Name: AJ I HAVE FALLEN DOWN FOR REVUE STARLIGHT but I occasionally dabble in other fandoms. Current Obsession: Kakegurui | fault Milestone (Visual Novel) When in doubt, expect spoilers This season: Shoujo Kageki Revue Starlight
Graceful degradation is the ability of a computer, machine, electronic system or network to maintain limited functionality even when a large portion of it has been destroyed or rendered inoperative. The purpose of graceful degradation is to prevent catastrophic failure. (Tech Target, first result on the search engine)
Oh neat the first time I heard of the concept the guy described it to me as "catastrophic functionality".
He was talking about it in the context of designing robots that would go in and stop nuclear reactor meltdowns, something that would 100% destroy the robot, but they would be designed to keep functioning and fighting the meltdown for as long as possible. He had some designs where over 80% of the robot has died and it was functionally dragging its corpse around by its one working arm because one more minute of functionality might save thousands.
I've been having a few bad years mental health wise, and thinking about those robots a lot .
This is also why NASA missions usually keep going so long after schedule. They are *masters* of graceful degradation, able to keep machines limping along on minimal power and after sustaining heavy damage
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love that Galaxia owns most of the universe but the only things in her room are a California King, a mimosa carafe, and a pot of flowers wayyyyy over there. it's called minimalism
I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.
I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:
the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and
the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.
Okay. Point 1. The frog-boiling.
Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.
In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!
And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”
That did not happen. There is no ceiling. The frog is soup.
Point 2. The complete and utter mundanity of all of this.
It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.
The vibe with “Saki” is different.
It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.
There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.
So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.
The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.
Do you get??? why I’m so fascinated??? Are you not a little enraptured???
Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????
i read this post and was like "huh i have to see this for myself" so i went and just clicked around through some random chapters
The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.
op said that and was entirely accurate, this is the most fascinating bit of "the world of the comic is fundamentally uninterested in the fanservice happening on the page" that i have ever encountered.
images uh. below the cut. because yikes don't look at them if anyone else might see it.
why are her breasts that size?
op was not joking about the frog boiling tiddy expansion because i think these are two panels of the same character? i didn't put much effort into confirming.
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I attended a Dungeon Meshi themed dinner last weekend and wanted to share what was brought/devoured! Enjoy the comparison of what the dishes looked like irl vs the show
How fucking annoying is it when you feel so restless with creative energy but you can’t decide what to do with it and when you finally try to create something it comes out shit so you just give up and sit there being all creatively annoyed and jittery.
1 - Decision Making Fatigue is a thing.
--> Make a list of possibilities.
--> Use a random number generator to pick something off the list.
--> If you hate the idea cross it off and generate a new number.
--> Continue until you either find a project or cross off the whole list.
--> If you cross off the whole list pick a random short story prompt, write for five minutes, and call it a good work day.
2. Yeah, of course your rough draft sucks. It’s supposed to.
--> Let it suck.
--> You can fix it in edits.
3. When you’re stressed you aren’t unbiased about your work.
--> Don’t judge your work while your are actively working on it.
--> Remember to drink water, take your meds/vitamins, eat something, and get sleep.
--> Double-check to make sure the restless creative energy is not displaced emotional worries over something else. If it is, displace with intention and let the worries go into your work. You shouldn’t keep stress in your head, put it on a page, or canvas, or in a carving, or a meal, or something. Get it out and let it go.
4. No work is ever wasted.
--> All time spent planning and creating is useful in some way.
--> Failure means you tried, which is good.
--> Try again. Fail harder. Fail better.
--> Keep going until you like what you’re making.
5. Love yourself enough to allow yourself to not be perfect.
--> Seriously.
--> If this is a struggle I highly recommend seeing a doctor or therapist about depression.
--> Because you are dang lovable, my friend. You rock. You do great things. I’m proud of you.
Just found out that strawberry panic was created by the same woman who created love live and there was no one in my life. I can share this information with that will understand how my entire worldview has shifted
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