women are like diamonds: synthetically-produced women are not meaningfully different from naturally-formed women, and anyone trying to tell you otherwise is probably trying to justify keeping their women mines open
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Mike Driver
untitled
Lint Roller? I Barely Know Her
$LAYYYTER
EXPECTATIONS

Discoholic 🪩
Aqua Utopia|海の底で記憶を紡ぐ
Fai_Ryy
The Stonewall Inn
Jules of Nature

#extradirty
todays bird

Love Begins

Product Placement

Origami Around
cherry valley forever
Stranger Things
The Bowery Presents

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@soupwarlock
women are like diamonds: synthetically-produced women are not meaningfully different from naturally-formed women, and anyone trying to tell you otherwise is probably trying to justify keeping their women mines open

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blood spray is just another kind of cumshot
David Hockney, Paul, France, 1968
Disco Elysium animation 🕺
reblog so i can watch it over and over
amazing things happening in late series columbo episodes

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been repeating this in my head all day
honest to god fill my uterus with these, how many will fit? how many until its noticeable? lets make a game out of it! get them big ass balls into me
hi
You should all be beaten like piñatas
dont do that bro the fucking boba r gonna shoot out
just fucking imagine the noise . the fucking Schfpblort.
me tongue-deep in a sandalwood candle: 🤤
the tjmaxx employee loading a fourth tranquilizer dart into their blowgun: i need backup
by xd2371
tumblr needs to stop calling me out

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holy shit the portugese covers for the imperial radch trilogy are so cool... the colours! the style!! the way the edges of the covers form a pattern together!!!
wanna hang out [remembers it's rude to put expectations on people] it's cool if not [remembers people like to know they're wanted] but I'd really like it if you did [remembers selfishness is bad] we can do whatever you want though [remembers that handing someone a blank canvas isn't as effective as providing a suggestion to bounce ideas off of] like sucking each others fingers for example
i'm scared to show you
A late night photo collage

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Back in like 2011 people thought I was a cooky conspiracy nut for pointing out that we live under constant government surveillance. Now we live in a post-Snowden, post-Wikileaks world where the fact that we live under constant government surveillance is a matter of public record that everyone acknowledges, but I'm a cooky conspiracy nut for thinking it's bad.
its crazy how Steven Spielberg is just about single-handedly responsible for basically all of the most dangerous pro-war propaganda made in American history that directly led to the attitudes surrounding the global war on terror which extend into our present bare-faced fascist government worshiping martial force above all else.
>releases Saving Private Ryan in 1998
>completely deranged movie that re-invented the mythology of WWII and forged it into a spectacle of righteous bloodshed
>has a character whose arc is completed by overcoming his resistance to gunning down unarmed, surrendering enemy prisoners
>whole thing is sheathed in uber-sentimental Spielbergisms about the duty and honor and sacrifice and shit
>Sets up Dreamworks Interactive
>Produces Medal of Honor, released 1999
>invents the genre-form of the military shooter and, again, slathers it in rousing sentimental justice and honor and shit
>In 2001, releases Band of Brothers, which he "created" and produced alongside Tom Hanks
>show all about camaraderie, and soldiers' duties to one another, about the bonds they form and the resilience these relationship provide these men in the face of the difficulty of what they must do, that being the war
>each of these stories are essentially about the burdened masculine duty of warfare, doing the difficult thing that must be done, the honor and dignity and sacrifice in the only war we've ever had that was ethically justifiable because of the the universal aggression of the axis forces
>makes the perfect case for why, sometimes, in the face of a truly great evil, warfare is just, and righteous, and men can choose to do it out of goodness, to protect that which they love, and that there is immense, heightened beauty in this love during war the likes of which nobody but a warrior can truly understand
>the first episode of Band of Brothers airs on September 9th, 2001
>In 2002, after working on and releasing Medal Of Honor: Allied Assault, 22 members of Dreamworks Interactive start their own studio
>In 2003, they release their first game
>it's titled Call of Duty
YOU ‼️Understand completely! The wave he was riding at the time was so influential, so institutional, so powerful, that he completely re-defined the concept we have of what WWII looked like. Just the landing sequence changed America's vision of warfare. Each of its constituent parts were immediately parodied and, just as quickly, turned into genre tropes. Hacksaw Ridge is a movie I was sort of disgusted by. Nominally, it's about praising the nobility of a pacifist during wartime. But it was directed by Mel Gibson, who is a crazy pig, so it tries to have its cake and eat it too with gleefully reveling in the cartoonish destruction of human bodies. The pornographic quality of men being hacked apart with mines and mortars and machinegun fire, to behold their misery, is something cut from Saving Private Ryan whole cloth. But in Hacksaw Ridge, Gibson, in his worship of the spectacle of warfare, his jubilant bloodlust, even lifts the somewhat infamous detail of a flamethrower specialist having his fuel tank explode when it's struck by incoming fire. Somewhat infamous because it's now generally agreed upon that they can't explode like that. Much like everything else in that sequence, it is a theatrical fabrication to pull the audience into feeling certain ways, resting on an illusion of authenticity. Now that's just how people imagine the war. The spectacle of misery and brutality is what people expect. It's entertainment. It's pornographic. Americans can't cum unless they see a young man writhe on the ground in agony begging for his mommy. And then Spielberg's movie ends with his decadent, deep-fried sentimentality stating "well all that human suffering and loss of life was 100% worth it. No notes. Bye." This is a 30-year track we were set on by Spielberg. This was crucial for everything that happened, for the specific culture of veneration that sprang up around our military during the global war on terror. This is like a parasite he designed in a lab to inject into our brains and kill the country from within. He just completely, fundamentally changed the way America thinks about warfare. And that's before we even get into him inventing the military shooter! He's responsible for fucking CALL OF DUTY coming around. This dumbfuck, in all his talent, attempting to venerate the sacrifice and glory of The Greatest Generation, created the most fatal cultural time bombs anyone has ever made, specifically because he designed them to be so agreeable. Because of his domestic sentimentality.
To substantiate on OP's claim, Spielberg even desired to make a COD movie.
We almost got a Steven Spielberg Call of Duty movie, but according to a new report, Activision just couldn't go through with it.