It's fake and it's in space

Jane Dunn Børresen (Norwegian-British, b. England, based Oslo, Norway) - Coffee Break, Paintings: Acrylic on Board

1986

it's always you

Anthony Head (1954-2026)

Ummm she's literally sensitive :/

Adam Hall aka Adam Thomas Hall (American, b. 1981, Wheeling, WV, based Franklin, TN, USA) - Nocturnal Glow, 2024, Paintings: Oil on Canvas

Hannah Brown (British, b. 1977, Salisbury, England, based London, England) - Day for Dusk (Pedlarspool) 2, 2022, Paintings: Oil, Acrylic on Linen

In April 1924, Smart and his wife accompanied George and Minnie Turland Goosey on a visit to Venice. Minnie recorded, “We arrived in Venice at midnight with a full moon turning the place into an artist’s dream of heaven. It was as if it had all been rehearsed and timed perfectly. Around each turn in the smaller canals, we passed other gondolas whose occupants were singing softly, some to the accompaniment of mandolins, and there were those who were silent like ourselves just drinking in the beauty of it all. Moonlight in Venice is wonderful. George told me afterwards B.S., our Artist friend, unconsciously held his hand in a firm grip murmuring, ‘I can’t believe its true, it must be a dream’. This painting, which was hung at the Paris Salon in 1927, aims to capture that moment and is a very daring composition. (source)

‘Six Dancers’, 1911 - Ernst Ludwig Kirchner(1880–1938)

A Flaunt Film | Emma D'Arcy

[ID: Four screencaps from Taskmaster. Amy Gledhill stands at a table with three sealed envelopes in front of her. She says, "Two tasks." From off-screen, Alex Horne asks, "Pardon?" Amy looks at the envelopes again. She says excitedly, "Oh, three tasks!" End ID.]

Marguerite Zorach (USA 1887 -1968) Boothbay Harbor, Maine oil on canvas 19 x 26.12 in.

why must a film be "good" is it not enough to see katharine hepburn having a gender crisis on your laptop screen , small

Katharine Hepburn as Sylvester/Sylvia in a publicity portrait for the RKO Radio Pictures/George Cukor romantic comedy Sylvia Scarlett, photo by Ernest A. Bachrach, 1935.

Screenland magazine, January 1938