Rugsrat

I think no one would be surprised to learn that Vi is a very openly emotional person. Not only does she allow herself to be consumed by her feelings unabashedly

but she's also in touch enough with herself to effectively verbally communicate how she feels.

That last part throws a lot of people off- because Vi does have some walls she put up for proterction, in particular in front of strangers. I think her aggressive attitude and tendency to run away make people mistakenly assume she's a closed off person, but she most definitely isn't. People who are close to Vi get to see her be vulnerable- Caitlyn, Jinx, Ekko, Vander, and ever Loris. When Vi feels an emotion, she doesn't try to bury or hide it- she let's it come to the surface.

Cut to her Very emotionally repressed girlfriend, who not only buries her emotions on the regular, but also is completely clueless on how to voice them. when Caitlyn wants to express how she feels, she usually talks about the matter-of-fact, the dry details, to imply what she actually wants to say. that's why analyzing Caitlyn feels like decoding a cryptid message.

I think a lot of people miss this detail, because both Caitlyn and Vi are direct and honest people. the difference is, Vi is direct and honest through and through- whether the subject matter is casual or extremely sensetive to her. Caitlyn's directness comes in her matter of fact-ness. when it comes to subjects that are about her own emotions, she doesn't lie- but she often talks indirectly, or chooses to not speak at all.

and that's why Caitvi work so well- because Vi absolutely gets what Caitlyn is trying to say. she is a master at decoding Caitlyn's indirect backhanded language. and that's a big reason why Caitlyn feels so seen by Vi.

Just like ther touch language, the way each girl expresses herself verbally has direct ties to how they were raised.

Let's start by examining Caitlyn and her dad. Supposedly, according to the fandom, Cait's dad is the parent who gets her the most. well, maybe when the competition is Cassandra Kiramman, this isn't such a high praise. I'd argue neither one of Caitlyn's parents truly get her. In general, the Kirammans seem to not quite be able to communicate in a vulnerable way, despite clearly loving each other.

in this scene, Caitlyn is trying to express a very clear message to her dad.

translation: I feel guilty for Mother's death.

you'll notice she states a fact ("I had the shot") instead of openly expressing how she feels.

in return, her dad either 1. doesn't get that subtext from what she's saying, or 2. agrees with the subtext and decides not to challenge it. because I don't think Tobias is a bad parent, i'll go with the first option. But it still leaves Caitlyn feeling misunderstood, and her emotional needs unmet. it's not entirely Tobias' fault- he's grieving too, and his daughter isn't exactly spelling it out for him. But if anything, this scene shows you exactly how the Kirammans operate an emotionally raw situation- that is to say. they don't.

(Caitlyn also has no idea how to comfort her father)

compare this to the environment Vi grew up in.

Vi was always an open person- we see it in the way she openly grieves her parents in the very first scene in the show.

She was later raised by Vander, who himself was an honest man. Here's young Vi talking to her dad:

during their conversations, both Vi and Vander are communicating openly. Vi feels like she can be vulnerable around Vander, and he in turn takes her seriously, doesn't try to hide things from her just because they might hurt. that is the complete opposite to how Caitlyn was raised- she was protected, but also coddled. Vi expreienced the harsh reality growing up, but she had a mentor who was honest with her and gave her a place she could emotionally express herself. Caitlyn grew up being kept away from any pain or danger- away from the "real world"- but in return her mentors were much less emotionally available, and prioritized composure over vulnerabilty.

here's what happens when these 2 very different upbrinings clash.

Caitlyn is delivering one of her most vulnerable dialogs on screen, yet she keeps it to the facts; on the surface, she is talking about the literal vacuum her mother left, that she's now expected to fill- the legacy and responsibilty she enherited. however, the subtext here is Caitlyn trying to express the sadness, the loss and the grief she feels. Vi, who is used to open communication, sees through the first layer and addresses the subtext head on.

and so, Caitlyn feels seen, understood, despite never actually saying anything directly. Vi meets her at her own level, and Vi knows how to effectively comfort her.

most of Vi and Cait's scenes together are ruled by this dynamic seen above. Vi is the open one, leading most of their dialog. she will bring up things that hurt. she will say the quiet part out loud. she will confront the problem head on. on the other hand, Caitlyn is usually on the back foot of the dialog, replying rather than initiating. her words are short and indirect. more often than not, she stays silent.

let's look at some more examples.

im this scene, Vi, as usual, wears her heart on her sleeve. she expresses her biggest fear to Caitlyn- "everyone in my life has changed", and clearly communicates what she needs- "promise me you won't change". right before this scene, she apologizes to Caitlyn for her loss, relating to her pain- "I'm so sorry about your mother, I'm sorry I can't bring her back".

Caitlyn, uhh, well...

she starts the scene in her dry, militant way, and as Vi gets more emotional, she gets quieter and quieter. this gif is the last time she speaks in this scene, before her infamously cryptic "I won't". her words are unclear or sticking to facts, making her almost come across as cold. and the thing is, Caitlyn knows this. She knows her words don't offer comfort- and that's why, in this moment, she uses her touch to comfort Vi. because Caitlyn struggles when it comes to verbally expressing emotions, but her touch is always soft and warm.

here's another example.

Vi comes in this scene and just bombards Caitlyn with accusations. notice how she addresses all of her issues directly: Caitlyn being "ungrateful" to Jinx, her distrust in Caitlyn, her disappointment in Caitlyn's professional affair with Ambessa.

as for Caitlyn- she's on the back foot, as she often is when it's a dialog heavy Caitvi scene. notice how she doesn't state what she thinks directly, instead she's being the queen of passive aggressive sass.

what she says are the facts. You didn't let me in on the plan, you had Jinx there because of a contigency. the translation: "i'm hurt that you didn't trust me." but Caitlyn can't just admit that openly like Vi does.

The only time Caitlyn drops her defenses in this scene is when she admits her awareness of her wrongdoings.

"I know!"

this is the only direct admition we get, and it came cause Vi pushed her all the way against the wall and provoked her, which is something Vi is notoriously good at.

the second time she admits it is here, and she's back to her nondirect, vague language.

she's referncing a mysterious "collective", to avoid talking about herself directly... where else have I seen this?

translation: I can't erase my mistakes / i'm just like you. but Caitlyn doesn't make it personal. this phrasing makes the things she says, that are technically more subjective, sound grounded and objective.

Vi, of course, is as direct and personal as ever. and again it kind of looks like she answers Caitlyn's subtext rather than what she's saying on the surface, though this isn't as clear in this example.

Lets circle all the way back to this scene.

I think in the overall excitement of the fandom upon recieving this scene, plus the memeification that it went through, we all forgot that this is an objectively unromantic and strange thing to say. On the surface, it's a dry fact about a military operation. But after reading through this entire analysis, isnt this just the most Caitlyn line ever? And of course, the subtext here is abundant.

Translation: i knew you would go look for your sister, and I've decided to put my hate for her behind for you. I understand you will forever love your family and I'm not asking you to choose between us anymore. And more generally, I'm sorry and I love you, at the same time.

And the best thing? Vi gets it. Because she understands Caitlyn's indirect language more than anyone else.

So, in conclusion. Why all this matters? Well, truthfully, I'm just sick of the constant "Caitlyn didn't apologize" takes, that for some reason expected Caitlyn to sit down and directly say "I'm sorry" to the camera. I hope I explained why making this claim, or worse, trying to "fix it fic" is absurdly out of character. If youre a Caitlyn enjoyer, why erase her unique characterization for the sake of simplicity?

Not only is it out of character for Caitlyn, it's also out of character for Vi to ever demand that of her. Vi loves Caitlyn and underatands her cues. Just because an invisible audience needs things spelled out for them, doesn't mean the characters need it too. Vi gets what Caitlyn is saying regardless of whether she says it directly or not- that's part of the charm of their dynamic. That "imbalance" in how they express themselves isn't something that HAS to be solved- they clearly know how to work around it. And to me, that makes their relstionship feel more realistic and fleshed out.

They want to control our elections.

I am dead serious people call your representatives. Get volunteering. Get protesting. Get LOUD.

They released a letter full of straight up lies. Spread the truth. MAKE NOISE.

How interesting. How very interesting. They rejected my Blaze of this post.

MBTI has been proven completely ineffective at predicting anyone’s success at a particular job, and half the people who take it twice will get different results. Reputable psychologists do not recognize it, and the company that owns the rights to it uses it to scam people. People don’t adhere to strict binaries in basically anything. Very few people are going to be exclusively introverted or extroverted. It’s just astrology repackaged as pseudoscience. Shockingly enough, you can’t boil the complexity of the human experience down to a dozen Types of Guy.

The concept of IQ is flawed from the start— “intelligence” is an abstract concept that encompasses many different skills, from social intelligence to emotional intelligence to the very narrow kind of problem solving intelligence IQ tests generally measure for. It cannot predict how fast you learn, how much you know, or how logical and well read you are. It mostly measures how good you are at solving puzzles. Coincidentally, it’s also a pretty good predictor of income and education level, take a guess why. Most people’s IQ will change throughout their lives, because it’s inconsistent bullshit we’ve only held onto this long because we’re still kinda hoping we can breed the ubermensch. IQ tests and the way they attempt to categorize people are explicitly eugenicist and racist.

BMI was developed by a man known as the grandfather of eugenics, who first of all was a mathematician, not a doctor, and second never intended the formula to be used to categorize individuals. It’s intended to give a rough estimate of obesity in populations, and it’s not even good at that. It hangs around because of fatphobia and insurance companies who want it as an excuse to charge fat people more.

The study which determined people’s prefrontal cortex was still developing at 25… stopped measuring at 25. Evidence suggests your brain probably never stops developing. Stop infantilizing grown adults. This is a branch off from the larger mess of misinformation surrounding fMRIs.

Now most of us don't room for flocks of sheep. Bare Naked Wools sells undyed wools in natural colors.

"You are beautiful when you do beautiful things."

"The present tense of regret is indecision."

"We understand so much, but the sky behind those lights-- mostly void, partially stars-- that sky reminds us we don't understand even more."

"Be proud of your place in the Cosmos. It is small and yet it is."

"Believe in yourself. You are an ancient, absent god, discussed only rarely by literary scholars. So if you don't believe, no one will."

"Death is only the end if you assume the story is about you."

“Whisper a dangerous secret to someone you care about. Now they have the power to destroy you, but they won’t. That’s what love is.”

"Are we living a life that is safe from harm? Of course not. We never are. But that’s not the right question. The question is are we living a life that is worth the harm?"

"When we talk about teenagers, we adults often talk with an air of scorn, of expectation for disappointment. And this can make people who are presently teenagers feel very defensive. But what everyone should understand is that none of us are talking to the teenagers that exist now, but talking back to the teenager we ourselves once were – all stupid mistakes and lack of fear, and bodies that hadn’t yet begun to slump into a lasting nothing. Any teenager who exists now is incidental to the potent mix of nostalgia and shame with which we speak to our younger selves."

"We are not history yet. We are happening now. How miraculous is that?"

"Wednesday has been cancelled due to a scheduling error."

"We have nothing to fear except ourselves. We are unholy, awful people."

"A million dollars isn’t cool. You know what’s cool? A basilisk."

"There's nothing under your bed. There's nothing in your closet. Nothing waits in every darkness. Nothing is the most terrifying thing of all."

"The night sky is ten miles wide, eight miles deep, and floats three miles up. Its favourite food is grape jelly. It wants to be a drummer."

"Look to the sky. You will not find answers there, but you will certainly see what everyone is screaming about."

"Ignorance might not actually be bliss, but it is certainly less work."

"And now, a special report. Crocodiles: Can they eat your children? *YES.*"

"Lie down and look up at the ceiling and breathe with those curiously fragile lungs of yours and remind yourself: Don’t worry. Don’t worry. All is as it was meant to be. It was meant to be lonely and terrifying and unfair and fleeting. Don’t worry."

"As long as I’m reminding myself things, I’m a good person, worthy of love – both from myself and others."

"Guns don't kill people! It's impossible to be killed by a gun. We are all invincible to bullets and it's a miracle!"

"Everything is exciting! Particularly existence. Existence is the most thrilling fact of all."

"There is a monster under your bed. A monster at your window. A monster any place you imagine one. You project your monsters on the world."

"You miss 100% of the bank robberies you don't commit."

"I like my coffee like I like my nights. Dark, endless, and impossible to sleep through. "

"A friendly desert community where the sun is hot, the moon is beautiful, and mysterious lights pass overhead while we all pretend to sleep. Welcome to Night Vale."

"And now, the weather."

I discovered this podcast at the beginning of high school, and let me tell you, it rewired my synapses.

Not only was it my first experience with positive LGBT representation, it was the show I clung to when everything else went to shit. Whatever was going on in my life, I knew I had this show in my corner, making me laugh, making me cry, making me feel okay about my place in the universe.

ya got

gochujang butter noodles

peanut butter noodles

chili crisp fettuccine alfredo

miso butter noodles

We get a closer look at the sequins during the start of the fight, when the girls are all coming together along the three stages.

And then the three girls hug, which recreates the Honmoon and rebuilds their magical alliance, and to signify that, Mira's and Zoey's outfits turn white, showing that they've been sanctified. So far, so good.

But crucially, the white outfits don't have sequins anymore. They have something else:

Patterns.

It's subtle and easy to miss, but the post-reunification outfits of Zoey and Mira are both smooth, but feature some subtle pattern work. Zoeys are a bit more playful, Mira's a bit more angular, both unique to them and their styles. But crucially, they match the demonic patterns on Rumi's skin.

The outfits are telling us that not only have the three reunited, not only have they forgiven each other, they're telling us that these girls are a unit. If one of them has patterns, they all will wear patterns, and be proud of it. They're 100% on Rumi's side.

Um.