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versche

MISSY ELLIOTT

afloweroutofstone

It comforts me that you have bad music taste, because you are a bad person, and I like to think bad moral character and bad music taste are connected. But every so often you post something good. I hope those are just accidents. Or maybe they reveal a tiny sliver of goodness within you.

What I don’t want to believe is that music taste and morality are unrelated. I’d rather believe the universe has an order, and that music taste is one way to tell good people from bad.

I’ll be more direct: you posted a Strawberry Switchblade song. Why? Did you post it by mistake, meaning to post bad music instead? Or did you post it because it reflects the small part of you that is good? Or did you mean to post it, proving that good music and good character have nothing to do with each other?

I'm getting hate mail from a Protestant Strawberry Switchblade fan

ocularcannibal

doublelp

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when-you-fail-again

mudwerks

Pulsallama | The Devil Lives In My Husband’s Body (1982)

possible-streetwear

radioattic

one of the things that bugs me about the redefinition of PUNK is that so many punkers turned right wing in the 90s and 00s;

it makes me think of how many tumblrs turned into TERFs without anything but some text on a little screen urging them to

it makes me think of how many hippies turned into yuppies

radioattic

if you're mistaking identity for a specific kind of ideology, you have been punked

sowhatifiliveinfukuoka

Lydia Lunch (1992)

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radiosanity

nyancrimew

i Will play your art gallery opening*

*if it's in switzerland and you pay me

🌑🫀

#</3 #rip #bonnie tyler

#old punks #Youtube

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omegaversereloaded

lydia lunch and exene cervenka describe the fascist death spiral of america in 1995 through powerful spoken word 🖤

brucespringsteen

Visit Original Link

This is the original, complete studio take of Born In The USA that made the record. Bruce talked about this moment in Born to Run;

“I counted off; I had lyrics, a great title, two chords, a synth riff, but no real arrangement. It was our second take. A marshall wash of sound poured into my headphones. I started signing. The band watched me closely for an on-the-fly arrangement and Max Weinberg gave his greatest recorded performance. Four minutes and thirty-nine seconds later “Born in the USA” was in the can. We set down our instruments, walked into the control room and listened to lightning in a bottle.”

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