☀ cross stitch of a cat , which is about 1000 years old !
A textile fragment was found in Peru. It belongs to the Chimu or Chancay culture (pre-Columbian era X - XV centuries)
he wasn't even looking at me and he found me
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@mysticalgardennacho
☀ cross stitch of a cat , which is about 1000 years old !
A textile fragment was found in Peru. It belongs to the Chimu or Chancay culture (pre-Columbian era X - XV centuries)

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'Night'. Willy Kriegel. 1943.
Pebble Beach, St Abbs - Laura Boswell
British , b . ?
Reduction , linocut print using oil based ink on Fabriano Rosaspina paper , 51.5 x 34x0.1 cm. Ed 3/14.
Valdemar Schønheyder Møller
I remember seeing this in person and thinking oh. Yes. That is what it feels like sometimes.
Sampler, silk embroidery on linen foundation, c. 17th century, England

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SUZUKI Shonen(鈴木松年 Japanese, 1848-1918)
The Monarch of the Mountain 1880-1900 via
György Kepes. Lichtenberg figures, 1951
Plaque of St. John. 12th century. Credit line: Gift of J. Pierpont Morgan, 1917 https://www.metmuseum.org/art/collection/search/464585
Élisabeth Sonrel (French, 1874 – 1953) - Tête de saint Jean-Baptiste

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OP: Why couldn’t traditional Chinese Yinpiao银票/silver drafts be forged if they were merely slips of paper? (cr大明宝钞,渐越)
Traditional Chinese yinpiao/silver drafts were paper vouchers issued by private banks starting from the Song Dynasty(960–1279). People could exchange these slips for physical silver at bank branches across the country.
Silver drafts were made in multiple copies with matching serrated seal edges. One copy went to the customer and others stayed at the bank. All edges had to fit perfectly together to withdraw silver. The unique split edge marks were almost impossible to copy.
This mechanism is known as qifeng骑缝 (split-joint seal) in China. It first originated in the Western Zhou Dynasty (1046–771 BC). The Rites of Zhou records that contracts were written on bamboo or wooden slips in duplicate. Notches and marks were carved in the middle before splitting the slips, with each party keeping one half. The two halves would be matched by their notches for verification.
During the Spring and Autumn and Warring States periods (770–221 BC), this idea evolved into hufu虎符/tiger tally tokens. A military tally was split into two pieces with identical inscriptions carved along the split edge. Troops could only be deployed if the patterns and characters on both halves perfectly aligned, serving as a metal version of the split-joint anti-counterfeiting system.
The technology matured in the Tang Dynasty (618–907). Government documents and private contracts commonly used split-joint seals stamped across the dividing line. The Chinese character "hetong合同" (contract) was written across the middle before the paper was torn apart, so the complete characters would only appear when the two halves were put together. This split-coupon system was later adopted for Song Dynasty (960–1279) jiaozi paper money and yinpiao/silver drafts of the Ming and Qing dynasties (1368–1912).
Official Song dynasty paper money (Jiaozi交子) was abolished in 1107. Private silver drafts issued by Qing-era piaohao票行 (ancient exchange banks) vanished completely in 1951, hit hard by modern banks and currency reforms. Nowadays silver drafts no longer circulate as currency. Their collectible value depends on their rarity and physical condition.
Split-joint seals (骑缝章qifengzhang)are still widely used on important paper documents in modern China, an anti-tampering technique passed down from ancient times. They are applied across the edge of multi-page contracts, bidding documents and official archives. If any page is removed or replaced, the broken seal pattern can prove the file has been altered.
OMG I got so excited about this because they used a really similar (though far less refined) version of this for contracts in the European medieval period!
First they were called "chirographs", but later the word "indenture" (in its earliest meaning as just a legal document of any kind between two people) came to be used, originating from the practice of a contract being written twice on a single piece of parchment and then cut in half with serrated edges (as in dent, "teeth" -> indents -> indenture) in order for each party to take one half, so they could later piece them together and verify that there had been no forgery -- same as the Chinese silver drafts!
(Charter of the Clerecía de Ledesma, 1252, showing the serrated indents at the top -- presumably they are cutting rather than tearing because they're using parchment, which I expect is much harder to tear than wood-pulp paper like the Chinese were using)
Delights me when human beings find similar ways to solve the same problem at two different ends of the world. <3
"Kit Fox- His Kingdom"
Lives of Game Animals, Volume 1 - Part 2. 1925. Written and illustrated by Ernest Thompson Seton.
Internet Archive
*though this is described as a kit fox by common name, the scientific name listed was Vulpes velox- the swift fox!
Egyptian mold for a Heron (a bird associated with the sun, the annual flooding of the Nile, and the afterlife)
2nd - 1st century BCE (Ptolemaic period)
Walters Art Museum 22.284
Pictish drip was insane. Look at this choker:
The Whitecleuch Chain, it was found damaged in Lankshire, outside of known Pict inhabited lands but probably brought there through trade. We know it is Pictish because it features a penannular Pictish closure. It is actually a heavy solid silver chain and not a torc, though there is evidence the Picts wore torcs like other Celtic people, they seemed to be fond of chain style necklaces. This one was probably for ceremonial purposes and not everyday wear because it is so heavy. But like. Let’s imagine the sexiest chief in Pictland in 400 AD wearing this HUGE solid silver chain choker that you might see on the red carpet today.
“You write the beginning and then you go back and rewrite the beginning, and you never got off page one. It’s kind of a syndrome, and I have a rash piece of advice which is — Go on, page two, page three, and never look back. Get something finished, no matter how lousy it is. […] Perfectionists cannot get going unless they kind of do violence to their own instincts, and just blast ahead.”
— Ursula K. Le Guin, The Last Interview and Other Conversations

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Anonymous painter (circle of Gerolamo Tessari), Saint Anthony Preaching to the Fish (detail), 1518, Basilica of Saint Anthony of Padua
Hugo Steiner-Prag (1880–1945)
illustrations from “Gespenstige Balladen” (Ghostly Ballads) series
etchings, 1924 — source