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look, was Just Stab Me Now a masterpiece of political intrigue and adventure? Eh. was it the perfect light, fun, adventure with a tongue in cheek attitude about itself to follow up my recent reads? yes!!
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This was hands down the best book I've read this year. I hope I can make a good case of why I think it's so great without spoiling it, because I think it deserves to be experienced directly, but here goes.
The Works of Vermin mainly follows two characters (in an exquisitely detailed and textured omniscient third person): Guy, who works as an exterminator, is riddled with debts, and trying to protect his little sister from getting swallowed up by poverty, and Asther, a perfumer contracted to the Marshall (who is essentially the second most powerful man in the city). The city of Tiliard is almost a character itself: it is socially stratified, it is rotting from the inside out, it craves beauty and theater and music, it gives birth to ginormous insects that in turn change the city itself. The magic in this book permeates things, from the insects and their exudates to the way perfumes can be used to bend the minds of those who smell it.
Those two perspectives are used delightfully to give insight on the politics of the city, and on the cycles of violence it goes through. There is so much worldbuilding woven into the story, and in a fashion that I adore (though I know can be an obstacle to some readers): Ennes does not hold anyone's hand, and trusts their readers to piece things out themselves.
Reading this book was a slow (to me) but extremely rewarding experience, the prose feels almost tactile with how vivid and atmospheric it is. Queerness and gender fuckery is woven throughout the plot, while avoiding making any romance the main focus: the politics of the city, and the brotherly relationship between Guy and his sister Tyro are front and center of the book. All the characters are morally complex, though somewhat emotionally obscure. Everything is evoked rather than outright stated.
I don't know how to conclude other than say this book was a treat to me, specifically <3 also it's a standalone which I love for a book that manages to pack so much in it!!
look, was Just Stab Me Now a masterpiece of political intrigue and adventure? Eh. was it the perfect light, fun, adventure and romance with a tongue in cheek attitude about itself to follow up my recent reads? yes!!
The game is just to take one book, and give a few other books that I was reminded of while reading it. It does not mean that the books are necessarily super similar, but that one of the core elements of them resonated in my mind
I don't want to buy mass-produced garbage from a big box store so I go to etsy but half of etsy is now dropshipped mass-produced garbage or AI slop so I go to the local arts and crafts street market but a ton of those booths are also selling the same generic plastic objects or identical stickers or 3D printed dragons so WHERE do I buy real trinkets and art from sincere freaks
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Books of 2025: THE WORKS OF VERMIN by Hiron Ennes.
Delighted and reeling to report that Ennes has Done It Again!! LEECH is one of my all-time favorite books, and I was so unbelievably stoked for VERMIN this year, which arrived in the mail right around when I needed to vanish for NaNo reasons. Displaying utterly herculean self-control, I managed to delay my gratification and not start this until this weekend! And!! Promptly binged it in like two sittings, despite what I feared was going to be a slower start.
Where LEECH is very Gothic and wintry and post-apocalyptic horror SF, VERMIN is much more immersive and richly woven fantasy, featuring a hell of a lot of bugs and other, well, vermin. Think VanderMeer's AMBERGRIS meets Kingfisher's PALADIN'S GRACE by way of METAL FROM HEAVEN--we've got the lush and sprawling and weird arts-oriented city, the heavy emphasis on perfumes and perfumers and politicking (and, yeah, assassination attempts), and the bizarre magic right at the confluence of recognizable technology. Like METAL, VERMIN is deeply queer, and I deeply love when that queerness extends to gender fuckery (as it does here!).
I also deeply loved that this book centers a sibling relationship over all others, I loved how many kinds of art and story were loadbearing (this, I suspect, is one of the things Ennes is feral about, having now read two (2) of their works and seeing how prominent storytelling as a topic is in both of them), I loved how weird and fucked up this was, and, yeah, I Laughed. Quite a bit. The worldbuilding was phenomenal and immersive, the structure (the STRUCTURE!!!! holy SHIT!!!!) was exquisite, the reveal was fantastic, this whole book was so excellent. Hugely recommend.
Like so many other places, we got hit by a heatwave here too in June. This meant not enough sleep, less due to not sleeping well in the heat, but more because I wanted to make most of the very early and the very late hours when the heat was more bearable.
The author must have been eating woodland salad, candied acorns, turnip pie, plum-cakes, bilberry tarts, arrowroot shortbread, and glazed maple shoots, and drinking flagons of October ale and raspberry cordial when they wrote this
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On Sundays She Picked Flowers. By Yah Yah Scholfield. Saga Press, 2026.
Rating: 4.5/5 stars
Genre: horror, lgbtqia+
Series: N/A
Summary: When Judith Rice fled her childhood home, she thought sheād severed her abusive motherās hold on her. She didnāt have a plan or destination, just a desperate need to escape. Drawn to the forests of northern Georgia, Jude finds shelter in a house as haunted by its violent history as she is by her own.
Jude embraces the eccentricities of the dilapidated house, soothing its ghosts and haints, honoring its blood-soaked land. And over the next thirteen years, Jude blossoms from her bitter beginnings into a wisewoman, a healer.
But her hard-won peace is threatened when an enigmatic woman shows up on her doorstep. The woman is beautiful but unsettling, captivating but uncanny. Ensnared by her desire for this stranger, Jude is caught off guard by brutal urges suddenly simmering beneath her skin. As the woman stirs up memories of her escape years ago, Jude must confront the calls of violence rooted in her bloodline.
OVERVIEW: I picked this book up on a whim after seeing it on a display at my local indie bookstore. I'm glad I did; this book was much, much better than what I was expecting, and a very impressive debut. Scholfield is a master at delving deep into character interiority and their prose is something to be savored. I can't wait to read more from them.
WRITING: Scholfield's prose is perfectly balanced between showing and telling, and I love the way they structure sentences into something descriptive and melodic. It's clear that Scholfield has an ear for what sounds good, and the visceral, raw language made the story all the more vivid and moving.
PLOT: The plot of this book follows Judith "Jude" Rice, a forty-one year old Black woman who escapes her abusive mother's house in the 1960s and takes refuge in a haunted house in the woods in Georgia. There, she makes a home for herself and meets a mysterious woman named Nemoira, who brings out Jude's best and worst tendencies. Jude thus has to grapple with her growing desire for Nemoira as well as her own past and generational trauma.
This story is largely about Jude's journey and her complex feelings about her family. Scholfield is brilliant at tackling large, oftentimes dark themes and handling them with care and respect, all while maintaining complexity and facing it head on (rather than simplifying or avoiding the difficult questions).
I also liked the atmosphere around all the places where Jude lives - both her mother's house and the house in the woods. Both are haunted in their own ways, and Scholfield makes each feel unique and loaded with history.
Scholfield is also good at writing violence and blood and gore, meaning that none of ot feels senseless and all of it feels emotionally weighted. Parts of this book are hard to read because they are graphic, but never did I feel like Scholfield was doing it for the sake of empty shock. It all felt rooted in the body, which I think played an important role in Jude's journey and how she felt existing in her world.
CHARACTERS: Jude, our protagonist, is interesting and sympathetic and one cannot help but want to follow her. I think this is because Scholfield does such a good job making her feel complex; Jude is a victim but also has violent anger problems of her own. She craves companionship, yet her relationships are all fraught. She knows what was done to her was wrong, but she still loves the people who hurt her. Watching Jude work through all these conflicting feelings made her story compelling, and Jude herself felt grounded and flawed in all the ways I like seeing in characters.
Nemoira, the mysterious woman, was interesting to analyze in relation to Jude. I don't want to say much about her because I don't want to spoil anything in my review, but I really like how Nemoira was used to both get Jude to examine herself and to free Jude from some of her past.
Jude's aunts - Vivian and Phyllis - were also complex and flawed in ways that I think made the exploration of trauma more nuanced.
And lastly, Jude's mother, was simultaneously sympathetic and abusive, continuing a cycle of violence and trauma. I appreciated the way her story was handled, and by the end, I thought the way she was viewed by Jude her aunts was more meaningful than simply condemning her.
TL;DR: On Sundays She Picked Flowers is a powerful tale about abuse, generational trauma, and finding connection amidst it all. Scholfield's prose is atmospheric and perfectly balanced, giving her characters depth and complexity that is both unsettling and satisfying.