Les HélicoptÚres, Robert Doisneau, 1972

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Les HélicoptÚres, Robert Doisneau, 1972

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Nu Composition, Gertrude Fehr, 1930
Roland LABOYE
Plague (Pest), from the series Death, Part II (Vom Tode Zweiter Teil), Max Klinger, 1903
Etching / cream, smooth, laid Japan paper
acoustic guitar and mandolin

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âDeath and the Maidenâ
â 19th century French postcard
Stills series, Sarah Charlesworth, 1980
Whatever it grants to vision and whatever its manner, a photograph is always invisible: it is not it that we see. In short, the referent adheres. And this singular adherence makes it very difficult to focus on Photography.
âRoland Barthes, Camera Lucida (1980)
"The photographs give evidence of an actionâin each case, someone falling, their fall suspended in the stasis of the photographâand by looking carefully at this evidence, a glimmer of something else comes through: a set of propositions regarding the image, life, and death."
Leslie Dick, Intentional Accidents: Reflections on Sarah Charlesworthâs Stills
Cover art by Jeff White for W. W. Jacob's 1902 horror story
Read here
RĂ€derwerk, GĂŒnter Blum, Tokyo, 1994
1936 Chrysler Stout Scarab

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Jacques Villeglé, Rues Desprez et Vercingétorix - La Femme (1966)
André de Dienes
1960
Lost Highway (1997) dir. David Lynch
Illustration by Carlo for Joues Cramoisies (Crimson Cheeks), Désiré Van Rowel, 1935

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Women Bathing, Yuki Ogura, 1938
Color on silk
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