'three fingers (of scotch)'
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'three fingers (of scotch)'
Inspired by By Way of Wit by @ekingston

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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersβand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itβher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"βessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesβthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageβa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureβcredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionβomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesβreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenβinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
This is my favourite image from the whole artbook. The lightining is beautiful and warm. The composition makes me feel like Im in the restaurant with them. The elaborate detail. Mira already has the gay sit! This feels like the establishing shot at the beginning of a new scene.
People who should read The Books of the Raksura by Martha Wells
Omegaverse worldbuilding fans
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Murderbot fans (duh)
People who are unsatisfied by dragon shapeshifters in romantasy
Anyone who likes whump
Anyone who wants big giant terrifying monster women who will step on them
Anyone looking for a more unique fantasy universe than the typical Tolkien/dnd fare
Fans of reversed gender dynamics
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Anthropologists

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huntrix in america
this movie really said "you don't actually need a man to fix you, you don't even need to be fixed, but through the power of a sapphic polycule you can find self-acceptance" and that's beautiful
#but serious free bothers me a bit#cuz like the end of the movie proves#that rumi didn't need to be fixed#she just needed to accept herself#but free implies she needs to be fixed#I mean it's a beautiful song but
Well, the entire point of Free is that it's a fake-out, right? In addition to positioning the film as going for a standard romantic resolution that will not actually happen, if you take a look at the lines there's a lot in there (as you noticed) that is wrong or just not how things work out. At the time of the song, both Rumi and Jinu are still caught up in the attitudes that have trapped them - Rumi's still trying to fix herself and Jinu is still trying to escape his past/shame. They aren't actually addressing their root issues and so their plan and their partnership fall apart.
I think that Golden, Takedown, and Free are all basically setting up points to be refuted by What it Sounds Like. Golden is a facade by all three of the girls - even as they sing about their past struggles they're not actually mentioning their true issues and Rumi in particular is lying her heart out. Takedown is an attempt to deal with demons (shame) by applying (self) hatred and violence to the problem. Free is an attempt to deal with deal with demons (shame) by locking it behind a Golden Honmoon (the past) and running away, basically. And all of these songs are earnest attempts but none of them work, because all of them are, in various ways, wrong. It's only by accepting their own patterns/flaws and coming together to support each other anyway that HUNTR/X were able to seal the Honmoon and defeat Gwi-Ma/shame.
That's my take on it, anyway.
Ancient Greek Ladies by Alexandriad
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Originally shared by PunkandCannonballer on r/ImaginaryLesbians on May 29th, 2026 at 5:29 PM UTC.
I tell you this made me laugh way harder than it should have...

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Good morning
A friend of mine drew a cover art for my Dice & Demons fic.
I'm so, so, so happy and excited about this!
Dice & Demons is a "3 geeky girls" AU and a slowburn polytrix romance with strong slice-of-life elements.
Much Ado About Nothing - Text Posts (i)
WHAT THE FUCK
THERES MORE ?!
When ranchers in Utah's Rich County found eighteen sheep killed in March 2022, they assumed coyotes. USDA Wildlife Services flew a plane over the kill site and found something feeding on the carcasses that had only been confirmed in the state eight times in forty years. It was a wolverine. Utah sits at the extreme southern margin of the wolverine's North American range. The animal is built for the deep snow and high alpine of Montana, Idaho, and Wyoming, country above ten thousand feet where the winters last eight months and the terrain rejects everything that is not specifically engineered to survive it. A wolverine showing up in Utah's ranch country was not a routine predator complaint. It was a biological event. State wildlife managers had no protocol for it because they had never needed one. Biologists set specialized barrel traps near the sheep carcasses. Catching a wolverine in a live trap is considered one of the most difficult captures in North American wildlife management. The animal is trap-smart, solitary, covers enormous distances daily, and operates almost exclusively in terrain that humans struggle to access on foot. The odds of a wolverine walking into a barrel trap were close to zero. The next morning, a sheepherder found one of the trap doors dropped. Inside was a healthy, twenty-eight-pound male, estimated at three to four years old. It was the first wolverine ever live-captured by biologists in Utah's history. The team sedated him, packed his body in ice to keep his core temperature stable during the examination, fitted him with a GPS tracking collar, and released him into the deep snow of the Uinta Mountains. For researchers who had spent careers studying an animal they almost never got to see, that collar was the first real-time data source on wolverine movement the state had ever produced. The data that came back over the next twenty-five days confirmed what wolverine biologists in other states had documented but Utah had never been able to verify on its own ground. The animal logged over 195 miles of travel in less than a month. He did not drift south toward lower elevations or leave the state. He locked into the high peaks of the Uintas above ten thousand feet and ran massive looping circuits through avalanche chutes, rocky ridgelines, and snowfields deep enough to bury a man standing upright. The daily distances he covered would qualify as an endurance event for a human athlete on flat ground. He was doing it through the most physically punishing terrain in the state, in winter, alone, at elevation, without stopping. The eighteen dead sheep that started the whole sequence were never repeated. The wolverine moved into the high country and stayed there, operating in a landscape so remote and so hostile that the only evidence of his existence was the GPS signal pinging coordinates from ridgelines that no person had visited in months. The collar proved what the forty years of scattered sightings could only suggest. The wolverine was not passing through Utah. It was living there, quietly covering nearly two hundred miles of frozen alpine rock in less than a month, completely invisible to every human being in the state.
Source: Utah Division of Wildlife Resources / USDA Wildlife Services
@elodieunderglass
Wolverine - the relentless! Greatest of all mustelids, kindly childβ¦

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go away forever with me
drew fanart of the thang
God gives his hardest battles to his strongest soldiers and I'm dodging the draft
hang on I gotta look something up.
DW I know that one from heart if you need an explanation
Thanks tumblr user i-suggest-vore. I can always count on you for theological literacy wait is there a different reason you like this story