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@pawthorn
stop inventing shit to be insecure about oh my god

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not going to lie, I'm at a point on this website where someone who too often describes a story beat or narrative implication using a food-related word like crunchy, juicy, spicy, delicious, tasty, or similar in the sense of interesting or of great depth and layers is functionally a tell for someone who has no actual substantial thoughts about story
I've just way too many times seen "crunchy" or "juicy" in posts that then go on to say nothing and do absolutely no analysis and have no real thoughts other than plot summary, or at least none less shallow than a puddle in Phoenix, AZ, while thinking they're doing a heavy lift to convey what makes the moment have such fascinating depth
YOU PEOPLE HAVE A STRANGE IDEA OF WHAT IS OKAY TO SAY TO STRANGERS
honestly fandom has ruined me because now any time i'm in the desert and i see two vast and trunkless legs of stone or a half-sunk shattered visage i'm like "omg just like in Ozymandias" and its like come on girl not every half-sunk shattered visage is Ozymandias
āPeople should pass a test before being allowed to have kids.ā āIsnāt it scary how white people have this inborn capacity for evil?ā āIāll never pass because males and females have different skull shapes.ā āAutistic people have a stronger sense of justice than anyone else.ā āI donāt want AMABs in my space because theyāre dangerous.ā āYou shouldnāt have access to hormones if you dress like THAT.ā āAnyone who does something that awful isnāt human.ā āSome people really shouldnāt be allowed to vote.ā
This is eugenics. This is phrenology. THIS IS NAZI SHIT, YOU ARE A LEFTIST BUYING INTO NAZI SHIT. YOU ARE NOT IMMUNE TO NAZI SHIT.

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huh. i am both wound and blade. neat.
okay but there is something disquieting about this urge to cast fan writers as altruists. they give us all this for free!! well, no.
theyāre sharing
itās a key difference in perception. fic isnāt given. itās shared. itās part of a fandom communityā in which readers are also an integral part.
itās probably inevitable mission creep from the increasingly transactional nature of the internet and fandom-as-consumerism, which was always gonna happen after corps worked out how much bank there is to make from those weirdo fan people
but like. fandom is sharing. i think weāve lost that somewhere.
[image id: a comment by @/auberginesdonthavelimbs that says "fandom is a potluck. you can come and eat the food even if you didn't bring anything, but if you just take food and leave and don't interact with anyone that's kind of weird. the point of the potluck is to hang out." /end id]
people are so allergic to the concept of just saying āi donāt like thisā instead of making up incoherent arguments as to why you donāt like it / why it doesnāt work. you can just say you donāt like something. not every opinion needs to go to trial.
ao3 ā filters ā exclude ā alternate universe (modern setting)
Attempt One Hundred at trying to articulate this but the reason people feel like they can escape misogyny by focusing on male characters & m/m shipping is not because of anything inherent in the nature of female characters, but because of community norms common in male centric fandom. And those community norms are bad.
"it's easier to not think about misogyny very much in communities that have repeatedly chosen over multiple decades to actively disincentivize taking misogyny seriously, punish people for calling it out, and treat it as something you're required to let slide in order to keep the peace" I mean. Yeah.

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have seen multiple people making critiques of brennan's villains (and it seems kinda paired with handwringing over sorcerers making up the bulk of the villains in campaign 4 thus far) that frankly do not make sense to me. i struggle to understand how you can critique C4's villains as over the top evil or cartoony or flat or whatever in good faith. for one, it has been 31 episodes (out of, presumably, 125+) and the PCs have had, on average, ~15ish sessions of playtime. as the audience, to expect to know the sum total of the current primary villain(s) and all their nuances this early on is unreasonable
this complaint falls apart to me because it's incongruous with any other critical role campaign's villains. like. it's a d&d show. the villains are over-the-top. they're fully irredeemable from the moment they step on screen. they do wildly horrible things. this is a game being played for fun and entertainment. the villains need to also be entertainingly evil at times. and the most recognizable and popular villains of the prior campaigns are largely reprehensible. some of them are highly charismatic. some of them are nice but upholding a corrupt and evil institution. if that sounds familiar, it's because it also describes c4 villains.
it feels like people expect brennan to bring the "the villain has a point" trope into the campaign, as if signalling c4 as a brutal, mature and difficult campaign requires that we have a villain who is Right But His Methods Are Wrong because that's become a lazy shorthand for a villain who is complicated and interesting~
delilah and sylas have a backstory that is sympathetic and tragic but they are still Baby Eating Torture Monsters who try to end the world. lucien is charming and enjoyable to engage with but he's still a murderer with a cult of personality trying to become something incredibly destructive. the cerberus assembly are a corrupt arm of the state, even if all of them aren't like trent. take any villain from c1 or c2 (i haven't finished c3 but the villains were underwhelming to me) and compare them to primus or yanessa or any of the minor antagonists and you will not find that much difference in function or execution
so is the criticism that the plots and schemes are evil for the sake of being evil? they're not. the villains are all doing what they're doing to maintain power, wealth and status. their motivation is not "repress the populace because it's fun and we're evil" it's "this is how we maintain the power our families have enjoyed for centuries in a world where the source of our power is fading from memory."
or is the criticism that there lacks a sympathetic heart at the core of the monstrousness? because the PCs have barely interacted with either of the apparent "big bads" of the campaign (they have both appeared in less than five sessions). however, if you've watched and paid attention, there have actually been hints of the "tragic backstory" for both. primus is clearly stuck in a cycle of abusive patriarchs (and has had two of his sons slaughtered in a week, so his ep 31 rage is what most people would consider at least understandable) and both primus and yanessa have made comments about the slaughter of their family at the end of the shapers war, when at least one of them was a child.
if the criticism is that there's a lack of nuance, then what is your definition of nuance? primus and yanessa are horrible and cannot be reasoned with, sure, but otto einfasen is a villain who is a reasonable and shrewd man allied with the protagonists for the time being. aranessa royce is a heroic character who has only just been divested of her ties to the institution that is the main power hub of the villains. for every character who is a snarling monster terrorizing the PCs (amariya, aniko, etc.) there are bad guys who are characterized as nice people who care about their families but believe in things destructive to the PCs or the world (iris halovar and the faithful of the creed) or people who still want to benefit from the system despite being aware that it committed evil against them (maya davinos)
and, not to bring it to a cheap end, this is a big epic fantasy story. the big epic fantasy story, by virtue of genre conventions, requires big, epic, horrible villains who fight to destroy what the characters hold dear. there is allegory, there is satire, there is plenty of nuanced philosophies about the nature of good and evil to be found in the campaign, but this is also a story that respects The Genre of high fantasy. sometimes the monsters are monsters.
do any of you even enjoy reading or watching fiction at all? if i wanted the plot with virtually nothing else i would read the wikipedia page
We need to love the world because that's the only place we can hang out
I've known a number of non binary people in my life and I think single biggest conclusion I can draw from that is that non binary people are not the same. Like if Men fit in box A and women fit in box B, people really, really want nonbinary people to fit in a theoretical box C, and it just doesn't work like that. They are outside the boxes. They defy any simple categorization because they are not a third way of being, but every other possible way of being.
Being supportive of binary people is relatively simple, they have decided to sort themselves into one of the boxes that we have lots of experience interacting with. Being supportive of nonbinary people can be comparatively tricky, because you have to resist the urge to create box C and drop them all there. That's how we end up with various prejudices like "woman lite". Humans really, really like to categorize things. It helps us think. Unfortunately, sometimes it helps us think wrong.
If you have a non binary person in your life, I think it is important to take the extra effort to learn about them specifically.
this becomes a lot easier when you realize that the Man Box and the Women Box are fake. like. I really believe that we, as a society, will never be able to truly accept non-binary people until we abolish the idea that All Men Are Like This and All Women Are Like That. a person's pronouns don't tell you anything except what pronouns to use for them.
has anyone noticed that sometimes you take incorrect or undesirable actions instead of the correct and desirable ones? what's up with that

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tbh if someone just handed me a pressure washer and set me loose in the streets i would go into a trance and just start hosing shit down indiscriminately. it's not a question of how much i could clean, but how long until i get hit by a car and die
This latest episode of Adventuring Academy is so great, Iām only a half hour in and itās so nice to see Brennan and Aabria talking about conflict driving story and building a character who plays into that.
Also Brennan shining a light on Aabria being a ātheme-houndā in the same way that Murph is a āplot-houndā is so succinct an true, what a great distillation of Aabriaās storytelling skill.
The creative partnership of these two, of clarity of purpose and fearless followthrough building strong story⦠ugh. Iām really excited for the Soldier table.