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Kabuki theatr. Hand-colored photo, about late 19th century, Japan

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Entrance door of Daibutsu-den at Todai-ji temple, Nara,Japan. Photography by yukimasa on ganref

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Japan: Land of Gods (by Yuga Kurita)

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Actress and director Kinuyo Tanaka, 1930s. She had a role in the first Japanese talkie and went on to become Japan’s second female film director.

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Eiheiji temple　#2 by TAT_hase! on Flickr.

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Outside the shrine. Shimogamo is the common name of an important Shinto sanctuary in the Shimogamo district of Kyoto city’s Sakyō ward. Photography by Stephane Barbery on Flickr

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Tokyo 1330 by tokyoform on Flickr.

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Red 4 (by jumppoint5). Kyoto, Japan

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Antique Kokeshi doll – Bath time

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Sakura 2013 (by mrTosh). Japan

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miki katoh, 2007

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Zuiki Matsuri 2013 - Maiko Katsune, Maiko Satohana, Geiko Naokazu, Kamishichiken (by Tamayura)

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Utensils for tea ceremony. 19th century, Japan 19e siècle vannerie Japon

Section Japon du musée Guimet

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Stone statue at Hokoku-ji temple, Kamakura, Japan報国寺　鎌倉. Photography by Buzz on ganref. Thank you, Kumi Ito

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Hase-dera temple, Nara, Japan長谷寺　奈良. Photography by mptfk

This woodblock print, published in 1887 (Meiji 20), is a supreme masterwork from the historic, late-career series "One Hundred Aspects of the Moon" (Tsuki hyakushi) by the immortal genius Tsukioka Yoshitoshi (1839–1892). the historical rogue-turned-monk Fukami Jikyū (originally Fukami Jūza), a notorious 17th-century otokodate (street knight or gang leader) in Edo who later renounced his violent life. The print captures a moment of intense, quiet theatrical swagger, beautifully summarizing Jikyū's transition with a famous haiku written by the warrior himself: "The bright moon comes / and ostentatiously shows off / its forehead."

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