Sorry I’m late I was touching soft moss on a stone wall
NASA
cherry valley forever

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trying on a metaphor

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YOU ARE THE REASON

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let's talk about Bridgerton tea, my ask is open
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@pawthorn
Sorry I’m late I was touching soft moss on a stone wall

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doing things at the right age is literally a made up concept. you can start/pursue anything at any age. btw.
i’m feeling not just vindicated but incredibly moved that we were right that Thjazi did have good intentions the entire time, he was doing the right thing, he was trying to help fix the problems with the world and with a little help from the people he cared about it worked, his plan worked
it’s so easy to be cynical and tell the story of a revolution that eats itself or a heroic character who is corrupted by power or a rebel who becomes the thing he once fought against but that wasn’t Thjazi and more importantly that isn’t this story
this is a story of hope, the world is dark and dangerous and there are powerful people doing terrible things and the story of oppression is long and painful but you can do something, you can say no, you can fight against a more powerful opponent with more resources than you and if you are smart and careful and if you stand up for what is right and true and good even when it is difficult then you can still beat them and you can win, you can tell the story of freedom and manifest it in the world, you can fix what is broken, and you truly cannot tell me there’s not allegory in this because there is and it goes both ways
“they never explicitly looked at the camera and said ‘i am experiencing immense grief’ so how was i supposed to know??” i don’t know what to tell you, man. if a story doesn’t spoon-feed you the character's internal emotional state like a jar of mashed peas, you guys just willingly starve. subtext is not a myth, i promise it won't bite you.
bodies should have crash logs. why the fuck did that just happen.

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don't listen to them babe just keep opening more tabs in your browser
"Six weeks into the term, I assigned my rhetoric and writing students a 20-page article. It was the same length I had assigned for five years and the same length I had read without complaint as an undergraduate a decade ago. Not one student finished it.
When I asked why, a student answered honestly: It was too long, and she kept losing track of what the paper was about. This was not a remedial class: These were students who had cleared the admissions process and written essays good enough to get them here. Yet a routine academic reading assignment had defeated them.
Every generation of professors has complained that their students cannot read. The lament is usually overblown, but data have caught up to anecdote, and what I am seeing in my classroom is no longer a hunch. There is a measurable, generational collapse in sustained reading and writing, and the academy is responding to it with improvisation and exhaustion rather than the structural overhaul it requires.
In February 2024, Adam Kotsko, who teaches in the Shimer Great Books School at North Central College, wrote in Slate that students who once handled 30 pages of reading per class meeting now seem “intimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding.” Crucially, he added that this is “not a matter of laziness on the part of the students” but of underlying skills they were never given a chance to build.
The Chronicle of Higher Education’s 2024 investigation found the same pattern across institutions as different as the Stevens Institute of Technology and Wellesley College, where the average SAT exceeds 1400. Nicholaus Gutierrez, an assistant professor at Wellesley, told The Chronicle that the baseline for what students consider a reasonable amount of work has dropped so noticeably that he has cut his readings accordingly; a 750-word essay now strikes many students as long. At Stevens, the science and technology studies associate professor Theresa MacPhail described following the mantra of “meet your students where they are” for so long that she has begun to feel “like a cruise director organizing games of shuffleboard.”
Worse, the national data tell the same story in colder language. On the 2011 National Assessment of Educational Progress (NAEP) writing assessment, which is the most recent comprehensive writing benchmark, only 24 percent of 12th graders reached the Proficient level, and just 3 percent reached Advanced; another 21 percent scored below Basic. The reading side of the ledger is worse, and getting worse fast: The 2024 NAEP results released in September 2025 show 12th-grade reading scores at the lowest level recorded since the assessment began in 1992. Thirty-two percent of 12th graders now score below NAEP Basic in reading, meaning that, in the assessment’s own language, they likely “cannot draw general conclusions based on concepts presented explicitly in a text.” And yet more than half of these same seniors reported being accepted to a four-year college. That last sentence is the whole problem in one line: We are admitting a cohort that cannot read at a college level and are pretending otherwise.
Why is this happening? One reason, of course, is smartphones.
I came into teaching as a skeptic of the anti-smartphone argument: I had a phone in my pocket throughout high school and college in the 2010s, and I read long books anyway. I now think I was wrong, because the neuroscience has caught up. In a 2017 paper, Adrian F. Ward and colleagues at the University of Texas at Austin’s McCombs School of Business showed that the mere presence of a participant’s smartphone — whether that be face down, powered off, untouched, or across the desk out of vision — measurably reduces available working memory and fluid intelligence on cognitive tests, with the largest effects on the most phone-dependent users. A 2022 study by Motoyasu Honma and colleagues at Japan’s Showa University used near-infrared spectroscopy to compare reading on a smartphone with reading the same passage on paper, and found that smartphone reading produced overactivity in the prefrontal cortex, suppressed sigh generation, and led to general lower comprehension scores; the authors argued that the sigh inhibition and prefrontal overload were causally linked to the comprehension decline.
So when a student tells me they “kept losing track” of a 20-page article, I have to acknowledge that they may be describing a measurable neurological condition. The neural pathways that support sustained attention are built by use, and they atrophy without it. Your body is a use-it-or-lose-it system, and the brain is no exception.
Another reason for the decline in student reading capability is increasing reliance on generative AI. In June 2025, Nataliya Kosmyna and colleagues at the MIT Media Lab released a preprint titled “Your Brain on ChatGPT.” They divided 54 participants into three groups writing SAT-style essays — one using ChatGPT, the second group using a search engine, the last group using nothing — and monitored brain activity with a 32-channel EEG. The ChatGPT group showed the lowest neural connectivity of the three, with up to 55 percent reduced connectivity compared with the brain-only group, and “consistently underperformed at neural, linguistic, and behavioral levels.” Eighty-three percent of LLM users could not quote a single line from essays they had written minutes earlier. When the LLM group was forced to write without AI in a follow-up session, their brain activity did not bounce back to baseline; the researchers coined the term “cognitive debt” for the lingering deficit.
This is the first neurophysiological evidence that early reliance on LLMs measurably alters the brain’s engagement with writing tasks, and it is consistent with what those of us in front of classrooms are watching happen in real time. When I assign analysis, I am not trying to extract a polished product; I am trying to put the student’s mind through resistance in order to make it stronger. Offloading the struggle to a chatbot does not “free students up for higher-order work.” It deprives them of building the strength to do any substantial cognitive work at all.
There is a final factor that is contributing to this decline in reading skills, and that is that the students arriving in my classroom today are the first cohort to have experienced Common Core-influenced reading instruction across the entirety of their K–12 schooling. Whatever the standards’ original intent, the on-the-ground implementation in many districts replaced sustained reading with the practice of pulling “evidence” from disconnected short passages, the same format used on the standardized tests that increasingly determine school funding. The education scholar Natalie Wexler, among others, has documented this pivot in detail: Students drilled on “finding the main idea” in two-paragraph excerpts never build the stamina or background knowledge that longform reading requires. The pandemic then added fuel to a fire that was already burning. NAEP scores for 13-year-olds dropped sharply in 2022 and have not recovered. A 2023 EdWeek survey found that 24 percent of secondary-school administrators described pandemic learning loss in English and language arts as “severe or very severe.”
In July 2025, the journalist Mary Harrington argued in The New York Times that “thinking is becoming a luxury good.” The ability to read deeply and reason at length is fragmenting along class lines as ultra-processed digital media replaces text in everyday life, much as ultra-processed food has replaced cooking. Her longer treatment of the subject in First Things makes the more provocative case that we are witnessing the end of print culture itself, and with it the end of the cognitive substrate on which modern liberal democracy was built.
I see this stratification in the classroom and on the page every week. My students from districts that protected sustained reading through small class sizes, strict phone policies, and faculty who refused to teach to the test all arrive with their attention relatively intact. My students from districts that surrendered to devices and standardized testing arrive cognitively winded. A democracy that requires a literate electorate is now training one fraction of that electorate out of literacy while marketing to the other a “deep work” lifestyle as a luxury good. The students who cannot read a 20-page article today are the voters who will not be able to read a bill, or the jurors who cannot follow a closing argument, tomorrow.
I do what I can in my own classroom to address the problems. I break 20-page articles into two halves and assign the first half with explicit analytical tasks. I require exploratory writing before formal drafts. I model (visibly, on the board) how to track an argument across pages or distinguish a source’s claim from my own analysis. I make structured peer review explicit, because the workshop format I used to take for granted now collapses into “this is good” and “maybe add more details” the moment I step back.
But I want to be plain about the limits of what an individual instructor can do, and all of these solutions have costs. Scaffolding a 20-page article into halves compromises the integrity of the argument I am asking students to engage, just as modeling note-taking in a credit-bearing rhetoric course is using a college slot to teach a middle-school skill. None of the syllabi I teach are designed to deliver this type of cognitive rehabilitation, and pretending otherwise has produced credential inflation. We cannot keep conferring degrees on students who cannot do what the degree is supposed to certify.
I’m afraid I don’t have answers. I do, however, have some questions that may point us in the right direction. If higher education is going to respond to the reading crisis as a structural problem rather than a private burden carried by composition instructors and adjuncts, it has to stop avoiding the following questions: If a majority of incoming students cannot read at a level the curriculum requires, are we admitting students we cannot serve, or offering a curriculum we cannot provide?
Why are first-year writing and reading-intensive general-education courses still the most adjunctified, lowest-paid, highest-load corner of the university, at the precise moment when their work has become the most important work the institution does? What is the responsible institutional response for AI usage: Is it a syllabus statement, or a sequencing principle that requires students to demonstrate the cognitive work themselves before AI assistance is permitted?
Why are most college classrooms still phone-permissive by default? K–12 districts from Florida to California are now banning phones bell to bell; higher education has somehow lagged behind the public schools. Universities benefit from a pipeline they did not build and refuse to repair. What would it mean for a university system to invest seriously in the reading instruction happening in the high schools that feed it, rather than treating remediation as something to be quietly outsourced to first-year composition instructors?
The thing I am no longer willing to do is pretend this is a temporary adjustment period, or that “students will adapt.” They will not adapt on their own. The conditions that produced this collapse are still in place: the phones, the algorithmic feeds, the test-prep excerpts, staffing models that load the reading-intensive work onto the most precarious faculty, and now the chatbots that finish students’ sentences before they’ve even begun to think of them. If we want literate citizens, we will have to rebuild the conditions for literacy deliberately, against the grain of every incentive currently pointed the other way. I know the academy has the will to do that. It also has the obligation."
— Tyler Jagt, 1 June 2026, "My Students Can’t Read"
The generational collapse in literacy is measurable, persistent, and likely to get worse.
how do you feel about your hometown
love it/never wanna leave (still live there)
mid/whatever (still live there)
hate it (still live there)
love it/miss it (don't live there)
mid/whatever (don't live there)
hate it/good riddance (don't live there)
im bald
saw a post that made me wonder this. please tag with your thoughts im curious!!
There's an attitude I've been seeing more and more of where having any kind of artistic opinion that isn't praise is seen as some kind of faux pas designed to yuck people's yum or whatever, and while I understand the kneejerk response behind it I do have to wonder like. How sustainable do you think it is to foster an environment where even the most casual criticism is met with hoards of defensive with Whoa Mama Mia Cunt Let People Enjoy Things style comments
OK so yes feedback is necessary specifically in art but I have seen people just be full on mean or unnecessarily harsh. There's creative criticism and then there's just being a dick for the sake of it.
Okay. And I'm saying people are allowed to, when they want to, on their blogs, be a dick about things for the sake of it if they feel like doing it. I'm wildly skeptical of the idea that constructive critique is the only kind of feedback one is "allowed" to make in their own siloed corner of the internet, or that insistence on this will somehow create a healthier space for expressing opinions.
Once again. I can understand the kneejerk impulse here, I do. It sucks to imagine, say, a creator scrolling online coming across some needlessly vitriolic post about something they worked on. But anyone is allowed to go "That's dickish" and move on, or people can engage with "I think this is oversimplified blah blah" if they want to but at the end of the day it isn't some kind of crime against the hobby or a fandom or even a singular person if someone just shoots off "This sucked I wasted my night" in their own accounts.
Like. A lot of people are trending towards thinking I'm talking about the importance of constructive criticism and like, sure, I think that is probably a more interesting avenue of analyzing something's flaws, but once again if you're not like, addressing an artist or interested in doing a deep dive that doesn't mean you're Not Allowed to be flippant or quick to judge. It's kind of startling how many times I've seen someone be like, "I can't stand this album" on their blogs, untagged, had that shit shared, only for it to come across someone's feed and for them to respond with "Why? What's wrong with it? People are allowed to like it, why are you being so negative, why are you tearing people down for no reason, this isn't even real critique," as though the intention in the first place ever was or ought to have been substantive critique in the first place.
It's difficult to articulate my feelings on this, but I do increasingly feel that the insistence upon there being a correct form of disliking something that precludes the possibility of making anyone feel insecure or hurt because they like it is significantly more stultifying than an atmosphere where people can shoot off "Fuck this" and be blocked or ignored for it

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tumblr discourse after 13 years on this fucking website
they should make a new type of like button called the sad like for when your mutual is suffering agonies
sometimes you see Takes™ that make you go "mmmhmmm okay yeah i see we both interpreted that differently based on what the show gave us, but i see how you arrived at your ideas even if they're different from mine," and then sometimes you see Takes™ that make you go "brother what show did you even fucking watch"
What Table Would You Be At?
In the long dark winter of our soul (aka the summer break) something needs to take the effects of my hyper fixation
Are you a Soldier? On a quest for justice or revenge? Ready to fight and flee and raise your weapons?
Are you a Seeker, searching for something lost? Something that needs to be found before it is too late.
Or are you a Schemer? Do you have a day job that needs work and night shifts that keep you up until dawn doing the hard work it takes to change fates?
Show me your results! I wanna seeeeeeee
I did my best to keep spoilers out of it, so you should be able to take the quiz even if you're not caught up on Arc 1 yet.
Azune Nayar is not someone who was failed in his youth by the adults around him.
Azune Nayar is someone whose childhood and youth were marked by adults who, faced with bad choices, made the less-worse one because they cared about him.
His parents starved themselves to give him and his sister the chance of being recruited as child soldiers by a mercenary group, because that was the only way to protect him from starvation.
Thjazi Fang saw a child abandoned by the roadside, desperately, determinedly, and implausibly claiming he could fight. Thazi Fang was in the middle of waging a rebellion against the powers of Araman. That rebellion wasn’t the best place for a child of twelve. But it was a better place than abandoned by the roadside or picked up by another mercenary group, and Thjazi cared, so Thjazi took him in and assigned him to noncombat work away from the front lines.
By 15 Azune was fighting on the front lines. (In an earlier war, the same was true of Thazi at that age.)
Thjazi’s rebellion failed. He asked his brother Hal to look out for the teenage Azune. Hal did so, treating Azune as part of his family. Hal did the same for other people who needed it. Being like family wasn’t the same as being Hal’s kid.
The tragedy of Azune isn’t that he was failed or abandoned or uncared for or used. The tragedy of Azune is that the best that people who cared about him could give him still wasn’t the same as what he needed, because being an adult doesn’t make you all-powerful. Azune’s problems weren’t created by those who loved him. They were created by the world he lives in.
Azune lived his adult life for the Torn Banner because it was the life he knew; or out of loyalty; or because they were the ones trying to change that world into something different.
He offers understanding and empathy to enemies (Julien) and strangers (Vaelus). He learned that somewhere.
He will self-immolate for a cause. He likely learned that from his parents, who did it for him, and from Thjazi, who did it for the same cause.

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I like when construction workers spray paint their strange sigils on the pavement
Sometimes they summon a cherry picker or crane, other times it wards off backhoes
brennan has put a lot of care into building a setting where there is no immutable source of evil within the world. it makes the villains rich and diverse. placing the onus of the sundered houses' villainy upon sorcery as a concept is simply flattening the setting at every level. sorcerers aren't evil. at no point is the concept of innate magic considered bad.
sorcerers are just a fact of the setting. they're not evil because they're sorcerers and they're not sorcerers because they're evil. sorcerers exist because of ancient pacts or boons or a chance of biology or simply being born in proximity to magical places, and that's clear in all of the sundered house mythos. i think speculating that the ancient versions of the sundered houses got their magic nefariously is falling into the "some things are Just Evil." we can't assume that because the human sorcerers of modern aramán are engaging in class warfare, their ancestors were wicked.
there are sundered houses who took the heroic position of defying the shapers during the shapers war. the priestly houses are rotten not because sorcerers are rotten but because wealth and resource hoarding and the dismissive carelessness they treat mortal life with is evil. otto einfasen isn't evil because he's an einfasen, he's evil because he took a commoner girl's head off with a hammer. and there's endless nuance to be found here: the einfasens are nominally allied with the protagonists, but it doesn't render them heroic, they're still canonically authoritarians. the royces are complicit in every evil done by the sundered houses for the last 70 years, but they are inexorably tied to the heroes in a positive way and are making active efforts to break away from the evil system.
additionally: assuming that the primordials were bad because they wed the shapers is a big leap. the shapers murdered them. thaisha saw the desecration of tehana's shrine in favor of trozhna as wrong and insulting. if it were one evil covering another, it would not have been impactful to notice the desecration. the primordials might have been a neutral or evil force on the world, we don't actually know, but they are a part of the foundation of the world, so it's more likely that forces of nature are simply a neutral concept.
aramán is a setting where evil consistently is shown to be an active choice. even the shapers. there is no indication that they were just born bad. they chose to come to aramán, kill the primordials and repress the population, turning them into playthings in their sibling squabbles as they bent the world to their will. those are the reasons they are evil, not because they come from Evil Land.
brennan is using a lot of heightened fantasy genre conventions. it speaks to lord of the rings and a song of ice and fire and old fairytales and legends, but this campaign takes ideas about good and evil from classic D&D settings, and fixes them. good and evil are a choice, always. a demon can do good. an angel can do bad. the villainy is complex. there is no evil race or class (in the D&D sense of the word). complaining about the villains shows a lack of understanding of the setting.