#All countries matter
we're not kids anymore.

oozey mess
he wasn't even looking at me and he found me
RMH
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NASA
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@miss-nerd-alert
#All countries matter

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Almost time for the real No Kingâs dayđđđ¤´đşđ¸đşđ¸đşđ¸đşđ¸đşđ¸đđ

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I love how whenever ATLA recognizes Sokka is smart enough to solve a problem but itâd be too fast they just stick him in some kind of situation. Like he COULDâVE stopped jet from drowning a town so they tied him up and dumped him in a forest. He COULDâVE figured out what that spirits deal was so they lost him in the spirit world for 24 hours.
One time they just stuck him in a hole in the ground for a whole episode.
This is how writers should deal with characters who are too smart for the arc instead of making them suddenly dumber for no apparent reason.
If you frequently find yourself in random situations while your friends happen to be experiencing problems maybe you, too, are too smart for the narrative.
My favorite is that Sokka absolutely would've just navigated them out of the desert, so they had to put him on acid the entire time.
We really want to see how Katara handles soloing a brutal situation for this episode, so we're going to come up with excuses to nerf everyone else. Aang is having a mental breakdown, that's easy. Toph can't see shit and has bonus point depression. Sokka is tripping balls. And ... go!
When Sokka wouldâve figured out the âlove is brightest in the darkâ riddle in like two seconds, so they stuck him in a completely different part of the cave with the basically useless musician nomads and wild animals.
You donât have to make your smart characters dumber to make a problem challenging, you just gotta put them in a situation.
You know it's kinda wild that Zuko is seen as such a concrete part of the Gaang when he's actually only with them for five episodes before Sozin's Comet. It just goes to show how strong the writing is for all these characters that it feels like he's been on their side the whole time (cause in a way in he has)
Even if he wasnât technically with the Gaang for most of the show, he was given just as much screen-time and development as Aang, Sokka, and Katara.
In The Storm, we cut from a flashback about Aangâs life with the Air Nomads to Zukoâs life in the Fire Nation. We get an entire episode just about him in Zuko Alone. We watch him steal food for refugees with Jet in The Serpentâs Pass while the Gaang escort more refugees through the titular pass. He learns how to redirect lightning while Toph teaches Aang earthbending in Bitter Work. He and Aang learn about their predecessorsâ shared past together in the perfectly named episode The Avatar and The Fire Lord. During The Day of Black Sun, we jump between Aang reach the beginning of the end of his journey and Zuko beginning on his newly chosen path as the Avatarâs ally.
Every step of Zukoâs journey is in tandem with Aangâs, right from the first episode. Heâs learning and growing right there alongside the Gaang, even when theyâre miles apart. Him and Aang doing the Dancing Dragon in The Firebending Masters is the culmination of three seasons worth of buildup. Two young men who were once enemies become allies, as Zuko restores firebendingâs true spirit and Aang overcomes the last thing holding him back from his full potential.
It was the failings of the Avatar and the Fire Lord that started the war, and itâs the successes of the new Avatar and the new Fire Lord that ends it.
I donât think Iâll ever get over how much the Fire Nation loves theater and performance. It wouldâve been so easy to just make the antagonistic fire people nothing more than evil raiders who like to burn things, but the showrunners made them lovers of the arts instead.
Dance, fire juggling, plays, the circus, masks and costumesâŚfire as something that brings people together, rather than something that destroys; as campfire stories and stage lights and shadow puppets and fireworks, instead of burning buildings and forest fires.
JustâŚ.the Fire Nation as theater lovers.
He just a BABY
Iâm not the only one thinking it, right?
Victor Willis, July 1 1951 - June 30 2026
Heaven wanted him as the new recruit đĽ
Victor Willis was one of the co-writers of Village People's 1978 hit "Y.M.C.A."

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waaaay back when I was a cashier in retail we would talk about dumb shit while unloading the truck, and we got to the "what would you do in a zombie apocalypse" me and another worker were like yeah we would just die. End it all, we can't fight or run or shit. I refuse to put that much effort into survival.
And my manager was like no!!!! If that happened, I would drive to find you guys in my truck and we could eat stuff from my wife's garden and I would make sure everyone I know survived!! I would carry you all on my shoulders away from the zombies!!
Anyway, random shout out to that guy. You were too kind for retail management, Devin.
also afterwards everyone who was talking about their cool bunker fantasies were like "Damn, Devin's right, we should also be considering helping people around us." which is the only recorded instance of a retail shift making people better human beings.
Thatâs exactly why I donât like most zombie apocalypse stories (or most other post apocalypse stories). They always fall into the trap of Everyone Being Awful.
The idea that societal collapse exposes mankindâs true nature ignores one thing: society IS mankind. We make it, just by being around each other. Social mores and customs arenât arbitrary rules inflicted on us by some unseen force, theyâre our own behaviors and views. We say please and thank you because we want to be kind. We establish charities because we want to help others. We set up garbage cans because we want to be clean. Weâre the ones setting the standards and frowning at the people who donât rise to meet them. Weâre the ones who are appalled by the cruelties in our history.
Yes, weâre capable of truly awful things, but weâre also capable of remarkable kindness. Weâre capable of more goodness than we give ourselves credit for.
"usamerican" has to be one of the most stupid names you guys keep trying to make happen. "But there's other people in the americas" I promise you the average Peruvian or Canadian is not calling themselves American. Like I promise you that. There's only one country on earth with the word "america" in its official name
#usamerican reeks of europeans trying to be funny
Nah, thatâs self-loathing Americans trying to mea culpa their way into the hearts of anti-American bozos. When Europeans sneer at âAmericansâ, they are definitely not referring to people from Panama, or Brazil, or Ecuador, or Chile, or Cuba. They are sneering at people from the United States of America.
The way Mopple, Sebastian, and Lily have a silly conversation about how God is both the shepherd and the lamb, and then the heart of the story is about all three of them emulating Him.
Mopple as a kind of Lamb of God, who carries the pain the rest of his flock have shed.
Sebastian as a kind of Good Shepherd, who lays down his life to save his flock.
Lily as a kind of Sacrificial Lamb, who willingly suffers for the sake of her flock.
To be fair to Luke Skywalker, he did have supernatural powers.
And experience piloting landspeeders and shooting dangerous, fast-moving animals larger than the Death Starâs exhaust port.
He didn't prove himself to be better than the other pilots, it was a group effort where they were all under constant fire, and he was the one person to get a chance to make the cleer shot they needed.
He was the last choice and the only reason he didn't get destroyed before he could use his supernatural powers is because a guy who wasn't even in 99% of the fight showed up and saved him. Nothing in that whole movie shows Luke as the super talented pilot who was being held back or dismissed by the more experienced pilots. He didn't desperately want to prove himself. He was very content to do his part in the fight and let other people destroy the Death Star. He only stepped up when it was him, or nobody. Try the impossible, or let your friends and the last, best hope to defeat the evil Empire die. He chose to try the impossible.
You know, like a hero.
Calling two genuinely good movies that a lot of people really like âslopâ is such a bullshit take.
In a film market so thoroughly oversaturated with Oscar bait and lowest-common-denominator nothing burgers, criticizing the movies people actually enjoy screams of the kind of pedantic snobbery that birthed current Hollywoodâs postmodernist cynicism.
Sincerity is not âslopâ. Believing in the goodness of people is not âslopâ. Heroism is not âslopâ.
Forgot for a second that Sokka is truly the character of all time because he truly just did all that with no powers, no money and no responsible adults around. Like he organised a schedule that made it possible for the avatar to learn everything in a year, freed nations, learnt a dozen different types of weapons and art forms planned multiple prison breaks, revolutions and actual invasions with nothing but a flying bison, the worlds most powerful children and a boomerang. Coffee was invented for him and for him alone.

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The world would be a better place, and many millions of people would not have died terrible deaths, if Karl had only listened to his dad.
I did not check myself before posting, but it's from the Marx-Engels Collected Works, Volume 1, pages 683â685 (International Publishers, 1975), and accessible online at the Marxist Internet Archive here:
Letters of Heinrich Marx to son Karl
This is why I think âaccepting all labelsâ isnât actually a good thing; youâre still labeling people. Youâre still putting people into boxes.
A person is far more than the names we assign to them, and itâs only when we look past those names that we can truly appreciate them as an individual.