i eat plastic dinosaurs

Maxlie Week 2026 - Day 7: “Grief/Comfort”

Hate to end on a sad note, but the prompt demands it. A rare, fleeting embrace during a dark time. Maybe the snow will keep Them away, for a little while.

sorry to put your tags on blast on this insane breach containment post I have since muted, but you're right and you should say it.

Dear Representative [Name],

I am writing to express my strong opposition to H.R. 8250 (The "Parents Decide Act"). As your constituent and a concerned citizen, I believe this bill introduces unprecedented risks to digital privacy and security.

Specifically, I am alarmed by:

SEC. 2(a)(1)(B): Requiring age verification to even use an operating system creates a mandatory "hardware lockout" that ends anonymous computing and forces users to hand over sensitive identification data to major corporations just to power on their devices.

SEC. 2(a)(3): Mandating that OS providers create a system for all app developers to access verification data is a massive security vulnerability. This effectively creates a centralized API of user identities accessible to thousands of third-party developers, many of whom may lack adequate data protection.

This bill does not protect children; it creates a centralized surveillance infrastructure at the OS level. I urge you to protect the privacy of your constituents and vote NO on H.R. 8250.

Sincerely,

[Your Name]

Given that, in the wake of this mandatory identification policy, my country seems to be moving to hand over its citizens biometric data, like fingerprints, Face ID files, and identification documents, over to the USA and to ICE to maintain the visa free travel (ESTA) we have, I strongly urge any US resident to send these emails, or make calls.

But if you can’t do that, the most powerful thing you can do is spread the word. Tell your friends, family, coworkers, anyone who can help.

My reach will likely be small, and so I don’t know if this will mean very much in the grand scheme of things, but I cannot stand to see this tracking happen to another population as it did to mine.

And if you think it won’t affect you, it will. All anonymity goes out the window when your accounts can be linked via your personal ID

A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.

But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here

Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.

Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:

But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:

likely the most famous picture of a Thanksgiving dinner ever painted and you see it all the time.

What you may not know is its actual title

“Freedom From Want” it’s a part of a series of 4, including this now famous meme

“Freedom of Speech” These paintings were illustrations of FDR’s “Four Freedoms” speech where The President laid out a vision that would become what the Allies were fighting for in WWII universal human rights that became a part of the UN charter.

So this homey American Thanksgiving scene was also a bold statement that no one in the world should go hungry

It would raise braille literacy more than anything else I could imagine - among both the blind and the sighted. Currently braille is actually vanishing due to an increasing reliance on audiobooks and screen readers. 

Wait where's Charlie.

One of my favourite illustrations of this was in a First Aid class. The instructor was a working paramedic. He asked, “Who here knows the stats on CPR? What percentage of people are saved by CPR outside a hospital?”

I happen to know but I’m trying not to be a TOTAL know it all in this class so I wait. And people guess 50% and he says, “Lower,” and 20% and so forth and eventually I sort of half put up my hand and I guess I had The Face because he eventually looked at me and said, “You know, don’t you.”

“My mom’s a doc,” I said. He gave me a “so say it” gesture and I said, “Four to ten percent depending on your sources.”

Everyone else looked surprised and horrified.

And the paramedic said, “We’re gonna talk a bit about some details of those figures* but first I want to talk about just this: when do you do CPR?”

The class dutifully replies: when someone is unconscious, not breathing, and has no pulse.

“What do we call someone who is unconscious, not breathing, and has no pulse?”

The class tries to figure out what the trick question is so I jump over the long pause and say, “A corpse.”

“Right,” says the paramedic. “Someone who isn’t breathing and has no heartbeat is dead. So what I’m telling you is that with this technique you have a 4-10% chance of raising the dead.”

So no, artists did not stop the Vietnam War from happening with the sheer Power of Art. The forces driving that military intervention were huge, had generations of momentum and are actually pretty damn complicated.

But if you think the mass rejection of the war was as meaningless as a soufflé - well.

Try sitting here for ten seconds and imagining where we’d be if the entire intellectual and artistic drive of the culture had been FOR the war. If everyone thought it was a GREAT IDEA.

What the whole world would look like.

Four-to-ten percent means that ninety to ninety-six percent of the time - more than nine times out of ten - CPR will do nothing, but that one time you’ll be in the company of someone worshipped as an incarnate god.

If you think the artists and performers attacking and showing up people like Donald Trump is meaningless try imagining a version of the world wherein they weren’t there.

Yes, it’s just a pie. Yes, the pie itself doesn’t do much direct damage in the grand scheme of things. But the pie is resistance, and resistance inspires resistance. Resistance inspires survival. Throwing pies sometimes starts a movement. Throwing pies sometimes saves lives.

And of course, we haven’t spoken about the inherent morality of throwing pies at oppressors in a world where oppressors have outlawed pie throwing. At the very least, pie throwing is a reminder to the oppressors that no matter how much money they have, no matter how much power they have, there are still some people, some moments they can’t control.

Imagine sitting in a packed auditorium and some asshole is up front is spouting bullshit about minorites. Like saying they’re filthy and deserve a violent death etc. And there are lots of people nodding along and even cheering and applauding

But no one is saying or doing anything to disagree, so you think that you’re the only one who opposes the speaker. And you don’t want to say anything because you don’t want their ire or violence to be aimed at you

So you go through the entire speech, and possibly your entire life, thinking you’re alone

BUT if just one person has the courage to speak up, to throw a pie, to project art on the screen behind the speaker, then that single act of resistance will inspire others to do the same. It could even inspire you to stand up. Or if you’re the first, then you can inspire others

3.75% of the entire country was in the streets on Saturday. Might not sound like a lot, but those are the kind of numbers that signal a toppling government or a revolution.

Also in the coding, theres like. Gender. For how other characters refer to each other. WX is specifically they/them and is refered to as "Mx." They're the only survivor that uses that, which means it was made specifically for them.

Compiled some basic information I know about drawing fat characters for beginners since I've been seeing more talk about absence of really basic traits in a lot of art lately.

So there’s some common Zelda fanon I wanna talk about, relating to civilization tropes I think some of y’all haven’t really thought about in detail before, and that’s Hyrule (Zelda 1 &2 Link), Wild (BOTW mostly), and Ravio (LbW).

I’m using the Linked Universe names, because that’s where most of it comes up, because these things happen most often where you can contrast the boys with each other. This is often done, quick and dirty, by people assigning “roles” to each without much thought. Ravio’s unfortunately tends to be extremely pervasive outside LU spaces, too.

But, in brief, there is a trend for people to craft these characters in a framework of innocent vs savagery vs trickery that can have some really unfortunate implications I’m not sure many are even aware of. Hopefully I can explain better where these ideas come from, why they’re so easy and appealing, and why we should try to avoid repeating them for more than just the sake of “easy” but also to stop repeating some really nasty historical tropes.

I agree. The Near Eastern coding of Lorule is very clearly tapping into an orientalist tradition, and the same applies to the Gerudo in BOTW/TOTK. That Nintendo depicts Near Eastern coded Gerudo women as alcoholics and dating-obsessed still troubles me. Aren’t they also mighty warriors?