Erik & Christine Takarazuka Revue’s all-female production of Yeston and Kopit’s PHANTOM
PUT YOUR BEARD IN MY MOUTH

Kaledo Art
sheepfilms
styofa doing anything
NASA
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Aqua Utopia|海の底で記憶を紡ぐ

JBB: An Artblog!
KIROKAZE
art blog(derogatory)

Discoholic 🪩
$LAYYYTER
DEAR READER

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Product Placement

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occasionally subtle
Lint Roller? I Barely Know Her
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@paksthestoic
Erik & Christine Takarazuka Revue’s all-female production of Yeston and Kopit’s PHANTOM

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“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-
To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborate
star trek: deep space nine s4e05 "rejoined" / "good luck, babe!" by chappell roan
everyone clap and say hooray for my lesbian awakeninggg
sticker design for pride this year! 💞🏳️⚧️
etiquette i made up in my own brain that i for some reason observe religiously
"OP": equivalent to ma'am/sir. polite form of address for a stranger when referring to their post.
"[platform] user [username]" e.g. tumblr user corviiids: equivalent to Mr/Ms/Mx. polite, full title, used when talking to or about someone i don't know very well (or a friend, for emphasis).
"[name] [username]" e.g. rook corviiids: equivalent to a full name. addressing someone i know but am not really friends with. a polite amount of distance and regard.
"[name]": i know names are there to be used but calling someone i don't know by their name is a horrifically inappropriate intimacy akin to ogling their bare ankle under the hem of their skirt.

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I kind of miss the impulsivity that certain spaces used to allow. oh you want a hair cut today? hairdresser in the corner can fit you in before her 2 o’clock. tattoo of a cobra… sure leg or arm? even concerts, back when you could go to the box office thirty mins before any show. not saying these things don’t exist at all, but everything feels booked five months in advance and 10x more expensive
I GUESS I NEVER HAD MUCH USE FOR MY IMAGINATION
costume appreciation: kira nerys + holosuite 💥
[oblivious to sexual dynamics] ohhh are you guys playing knights and princesses? can i be like a grizzled mercenary captain? i could teach the soldiers in matters of arms and project a gruff and unyielding yet ultimately kind and fatherly demeanour. if you guys are looking for a third. player
nasa to the artemis crew: right no pit stops at jupiter alright? moon and back
artemis: no worries
nasa when they return: so how was it
artemis crew, suspiciously stupider than before: how was what

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“I could absolutely do this without you” after flying across the country to crash the funeral of your former employee’s father.
deborah vance, character of all time.
next year james patterson is slapping his name on a book called "the secret lives of booksellers and librarians," which is real bold considering that every bookseller and librarian that i've met in my time as a bookseller and librarian absolutely loathes him. including me.
"rowan if you hate james patterson how come you know about a book of his that's coming out seven months from now?"
I Must Keep The Scope Of My Sniper Rifle Trained On The Beast At All Times
Okay, I feel the need to explain just why James Patterson is so hated by librarians.
See, it's not just that he writes mediocre, churned-out thrillers; there are many, many authors of mediocre, churned-out thrillers out there, he ain't special.
It's also not that he "writes" them with "coauthors" and slaps his name on them - again, this is not unique.
It's not even - though this is starting to get there- that he chases every publishing trend and creates His Version of everything from Diary of a Wimpy Kid to Nicholas Sparks, which nobody likes as well as they like his thrillers but still buy because they have His Name on them like a summoning charm.
No, what makes James Patterson uniquely loathed is the combination of the frequency of publication and his popularity. Because, to be honest, I'm not sure that anyone even likes his books anymore, but it doesn't matter, because if they have the James Patterson name on them then readers will be queuing up like zombies desperate for a fix of decaying cerebral matter. Which would be tolerable if he had the decency to only write one book a year like most other bestselling authors, but "James Patterson" (quotes VERY intentional) puts out roughly two books per month. So as a librarian, not only do you have to buy every new book James Patterson puts out, you have to buy multiple copies in order to fulfill demand. Somewhere around 5% of my fiction budget is spent ENTIRELY ON JAMES PATTERSON. Every new James Patterson that comes out means a dozen or more queer romances, inventive sci-fi novellas, unique cultural viewpoints, etc, etc that you can't buy because YOU HAVE TO BUY JAMES PATTERSON INSTEAD. (See also, you just weeded and shifted the Ps in fiction to make room and now it's full again oh god why.)
And the clincher - the absolute clincher - is the knowledge that the publishers will be "finding" "unfinished manuscripts" by "James Patterson" for a minimum of fifty years after his death, so even if some right-minded bibliophile with a claymore takes one for the team, we will never, ever be free.
And that is why we hate James Patterson.
I was wondering about this when i saw the first version of this post
People who work within a system: okay so studies show that the normal system works 90% of the time, but because it’s very bad when it doesn’t work, we’ve set up a process to manage those outliers. We need six well-trained workers to run the system 100% of the time without any serious incidents.
CEOs and politicians, every time: Well i just saw it go right twice in a row which means the normal system which you say works 90% of the time actually works 100% of the time. We’re cutting the team down to one person pulling 18 hour shifts without breaks
something I’m really enjoying about season one of Hacks is that any time Ava and Deborah argue, the writing doesn’t feel contrived.
their super sharp, “nobody would ever say this”, back-and-forth barbs for the sole purpose of one-upping each other are PERFECTLY in-character. where, in other shows, it reads as hack-ish (ha) and fake, it works for them.
because that IS what they’re doing. they ARE trying to wound each other with the wittiest possible barb that may get turned into material. they ARE bantering back-and-forth because they both speak the language of comedy writing. and neither, at this point in the show, is capable of turning off the performance or the work or any of it in order to be real with each other. if their arguments didn’t escalate like this or they tried conflict resolution, THAT is what would be out of character.
anyway, I’m really enjoying this show and Deborah just threatened a doctor with a lawsuit if he didn’t provide medical care for Ava. so I’m looking forward to finding out how long these women are going to go on pretending they don’t care about each other.
STOP THE FUCKING PRESSES, THE NEXT EPISODE BEGINS WITH AVA DREAMING OF THEM MAKING OUT?!

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something I’m really enjoying about season one of Hacks is that any time Ava and Deborah argue, the writing doesn’t feel contrived.
their super sharp, “nobody would ever say this”, back-and-forth barbs for the sole purpose of one-upping each other are PERFECTLY in-character. where, in other shows, it reads as hack-ish (ha) and fake, it works for them.
because that IS what they’re doing. they ARE trying to wound each other with the wittiest possible barb that may get turned into material. they ARE bantering back-and-forth because they both speak the language of comedy writing. and neither, at this point in the show, is capable of turning off the performance or the work or any of it in order to be real with each other. if their arguments didn’t escalate like this or they tried conflict resolution, THAT is what would be out of character.
anyway, I’m really enjoying this show and Deborah just threatened a doctor with a lawsuit if he didn’t provide medical care for Ava. so I’m looking forward to finding out how long these women are going to go on pretending they don’t care about each other.
Too many rich people buying medieval castles and then renovating the interior to look like a completely normal 21st century house. Sorry but if you're going to live in a castle you need to commit to the bit. If I lived in a castle I would restore it just enough to be barely liveable and pretend I was a poor but prideful nobleman in his crumbling estate, still clinging to the last vestiges of his family's fading name.
I'd commission portraits of generations of completely made-up noble ancestors and then intentionally water-damage some of them to reinforce my "mouldering splendour" motif.
I would invite a woman who looked like one of my portraits over and tell her that it was a portrait of my saintly mother who was taken by consumption 20 years ago.
I’d have a personal eccentric monk from no known religious order skulking about parties, pointing his long, bony finger at random guests and whispering in my ear.