OKAYYYYY THEY WERE SO GAY IN THIS SCENE LIKE WTF lilanette nation actually winned something
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@trainsinanime
OKAYYYYY THEY WERE SO GAY IN THIS SCENE LIKE WTF lilanette nation actually winned something

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genuinely I'm so sick of people wanting all fiction to be ethical. can we all just get a little gross with it. the point of fiction is that it's not real. we can be unethical in fiction; same goes with being perverted with fiction, being unrealistic with fiction, and being grotesque with fiction. not all fiction has to be ethical, not every character has to be ethical, and that's okay. can we stop with the puritanism. be gross. be unrealistic. be whatever. if I don't like it it's not my business as long as we're all clear that its fictional.
via ered.bsky.social, the only kinds of unethical fiction:
people in the replies are going "what about books glorifying unethical things" and "what if it's propaganda" and you, my friends, are who this comic was made for
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I've seen Alya be criticized a few times for speaking harshly to Marinette after Marinette's been through the pain and suffering of the final battle with Monarch, and a few days after Chrysalis invaded her home. That she can't possibly understand the level of trauma Marinette's gone through, and that she shouldn't judge Marinette for her actions because of it.
And it's like... Marinette's not the only person who's been through traumatic circumstances because of supervillains. And I'd argue that what Alya went through in Sentibubbler was more terrifying and traumatizing than both Secret Protocol and Re-creation combined. Alya's just emotionally resilient enough that she didn't freak out and break down about it.
In Re-Creation, Monarch found out Ladybug's secret identity, meaning that if he escaped, she and her loved ones wouldn't be safe... but she also found out his, so he wouldn't have a lot of long-term options, either. And it ended up being a moot point, since Gabriel died that day. She had to deal with the fact that he froze her, stole her earrings, and made the Wish. That he, in a sense, won. But then he made his actual Wish and danced off into nothingness with his wife. Not the most traumatic death scene. She had to deal with figuring out what to do in the aftermath, but the battle itself wasn't that bad. It's telling that we haven't seen her having nightmares about the battle itself, unlike with Chat Blanc. And at least no one but Marinette was immediately at risk.
Then in Secret Protocol, the Butterfly Holder infiltrated her home and tried to trick her into giving her earrings up. The fact that the Butterfly Holder had slept in their house, had been close to her parents, was really scary. She could've attacked while they were sleeping, even kidnapped them and used them as hostages, if she was sure Marinette was Ladybug. "What could've happened" is the truly horrifying part here.
But then there's Sentibubbler. Monarch kidnaps her entire family, including her 6-year-old little sisters, and her two closest friends, takes her phone, and tells her that if she ever wants to see them again, she has to betray Ladybug. AND, she's currently being held hostage as well, under Sentibubbler's watchful gaze. If she makes wrong move, she not only endangers herself, but could cause Monarch to hurt someone close to her, even killing them - he has several of them, he can afford to lose a few. So she has to manage to slip away, make a convincing illusion, and not get caught, or else it's not just her who's in danger. And she has to do it without getting collaborate with Marinette either, though she does have Chat, at least. Even if she manages to get out of this, Monarch still knows her secret identity. He could do this again at any point, if he thought it would benefit him. Even her "fake giving up her Miraculous" plan is only effective if he thinks that she ONLY has her Miraculous to give. If he thinks she has information he needs, he can just do this again.
And notably, even when things turn around and Ladybug's able to join the fight, getting Sentibubbler's amok, her friends and family still aren't safe. Out of pure pettiness, Monarch dismisses Sentibubbler, causing her family to fall. If they hadn't been caught, they'd have been severely injured or killed.
The fact that one wrong move, one slip-up, and Monarch would've hurt not just her, but her family, and that he could easily choose to do so again at any point... that's terrifying. And that threat didn't go away until Monarch died.
Marinette is not the only one to suffer at Monarch's hands, or to be under a lot of pressure because of a supervillain. I'd argue that if like, Marinette was sued for lying about Monarch's identity, most of Paris would have legal standing to do so, in fact, since most of them have been his victim in one way or another.
And Alya, especially, has been put through tough, scary circumstances because of a Butterfly Holder. She just handled it better than Marinette did.
She is so
Day 20 of developing my au until I am significantly popular!!! 🥳🥳🥳

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heartfixer fanart <333
even tho the episode was kinda underwhelming i still wanted to draw this idea i had since the design got leaked soo here it is
and a close up of the eyes since theres a little detail <3
based on this movie poster!!
If there’s one thing that bothers me about many current leftists, in particular Americans (but not only them and not all of them), it’s that they just unquestionably keep the belief that sometimes you gotta kill a guy.
You can ask them: Do you believe in universal human rights? Do you believe that all humans have equal value and the protection of their dignity must be the goal of all state action? Do you believe in prison abolition and restorative justice? And they’ll say yes, they do. Then ask them whether they believe sometimes heroic to kill a guy because that guy just needed to die, and they’ll say yes, and wonder what that has to do with the first question. Human rights are well and good but „sometimes you gotta kill a guy“ is a fundamental law of nature, apparently.
And it’s not even that surprising. So much media, again, mostly American because most media is American, has a plot where we get shown a guy; we establish that he’s bad; that anything but killing him will not stop him; that killing him will stop him; and then finally the hero kills them. This is pure „sometimes you gotta kill a guy“ propaganda, but (just like „sometimes you gotta torture a guy to get reliable information“), it’s so deeply engrained in popular culture that audiences and probably even some writers don’t even notice anymore.
This gets really crazy when we get to the few heroic characters who don’t kill others, like Superman or Batman. Some people just think it makes no sense that they don’t just kill whoever the guy in the movie is. And then defenders come out of the woodwork and go, no, it makes sense… in the specific context of the characters. „Obviously you’d normally kill that guy, but these folks have trauma or too much power or whatever.“
How about this? Not killing people is good. If you can avoid killing someone, it’s always better to do that than to kill them, zero exceptions. Batman and Superman are not exceptions because of the unique no-kill circumstances of their backstory, they’re simply holdovers of a time when „killing is generally bad“ was still widely accepted in popular culture for kids.
Perhaps it’s no wonder when American children aren’t allowed to even be ambivalent about the US armed forces. Those are the government’s literal paid killers. That is their job, either killing people directly or supporting it (and also building inland waterways I guess? The US is weird). Having at the very least mixed feelings about the existence of this kind of job should be the most normal thing in the world. But the US teaches its children that signing up to kill people in the Middle East whenever the US president gets bored is totally heroic and protects freedom in some vague unspecific magic way.
Meanwhile in the real world, the US has, for the past twenty-five years, tried to kill the one guy whose death will end islamic terrorism. In this assassination campaign they (illegally of course) killed a few real assholes who nobody will cry about, and also countless innocent civilians who did absolutely nothing to deserve this violence. The US has claimed success multiple times, but it turns out that none of the people they murdered with drones or special ops teams or bombing campaigns or whatever was the true load-bearing boss whose death ends islamic terrorism. And that is just one of many examples.
Your average leftist will of course reject large parts of that, but has never thought about the underlying idea. Yeah, if these guys kill those guys, that’s evil, but there are plenty of other guys who need to be killed. I know most leftists are grimly joking when they say „eat the rich“ and „guillotine-chan“, but I’m not convinced it’s all of them.
I don’t want to create any false equivalences here of course. An ICE agent holding a gun in someone’s face is completely different from a person joking about Luigi Mangione (yes I know some people think he was framed, I’m not talking about the actual case but the cultural impact). But there is a nugget of a shared idea here: That deadly violence is sometimes (often?) heroic and necessary. And I don’t think we do enough to question that idea.
hey siri play angel of darkness
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AfterAdrien Chapter 1...
Next chapter, July 26!!
AfterAdrien Chapter 1.5

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heartfixer
and the mystery remains unsolved to this day.........
Oof this episode got me good I had to draw this scene😭😭
Sketch + lineart and the clip that inspired this pose under cut⬇️
worst couple you'll ever meet

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Ladybug 🐞