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JBB: An Artblog!
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Aqua Utopia|海の底で記憶を紡ぐ
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@seismologically-silly

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The world is violent and mercurial — it will have its way with you. We are saved only by love — love for each other and the love that we pour into the art we feel compelled to share: being a parent; being a writer; being a painter; being a friend. We live in a perpetually burning building, and what we must save from it, all the time, is love.
Tennessee Williams
why dont you make like a tree and feel the breeze and the sun and the changing of the seasons. and Grow
i think we could reform pangaea if we all tried hard enough
if we all just got in the water and pushed

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Blacksmith/Knight is so severely underrated in general imo. To forge a properly fitted suit of armour would the blacksmith not need to know the precise shape of the knight's body? How their muscles flex and move under duress and strain, how their armour must be shaped to allow the Knight as much flexibility as possible in battle? And who better than the blacksmith to help the Knight test of the suitable to a new suit of armour?
Showcasing art from some of my favourite artists, and those that have attracted my attention, in the field of visual arts, including vintage; pulp; pop culture; books and comics; concert posters; fantastical and imaginative realism; classical; contemporary; new contemporary; pop surrealism; conceptual and illustration.
The art of Stephen Andrade.
Jeff Kowalski (American), Looking Out Toward Squirrel Island, 2026, Acrylic on canvas
im gonna cry this person is so sweet to their fish
green knight studies except im just studying dev patel's face

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Cryptozoology is my favourite kind of fake science stuff. Wish there was also cryptobotany, like mothman but its just a really big fern in the middle of a field with literally nothing else around it , that spawned in the dead of night, might have killed a few people and never shows up in photos, and no one is sure its even real
Ideas:
Huge mycelium network that has attained limited sentience and uses spores to communicate to people through dreams but because it’s mind is so Eldritch they’re more like nightmares
The Wandering Vine. Anyone who’s ever had to deal with a rogue Morning Glory or Mint knows that some plants are more, um, mobile, than others. Make one that just up and wanders off when your back is turned.
The Infinite Canebrake. Bamboo Forest as Eldritch Location a la The Backrooms or The Lot.
The Unmeasurably Old. So, this one is real. Some plants can reproduce vegetatively. Some of them are really good at this. There’s a Quaking Aspen up in Utah called Pando that’s got so many separate stalks that to the untrained eye it appears to be an entire forest. 100+ acres of trees. The individual stalks live for ~100 years, but the root network is the real organism, and that thing might be older than writing. We’ll never know. We can’t date the thing itself, it keeps moving itself around through and under the earth, redistributing Mass according to its own internal logic of rainfall and sunlight and organic chemistry. Rings? From which part? A stalk?
A living god. Flowing slowly about under the floor of a forest that is also a part of it.
…
Wild.
""Listen to Black women." "Listen to women of color." That has been the refrain of so many on the left since the 2016 elections. We are the group that voted against Trump more than any other. We are the ones who kept Roy Moore out of office. Almost every day I get a message from a white person saying "Tell me what to do and I'll do it."
As if I haven't been writing for years. As if Black women and women of color haven't been saying what is wrong with this country for centuries. And right now, we have women of color- strong, capable women of color- in congress with solid progressive ideals and good ideas, and they are being lambasted as "too radical" and "too divisive".
Right now we have women of color who are writing about what is needed to move this country forward, and they are being dismissed as "race-baiting" and "antiwhite". And chances are, in future elections, we will again be reaching out to them and asking "What do we do now?" "How can we fix this?"
Studies have shown that pretty much anytime a white man talks about equality and justice, he is praised. It is seen as proof of his broad leadership abilities and his magnanimousness. But women of color are never praised. They are seen as bitter, devices, vindictive, and self-serving. This view hurts women of color and politics, in the office, and in academia.
We are often the most harmed by the failures of our systems to address structural inequality; we are often the first sacrifice to political compromise; we are the vote taken for granted in every single election; we are often the only group standing between an electorate and the next white supremacist representative-
and yet when we try to advocate for policies that won't have us scrambling to save everyone's asses in the eleventh hour, we are ignored or attacked."
Chapter 6- Mediocre, Ijeoma Oluo
'Lucy and Mr. Tumus in Narnia' by Lily Seika Jones.
Brother Murphy about to head down to the fishin' hole
(commission)
art by Curtis Lanaghan

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Piece I drew a while ago for Roberto Molinari’s original work. Inks on paper then digitally colored.
Can I offer a reframe of the common "write the shitty first draft" advice? I like that advice a lot but I think the way it's often presented bounces off a lot of people and activates shit that does not help writing happen.
I think of the first draft as an armature.
If I was making a beautiful bronze statue, I would need to make a clay model first. And, depending on the shape, before I even got out my clay I would need to get some good thick wire and create a basic shape for the clay to adhere to, so it doesn't all fall down. Once I have this essential 3D wire frame, I can start building and subtracting and refining.
But if I try to refine on just clay, it won't have enough of a core to hold it up. I'll sculpt a beautiful hand only to have the whole arm fall off and go smush.
The armature isn't the sculpture. It is the frame you build the sculpture around.
The first draft isn't the novel, it's a sort-of-novel-shaped thing that will hold up everything you build and beautify later.
Write the armature draft. Try to make it a good armature, instead of trying to make it a good novel before it's ready.