todays bird

❣ Chile in a Photography ❣
cherry valley forever
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NASA
almost home
trying on a metaphor
YOU ARE THE REASON
Alisa U Zemlji Chuda
let's talk about Bridgerton tea, my ask is open

roma★

Andulka
hello vonnie
Aqua Utopia|海の底で記憶を紡ぐ

Discoholic 🪩
Sweet Seals For You, Always
Game of Thrones Daily
2025 on Tumblr: Trends That Defined the Year
dirt enthusiast
we're not kids anymore.
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@paksthestoic

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happy pride to oliviaviola twelfth night/she's the man. in another universe shakespeare made you real
soooo embarrassing to get obsessed w a specific character when no one else gives a damn. like yeah heres post #574934. heres au idea #26482. heres art piece #9383. yes its all about the same person, yes i am rambling in the corner blair witch style. feel free to shoot me dead for this btw
will susanna thompson ever know how meaningful her contributions to trek were?? to wlw trek fans specifically??
Erik & Christine Takarazuka Revue’s all-female production of Yeston and Kopit’s PHANTOM

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“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-
To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborate
star trek: deep space nine s4e05 "rejoined" / "good luck, babe!" by chappell roan
everyone clap and say hooray for my lesbian awakeninggg
sticker design for pride this year! 💞🏳️⚧️
etiquette i made up in my own brain that i for some reason observe religiously
"OP": equivalent to ma'am/sir. polite form of address for a stranger when referring to their post.
"[platform] user [username]" e.g. tumblr user corviiids: equivalent to Mr/Ms/Mx. polite, full title, used when talking to or about someone i don't know very well (or a friend, for emphasis).
"[name] [username]" e.g. rook corviiids: equivalent to a full name. addressing someone i know but am not really friends with. a polite amount of distance and regard.
"[name]": i know names are there to be used but calling someone i don't know by their name is a horrifically inappropriate intimacy akin to ogling their bare ankle under the hem of their skirt.
I kind of miss the impulsivity that certain spaces used to allow. oh you want a hair cut today? hairdresser in the corner can fit you in before her 2 o’clock. tattoo of a cobra… sure leg or arm? even concerts, back when you could go to the box office thirty mins before any show. not saying these things don’t exist at all, but everything feels booked five months in advance and 10x more expensive

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I GUESS I NEVER HAD MUCH USE FOR MY IMAGINATION
costume appreciation: kira nerys + holosuite 💥
[oblivious to sexual dynamics] ohhh are you guys playing knights and princesses? can i be like a grizzled mercenary captain? i could teach the soldiers in matters of arms and project a gruff and unyielding yet ultimately kind and fatherly demeanour. if you guys are looking for a third. player
nasa to the artemis crew: right no pit stops at jupiter alright? moon and back
artemis: no worries
nasa when they return: so how was it
artemis crew, suspiciously stupider than before: how was what
“I could absolutely do this without you” after flying across the country to crash the funeral of your former employee’s father.
deborah vance, character of all time.

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next year james patterson is slapping his name on a book called "the secret lives of booksellers and librarians," which is real bold considering that every bookseller and librarian that i've met in my time as a bookseller and librarian absolutely loathes him. including me.
"rowan if you hate james patterson how come you know about a book of his that's coming out seven months from now?"
I Must Keep The Scope Of My Sniper Rifle Trained On The Beast At All Times
Okay, I feel the need to explain just why James Patterson is so hated by librarians.
See, it's not just that he writes mediocre, churned-out thrillers; there are many, many authors of mediocre, churned-out thrillers out there, he ain't special.
It's also not that he "writes" them with "coauthors" and slaps his name on them - again, this is not unique.
It's not even - though this is starting to get there- that he chases every publishing trend and creates His Version of everything from Diary of a Wimpy Kid to Nicholas Sparks, which nobody likes as well as they like his thrillers but still buy because they have His Name on them like a summoning charm.
No, what makes James Patterson uniquely loathed is the combination of the frequency of publication and his popularity. Because, to be honest, I'm not sure that anyone even likes his books anymore, but it doesn't matter, because if they have the James Patterson name on them then readers will be queuing up like zombies desperate for a fix of decaying cerebral matter. Which would be tolerable if he had the decency to only write one book a year like most other bestselling authors, but "James Patterson" (quotes VERY intentional) puts out roughly two books per month. So as a librarian, not only do you have to buy every new book James Patterson puts out, you have to buy multiple copies in order to fulfill demand. Somewhere around 5% of my fiction budget is spent ENTIRELY ON JAMES PATTERSON. Every new James Patterson that comes out means a dozen or more queer romances, inventive sci-fi novellas, unique cultural viewpoints, etc, etc that you can't buy because YOU HAVE TO BUY JAMES PATTERSON INSTEAD. (See also, you just weeded and shifted the Ps in fiction to make room and now it's full again oh god why.)
And the clincher - the absolute clincher - is the knowledge that the publishers will be "finding" "unfinished manuscripts" by "James Patterson" for a minimum of fifty years after his death, so even if some right-minded bibliophile with a claymore takes one for the team, we will never, ever be free.
And that is why we hate James Patterson.
I was wondering about this when i saw the first version of this post