sooooo skeptical.

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KOSA again, with a different name… and they’re trying to sneak it past you before July 4th. CALL YOUR REPS!
Buried inside the KIDS Act are provisions that will push online services to verify all users’ ages, require government-directed moderation p
Like the man said…the shadow takes another form and ruses again. Time to make some calls and let them know we’re watching.
if I see one more "why age verification is bad" post that doesn't even bother to mention that locking young people out of huge sections of the public sphere - literally the stated goal and primary impact of this shit - is wrong in and of itself I will simply start hitting people with bricks
yes yes biometric data privacy blah blah adults can hypothetically by harmed by this too. what about the immediate and deliberate and not at all hypothetical harm to youth. why are you acting like a potential data leak about what your face looks like, which if it ever happened would at least be generally recognised as a problem, is a more serious issue than cutting millions of people off from information and community and public expression which is happening right now in the open with large scale support
it's got the stench of fucking "banned books week" on it. thousands of adults congratulating themselves for reading books literally no one is trying to stop them from reading while doing nothing to improve access for the young people who are the ones actually having those books made off-limits to them.
#Make Racists Scared Again 2026
Share if you want people to know they should be scared to be racist around you 👊🏾
"making them afraid will make them more racist" that's wild to me, because we live in a whole culture of social consequences for antiracism anyway. It is literally safer to be a racist than it is to speak up against it, socially.
Idk about you, but "I'm afraid no one will want to be my friend if I'm a white supremacist" seems like a pretty logical thought process to have, and I wish THAT were the normal and not "I'm afraid my friends will hate me if I tell them they made racist jokes".

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A cat is a machine that turns proteins into violence.
#Helios was declawed by his former owners so he doesn't just slap things he dislikes like most cats#he really only feels confident in hissing at them#Especially because a lot of the thing he doesn't like are bugs and those are sharp sometimes :(#Selene has figured this out and now when she hears him hiss she sprints over the kill the fuck out of the bug#Helios has learned she will do this so he'll hiss at stuff louder and louder until she hears him#A nervous old man and his emotional support homicidal maniac tags by @gallusrostromegalus
I couldn't reblog without the tags because the context is hilarious
A Nervous Old Man (right) and his Emotional Support Violence Machine (Left)
Yes, he is more than twice her size. Yes, he is five times her age. Yes, he cries like a big baby until she kills Unacceptable Scary Things (earwigs) for him.
every time someone says calling your original characters "OCs" is unprofessional and disrespectful towards yourself as an artist and that you should be calling them "my characters" instead I just gotta wonder if they know the purpose of an abbreviation. it's just fucking shorter and quicker to type!!! oh my god
their cringy fandom-brained "OCs" vs our respectable "characters"
Been talking about this with friends so I present to you, the cursed spectrum of media literacy
Added a Y axis from the notes
why can rockstar games institutionalise you for life like nikita kruschev for being autistic
He didn't steal 10 million dollars. They made that number up as a loss, they never fucking had it. Rockstar has spent more than a billion fucking dollars on GTA VI and will likely make billions more when it gets released.
Uber is a fucking shell game of a company designed to leech investor capital and output bootleg cabs.
Nvidia posted a profit in 2023 of $4.37 billion. This is like someone stealing less than a penny from me.
And they lock this kid in a prison hospital for LIFE?
Capitalism is disgusting.
Nobody should buy GTA til they free Arion Kurtaj
What with GTA VI going up for pre-order i'd just like to remind everyone that rockstar conspired with the UK government to lock an 18-year-old away for life for hacking them.

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it's sorta funny (ignoring the horrors) that cis people can't be trusted with a deadname. any time someone tells me theirs I've forgotten it five minutes later, if you had names for your toes that would be far more interesting to me, but cis people get real "if you give a mouse a cookie" about it it
I'm terrified of people even knowing it, because I know that some people will instantly lock that into their heads as my "real name" and eventually slip and say it instead
Something something that charlottan post about how even if people have only ever known you as the gender you transitioned to, they're still gonna think "oh they're just a boy that I need to remember to call a girl"
Most people won't slip up like that, the average cis person walks on eggshells so they don't accidentally reveal they're just humoring us out of a sense of obligation, they'll think about it and get even more anxious while doing that. This reinforces the wall between them and any insight into the situation.
a wild strawman appears
does someone stand behind these people with a gun forcing them to type this shit where everyone can see it. what in the fuck is even going on
like IMAGINE just admitting this, under no duress
Yeah a comment like that goes in the tags, which are considered private. Fortunately that’s where it was
I get a notification for every note, including this one. They are very much not considered private, if anything you are sending them directly to me.
private area do not read
"the tags, which are considered private"
during my 2,000 years in military service upon the wartorn world of Bantok, we had a member of our unit named Private Tags who was so covered in skin tags you couldnt see his real face. Saying the tag arent private dishonors his memory in incomprhensibly vile ways, youre all going ot mega hell
ah PFC Tags. we miss him every day. war is hell
great post! funny how all the trans women are deleted
You know something I've always found funny? Obviously not in the real funny way, but in the "ofc it is" way?
For France to hate Black people and immigrants, they sure do have a bunch on their World Cup team 👀 for the planet to dislike Black people as deeply as they do, as soon as it's time for major sports events, suddenly everybody sure can find a couple of us to represent 👀
It's almost like they want us for entertainment and see us as sources of physical strength, but don't want to see us as humanity any other time 👀
it’s so funny that cops will say they ‘do not have enough resources to investigate this case’ and then pull you over in a brand new squad car. you’re getting 40% of the municipal budget and complaining about being underfunded and blaming a lack of training when you accidentally shoot your coworker. you’re decked out head to toe in new state of the art riot gear but you can’t be arsed to use any of your budget on solving crime or making your colleagues better at not killing people.
I think police departments have a large scale embezzlement problem. we’ve had a couple of notable cases of law enforcement engaging in fraud but I’m pretty sure this is a bigger issue. because who is going to investigate them? the cops?
is that the anarky symbol?
“anarky”
Yeah, Anarky. From Batman: Arkham Origins. Apparently it is also used by real life anarchists as well, but I recognized it from the game.
who tf bought arkham origins
Did you play AD&D? I can't remember how old you are, so hopefully that's not too offensive. If so, was a typical game really as hostile as people say it was?
That's one of those question where the answer hovers somewhere between "no, with a couple of massive caveats" and "yes, but not in the way most people think".
A lot of AD&D 1st Edition's GMing practices are pretty hardass by modern standards; however, they need to be understood in the context that the game's authors were writing for a target audience who mainly played the game in college wargaming clubs, where players would frequently transfer between groups and group sizes tended to be very large – six players per GM was considered a bare minimum, and up to a dozen player characters in a single party was by no means unheard of!
In particular, players would often bring their character sheets with them when hopping between groups, and it was considered a faux pas for a GM to reject an incoming player's existing character or request any substantive changes be made, so managing expectations could be quite challenging; even as late as 2nd Edition, the Dungeon Master's Guide contains extensive discussion of how to gracefully handle players bringing existing characters with them who aren't necessarily a good fit for the present game's tone or resource economy.
The upshot is that the culture of play these iterations of Dungeons & Dragons are targeting inherently obliges the GM to take a much firmer hand to keep things on track than a pickup game that draws players exclusively from within the GM's established friend group might – and to be sure, some GMs abused these expectations to act like petty tyrants, but some contemporary GMs do that, too.
A big part of the modern perception that 1E and 2E were extraordinarily player hostile, meanwhile, has nothing to do with the previously discussed GMing practices; rather, it emerges from the transition away from that culture of play in a slightly unexpected way.
In brief, back when D&D was mainly played by wargaming clubs, it was fashionable to run pre-written adventure modules competitively at conventions; the competition wasn't between players, but between parties, with multiple groups running the same adventure in parallel to contend for prizes. Tournament play sometimes chose its winners based on the fastest real-time completion of the module in question, or set specific objectives within the module which would award points when completed, a bit like speed-running or achievement-hunting in a video game (though neither practice existed yet at the time).
It was the survival module, however, that quickly emerged as the most popular tournament format. In a survival tournament, each player would provide or was furnished with a binder containing a fixed number of pre-generated character sheets, switching to the next character sheet in the set as each preceding character died; the winning group was the one whose last surviving character's corpse hit the dirt furthest from the dungeon entrance.
Many of 1E's most popular adventure modules, including the infamous Tomb of Horrors, were originally written as survival modules to be run at tournaments in conventions. As such, they were designed to kill off player characters both quickly and efficiently, so as to reduce the likelihood that the tournament would run overtime and get kicked out of the convention venue. When they were later cleanup and repackaged as commercial adventure modules, their text rarely bothered to explain any of this – who doesn't recognise a survival module when they see one?
The answer to that question, of course, is kids who didn't come up through the mentorship system of the college wargaming clubs, but taught themselves how to play D&D from first principles using books they bought at their local hobby stores – and when D&D's popularity unexpectedly exploded in the early 1980s, there were suddenly rather a lot of them!
These kids purchased the repackaged survival modules along with all their other D&D books; having no frame of reference, they assumed that these represented what a "standard" D&D adventure was supposed to look like – and since they weren't experienced players with whole binders full of pre-generated backup characters at their fingertips, the result was a lot of seemingly unfair total party kills, and a lot of kids concluding that the previous generation's GMs must have been objectively insane.
There is an additional amusing point of order here, which is the answer to the following two questions. I once had a discussion with someone in Gary Gygax's gaming group, who was involved in early TSR work a bit. Allow me to paraphrase my questions and his answers.
Why publish survival modules as your primary format of published adventure?
"Because that's what we had -- they were already laid out for publication. Why not publish them and make some money off it?"
Did it ever occur to you at the time that publishing adventures like these would shape the larger D&D culture's expectations of what play was supposed to look like?
"No, why would it?"

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"[Y]our Harry Potter games are Cybertrucks" is such a good way to put it.
This post is very weird to me because she has been 100% successful in implementing her agenda so far and the Prime Minister very much is for sale. The only difference between her and Elon is that her fascist interests are much narrower, not that she somehow got any pushback or that anything stopped her. She doesn’t NEED to be Elon because they’re giving her everything she wants.
this is not an original observation but i really do think so many of BBC Merlin's problems stemmed not from bad politics but from the fact that it was trying to be Arthurian Smallville
SO i confess i have not seen Smallville but the consensus seems to be that it's a solid, competently written television show. BBC Merlin is, um. Not That.
here is the first of the show's major Smallvillisms:
okay so in Smallville the fact that Clark Kent has superpowers is a secret. I cannot speak for Smallville in particular but Clark Kent keeping his powers a secret generally works for audiences bcos 1) it is a core element of the Superman narrative. if he was just publicly Superman that would feel weird and jarring. 2) Clark Kent is a nice and good boy and we understand that he is keeping his secret with the best of intentions
the secret superpowers angle is completely foreign to the Arthurian mythos however; in fact it's kind of the opposite of the usual deal with Merlin as a character? but they wanted to do Young Merlin with a Clark Kent thing going on. OK. now they need a reason why his magic is a secret.
uhh it's bcos they made magic illegal. who made magic illegal? the king. not Arthur obviously. different king. we want to keep the whole Camelot/royal court aspect tho so instead of doing the usual King Arthur backstory he's just uhh normal prince. and magic is illegal bcos it killed his mother. okay now we're cooking with gas. but obviously we want the villains to mostly be other magic users for Merlin to fight. why are these other magic users trying to Get Arthur? well they are mad that his father banned magic. and Merlin has to protect Arthur bcos he's going to be King Arthur one day and save the land. so Merlin's gotta explode all the other magic users. he gotta!!
it never really works partly bcos it's just not an established Arthurian Thing and also bcos it renders basically everything Merlin does extremely sketchy? I don't think it's inherently a problem that he's a morally dubious protagonist (if anything Merlin is kind of traditionally a little bit evil) but the show wants him to be a Good Boy like Clark Kent and frames him as such even though he keeps blowing up other magic users with legitimate grievances. its very strange!!
which brings me to the second big Smallvillism:
Morgana has THAT arc bcos Smallville has a whole thing where Lex Luthor and Clark Kent are childhood friends.
i re-iterate that I haven't seen Smallville but I imagine Lex being the guy in the friend group who is going to turn out evil works bcos Lex Luthor's whole thing is that he's an asshole rich white man. definitely possible to do a character like that who's sympathetic whilst still having it ring true for the audience that they're just gonna be a bad guy.
and like they maybe COULD have made this work with Morgana? but here i suppose we do get into the straight up just bad politics, doing Morgan Le Fay but she's Lex Luthor would maybe involve leaning into the privilege she has as a noblewoman (effectively a princess) but instead they just u know victimised her over and over and then when she snaps and starts exploding people it's like wow Morgana i can't believe you're evil now. stop exploding people Morgana. only Merlin is allowed to explode people.
it's like, i don't know. they didn't realise they couldn't just go directly from s1-2 Morgana (was end of s2 the switch? I forget) to 'oh she's just evil now' without it being really weird and jarring? they didn't realise that a female character could have motives for being evil that didn't revolve around all the men in her life abusing her?
but like im hesitant to even come down on it too hard for being sexist (even tho it was) bcos first and foremost its just stupid. wym she's just evil now. you didn't earn that at all. what are you DOING.
it all comes back for me to that part in s1 where we realise that Sophia's father is and was always planning to sacrifice himself for her and Sophia is distraught and suddenly these 2 characters who hitherto have been straight up evil gain a new sympathy and depth and its like oh no what are they gonna do!!
and then Merlin rocks up and explodes them both. just blows them up like bombs. and its like ok that COULD be a really interesting character moment for him but it. its not. bcos really blatantly what's going on there is they were like 'ok we're out of time, wrap it up folks. Merlin comes in and explodes the bad guys like bombs.'
it feels weird & jarring not bcos it was morally bad behaviour on Merlin's part but bcos straight up its just bad writing.
eta not gonna reblog this again but the OTHER issue w the Smallvilling is that it means Merlin is constantly not just lying by omission to Arthur but flat out lying to his face, manipulating him, on occasion straight up brainwashing him?
and like Clark Kent DOES on occasion engage in acts of gaslighting. see for example this scene. but in that instance its like well yes he did go to great lengths to deceive her but also she jumped out a window in an attempt to force him to reveal his secret so i don't think either of them come out of it great.