Granola Punk

Preschool mode had not turned off so I looked at it, clapped my hands and said “WOW Really great work! Amazing!”, in that same kind of voice you’d say to a toddler who presented you with a random scribble on a piece of paper.

one of the funniest convos of all time, personally, because I run a photography page that heavily features architectural photography and this man (yea it's a guy) says that the pictures I click show that I'm a perfect balance between innocence and wildness. and he weirdly likes that.

At work right now, but these are my favorite pics of her!

and they freaked out??? Apparently I'm weird for writing my works *in* ao3? Like I know people usually write in docs or something but I only feel motivated to write when I'm in the ao3 textbox HJLGFJGDH

So now I have a question for fellow writers on ao3:

A game where most of the cutscenes are flashbacks of memories the protagonist has, and the "skip cutscene" button says "repress this memory". You can play through the whole game while skipping all of the cutscenes, you don't need to watch any of them to complete the main storyline and get the main intended ending.

But watching through them doesn't just give you a more thorough - and occasionally, even completely different - understanding of the whole game, and information that makes you see certain characters in a different light, but it unocks new options in the game. You watch through the cutscene flashback of the protagonist's mother doing something fucked up, and suddenly all your conversations with her now have the dialogue option to go "hey mom remember when [the fucked up thing] happened?"

This particular conversation branch doesn't seem to lead anywhere, she'll flat-out deny that the thing ever happened, and she calls you crazy for having ever imagined that, but later on you can stumble upon something else that you clearly saw in the flashback, that you couldn't have found out any other way. It's one thing to wonder why you would remember something that never happened, but how would you have known that this passageway was here, and opens exactly the same way you remembered it?

There are passages in the game that aren't required for the completion of the main storyline, that aren't blocked off by anything visible and obvious, but have text like "you cannot go through this way, this hallway is too noisy", and it takes a completely unrelated flashback for you to recognise what that specific sound reminds you of, which opens up a whole sidequest of you figuring out why you can't stand hearing that noise. Once you've made the connections and finally remember, you can go through the hallway. There's nothing on the other side that you need for the main quest, but things that may help unlock some other mysteries.

The main game is simple and straightforward, you can just play through that one and be done with it. But that's not the whole picture, the full story. There are answers peppered thorough the whole game, answers to questions you might not even think of to ask. Explanations of why the protagonist is the way they are, and things that make you see characters you interact with - and your interactions with them - in a completely different light. Most of the relevations are grim. The only question to ask yourself is