Advances in weaponry meant that, for the first time, men were coming home from war with literally half their faces blown off, on a regular basis. This was not only traumatic— there were cases of men cancelling engagements or being afraid to see their families, because of their disfigurements— but also caused problems with every day tasks like speaking and eating, in which your face plays a pretty key role.

Gillies arranged for a whole ward, and later a hospital, to be dedicated to the treatment of these men, and took steps to ensure that all soldiers who received these kinds of injuries on the battlefield would be sent to him directly. He developed methods for applying skin grafts so that larger portions of the face could be repaired.

He continued his work treating wounded soldiers throughout WW1 and WW2, and when both wars were ended— just in case he hadn't done enough to establish himself as a full on hero— he was then approached by a medical student named Michael Dillon, a trans man, and was able to use the same techniques he'd developed to reconstruct the penises of wounded soldiers to give him a phalloplasty. The first one ever performed on a trans man. He even diagnosed the guy with a condition to explain the frequent operations, so as to avoid outing him.

Dillon later wrote a book about trans-ness, which inspired Roberta Cowell, who became the first British transwoman to get a vaginoplasty, also performed by Gillies.

These changes from comics canon contain some of the things about the character that were compelling, and also the things MCU had no idea what to do with in later installments

In the winter soldier comics, (which are themselves a violent re-invention of the character, he was raised on a military base and became Steve's sidekick after Steve had become Captain America, kind of a darker figure willing to do dirty work that Cap couldn't be seen doing

in the movie, he's Steve's closest childhood friend. They only end up paired up and fighting together because Steve goes on a desperate mission to save his life

in the winter soldier comics, he is something like 7 or 8 years younger than Steve and they still have a mentor/sidekick type of relationship

in the movie they are the same age and steve is no longer a "mentor" figure, that dynamic is eliminated

in the winter soldier comics Bucky loses all his prior memories after his apparent death, making him a blank slate to be groomed into a soviet super-assassin. There is no brainwashing.

in the movie they deliberately erase his memories by strapping him into this scary device that fries his brain with electricity. It's clearly torture: he is shown hyperventilating as the restraints close onto his limbs and then screaming in agony as the device activates.

in the winter soldier comics Bucky as the Winter Soldier is capable of independent thought and snark, and is shown questioning and mouthing off at his superiors

in the movie, Bucky is completely passive. He barely speaks at all; when he does, he is almost childlike, meek and quiet in his interactions with the Hydra characters, stubborn and confused in his fight with Steve. The main antagonist slaps him across the face for not answering a question and he doesn't retaliate at all even though he can obviously kill everyone in the room in the blink of an eye. In the same scene he also lets the scientists manhandle him and eagerly opens his mouth for the mouthguard even as his heart rate is spiking on the monitor and he's starting to hyperventilate because he KNOWS the pain is coming.

(side note: he is shirtless in this scene for no reason)

(second side note: the line "who the hell is Bucky?" is in the movie because it's iconic from the comics, but it's arguably super OOC for mcu!bucky)

The long hair and cyborg arm are straight from the comics, but the most striking change to his appearance is his mask: in the comics, he's wearing a domino mask over his eyes, but in the film, he has an opaque black mask covering his nose and mouth that takes away much of his ability to emote and looks strikingly like a muzzle. The comics mask evokes mysterious wiles; the film's mask evokes dehumanization.

basically the films gave him a much deeper and more intimate connection to Steve while putting the two of them on even footing as friends and partners, and changed him from a morally gray character who indifferently kills people and regrets and becomes angsty once his memories are restored, to a tortured and dehumanized human weapon who obeys despite not understanding anything that's going on because he knows nothing but pain and punishment.

The film's version is really much more interesting. Snarky antiheroes who kill indifferently are a dime a dozen; a character who is palpably, terrifyingly dominating and powerful yet completely powerless in the hands of those who control him, who is hollowed out of all personal identity and who has no agency or control over his own body as it is mutilated, reconstructed and wielded as a weapon, is something much more delicious and fascinating.

We watch this guy slaughter people effortlessly with an apex predator swagger that projects pure dominance and prowess, then we watch him meekly accept abuse and torture with soft, confused eyes.

The rest of the MCU portrayal of Bucky though after that? Clearly no idea what they fuck they had on their hands or what the fuck they were doing with it.

Flattening his character out into "morally gray depression man and he has Gun." And essentially making his story about shouldering responsibility for what he did as the Winter Soldier. A very flat, "guy did bad thing and now he's angsty and guilty about it and trying to redeem himself" (boring) instead of like. the gut wrenching horror of having your memories burned away and your name taken from you and your body reconstructed without your consent and used against your will.

We could be telling the most brilliant stories about The Bucky, if we all understood the essential principles (that stories are not Owned by anyone, but become Alive when they are told, in the hearts of the teller and the listener, and to listen to a story gives the gift of the power to tell it again)

And if we could all defeat our enemy, the Cringe (which is to say, that which cringes at sincerity)

God, the writers you put on this earth to write Buckyfic are trying to create something "Original" instead

The broad consensus in modern western media seems to be that Torture Is Basically Fine. It works. Torture is an effective way of extracting accurate information. And because that alone isn't enough to make it seem legitimate, there's another failsafe: Torture works only on bad people. Villains crack under torture, and heroes don't.

This is how media creates a culture that finds torture justifiable. Especially media that is largely sponsored by the US military, of course, who in a post-Abu Ghraib, post-Guantanamo, post-CIA papers world has an interest in creating public indifference (or straight up support) for torture, but there's torture in animated movies for children, too. It's ubiquitous.

In real life, torture is horrific violence inflicted on our fellow human beings, that traumatizes both the victim and the torturer, creates heaps of false information, and has no discernible benefits. It doesn't work.

But in fiction, it must work, every time, because if it doesn't, then that collapses the entire structure, doesn't it?

In comes Bucky in TWS.

He's a character who is tortured into complete submission. Who is given electric shocks to the brain to erase his memory, but he still holds onto his own humanity. He is tortured into doing horrible things - the torture works - but it doesn't work completely. He breaks through it. He's beaten, abused, violated on screen, but - and this is important! - because he overcomes in the end, he's not the villain. His story evokes pity and sympathy, not suspicion.

With hindsight, it is clear to me that the mind wipe scene was meant to inspire disgust in the audience. Bucky's terror without fighting back, his defeated acceptance of the inevitable, the slow, lingering pan up his unclothed body. This is emasculating; at the time a lot of meta has been written about how Bucky is shot like a woman in a rape scene.

He submits. This is meant to be suspicious.

But it completely backfires, because what is shown and what follows is the story of a victim of unspeakable abuse finally breaking free from his abuser in a show of awe-inspiring mental strength.

(and also through the power of gay love but let's not get into that)

That's a problem. By complete accident, the film ends up saying Hey, torture is maybe sometimes bad? And that cannot be allowed. There is a more conventional torture scene in the film, where Steve and Sam throw a guy off a roof to get information out of him, but that almost doesn't matter. This is the one instance that makes the whole house of cards come crumbling down. If Bucky is a victim, then torture is both bad and does not work.

It is obvious to me that what followed TWS didn't know how to reconcile that. CA:CW felt extremely jarring because it treats Bucky with so much suspicion; it even retcons in the trigger word nonsense to justify that suspicion. Bucky has to earn trust. He has to redeem himself. From what? Not being able to withstand seven decades of torture?

Well, yes, the film says. Torture only works on bad guys. Bucky allowed the torture to work on him, and so, has proven himself to be untrustworthy. The abuse he suffered sullied him. He has to earn back his moral righteousness.

I want to stress that I do not think any of this is intentional. I don't think there was a meeting in the writer's room where they talked about how they accidentally made it seem like Torture Is Bad Maybe, and how they could reconcile that. If that had been the case, CW would have been a more honest movie. But looking back, it is clear in how the directors talked about the characters after CW came out, and in the baffling writing choices they made, that they were trying to breach this disconnect, without being aware that this is what they were doing.

For the fan spaces I hung around in at the time, where cis men were a minority, this was baffling. There's a reason post-TWS fic almost exclusively talked about Bucky's recovery, not his redemption. There simply was, in fandom's eyes, nothing to redeem him from. CW made clear that w completely misinterpreted TWS.

I'd love to go back in time to observe what the fallout from TWS and CW was in male-dominated fan spaces; how they talked about Bucky in 2015 and 2017.

Anyhow. With the benefit of hindsight, it is obvious to me that no one involved in the writing of CW and what came after took a moment to actually think about the themes and motives of the movies beyond the shallowest surface, and not just with regards to Bucky.

I've never thought of it in this light, though; this is actually a great explanation for why the trigger words were introduced in Civil War and why it feels like a retcon. Audiences didn't respond to Bucky as expected, and they had to change the method of his control/brainwashing to make audiences read him as a threat/antagonist for Civil War

You're also completely correct that the scene where the protagonists throw the Hydra dude off the roof is a torture scene. (I realized this after watching Jacob Geller's video analyzing the torture scenes in Call of Duty. Highly recommend if this topic interests you)

It is absolutely true that torture scenes in fiction often serve to show off the (usually male) character's "toughness" and mental resolve, which is a fantasy, one that comes out of this political context at the time of Guantanamo and the torture memos and the political agenda to make torture more acceptable/palatable to the public.

So in this context, the vault scene (where Bucky is struck across the face and doesn't retaliate, and passively submits to torture without complaint) evokes sympathy for Bucky but it's also supposed to show that Bucky isn't a "hero" in the same way the Heroes are heroes. Heroes don't "break" under torture; Bucky does.

Which means that accidentally, the scene was a little more honest about torture than movies are usually allowed to be.

This is what I meant when I said the Hydra Trash Party-goers knew what they were doing, btw. Real life torture is almost inseparable from sexual violence.

Which MCU movie was it where Thor was suffering from PTSD and the whole film was spent constantly belittling him and mocking his trauma and his body, to the point that another character threatens to slap him (or actually slaps him? I can't remember) to "snap him out of" a panic attack?

I think it was Endgame (gagging) and if I remember right, that movie had the same directors as CA:TWS, right? The Russo brothers?

Okay.

So this feels pretty revealing of what the directors think about a "hero" and what makes one, right? Thor lost his "hero" status because he was traumatized and because he gained weight, and it's framed as a personal failing of his character that he has to overcome/"get over."

This helps contextualize Bucky's portrayal: a character being "heroic" means being untouchable, and being affected by trauma is at least partially Your Fault.

I remember nothing of most of the character portrayals in later Avengers because I threw it in my brain sewer, but I do remember the climactic scene in endgame where Tony Stark sacrifices himself saying "i am Iron Man," and I thought it was stupid at the time (his last words are erecting a monument to his ego? and we're supposed to think this is cool and heroic?) but it's a message about what makes a "heroic" character: a hero is, above all, defiant.

So in light of this, it does seem likely that Bucky's torture scene is supposed to be unflattering to him.

I know the term "male gaze" has been used wildly inappropriately, but I feel like the real actual sense of the term might actually apply here? The viewer of the films is assumed to be a Dude, and not just a dude, but a dude that subscribes to a certain ideal of toxic masculinity.

Men that don't break down or get vulnerable (or who get over it fast when they do), who are defiant and untouchable to the very end, are supposed to be admirable. Bucky is completely broken and compliant and accepts his abuse, so even if the movie portrays him as sympathetic, he's still not heroic; he's not supposed to be a character that audiences admire and project onto.

However, the directors didn't consider as much who a female audience (broadly) would relate to or find admirable. They didn't consider as much how someone (male or female or other) who doesn't subscribe to toxic masculinity and the idea of heroic males as untouchable would perceive Bucky.

It's possible that the directors never really thought about Bucky being viewed from the perspective of a person who has experienced abuse. From the point of view of toxic masculinity, men are never victims and if they are, they aren't real men.

Which means that a lot of people (many of them women) watched The Vault Scene and instead of thinking

"oh, he's letting the bad guys control him, unlike what a Real Hero [read: a real man] would do, so he's sympathetic but still bad"

they thought

You mentioned the scene with Steve and Nat and Sam chucking Sitwell off the roof; I fully admit that it took a friend pointing out to me that this was an instance of torture, and that it's specifically an illustration of torture being an effective method for acquiring intelligence. I had to sit with that for. A very long time. In order to digest it.

Now when I rewatch the movie, I think about that rooftop scene while watching Steve's conversation with Fury in the hanger bay for the Insight carriers after the Lemurian Star incident:

Nick: "You know, I read those SSR files. 'Greatest Generation'? You guys did some nasty stuff."

Steve: "Yeah, we compromised. Sometimes in ways that made us not sleep so well. But we did it so that people could be free."

(And then this beautiful movie spends the rest of its runtime [among other things] asking the question: "What does it mean, to be Free? What is Freedom?" Honest to god it's been 12 years and we can't answer that question today the way we might have answered it when this film was released.)

But to get back to the question of Torture at hand: I think about this conversation between Fury and Steve, and about whether torturing Sitwell counts as "a compromise" to Steve. (I would argue the movie makes no effort to show that he feels particularly conflicted about the sequence of events that transpires on that rooftop. I ALSO recognize that, tonally, the Point of that scene as far as the filmmakers seem to be concerned is "LOOK HOW COOL THE FALCON IS" and. He is. I love Sam. Sam is Amazing. But Sam did help torture someone in that scene.)

I think about how many times I watched and rewatched the movie without even recognizing when torture was taking place. I think about what happened in USAmerican popular culture after 2001, and I think about not being immune to propaganda.

As is the case around MANY points in Marvel Studios' Captain America: The Winter Soldier (2014), this movie makes SO MANY incredible points almost CERTAINLY by accident.

@thebeethatkilledyourdad

Okay now I'm thinking about the parallels between Bucky and Natasha (apart from horribly incompetent writing and directing)

Natasha's torture scene sexualizes her partially because she is so sexualized across the board, but you're right about the parallels; both are showing a character in a state of partial undress being tortured and manhandled by multiple older men. We can even draw a parallel between Natasha being leaned backward over the multi-story drop to the floor of the warehouse and Bucky being pushed backward into the chair (a metaphorical void; a fall it's impossible to come back from). Also with Natasha's face being grabbed vs. Bucky being slapped and having the mouthguard placed into his mouth.

The main difference is of course that Natasha's scene leads the viewer on into thinking that she's in real danger, then reveals that she was in control of the situation the entire time; Bucky's scene is a revelation that he's NOT in control at all.

STEP 1: Take a screencap of the video, preferably while it's playing so that the PLAY button isn't blocking the image.

STEP 2: Reverse image search of choice. To my chagrin, I tend to end up resorting to Google's Search by image because Tineye keeps failing me and I haven't gotten around to doing a deep dive into currently available reverse image search services.

If you use the Firefox desktop web browser (untested: other desktop web browsers, Firefox mobile web browser) you can combine STEP 1 & STEP 2: Feel free to repost the video to Tumblr first, preferably as a draft or private post to prevent people from reblogging the uncredited vid, because this method doesn't work as well on Reddit videos.

Right-Click on the video. In the right-click menu, look for "Image Search Options" and hover over it to bring up a list of search options. I'll have to try out some of the other options later, but for this demonstration I used Google.

The search engine should open in another tab.

STEP 3: The Search. This part will be a mix of luck, tenaciousness, and deductive skills.

For Google, I recommend going to the "Exact matches" tab because it presents matches and their information in a much more condensed format than the other tabs. "Exact matches" is a misnomer, as is apparent in the screencap below. This search actually pulled up images from at least two separate videos by the same woman hanging from the same tree: one where she's wearing a slate grey pencil skirt and blazer (as in the video reposted by OP) and one where she's wearing a pale grey long-sleeved dress.

Ideally, a functional search engine would let you sort results by useful variables such as "date posted". Google is not such a search engine, and with its progressive enshittification you may or may not be able to bully Search by image into limiting results to certain date ranges. Luckily, these videos have been less flagrantly reposted than some, so I didn't have to scroll through too many.

When searching for a source, one of the primary things to pay attention to is date. Obviously, the original source has to be older than any of the reports. Unfortunately, not all the Google results have dates, so the earliest dated video isn't guaranteed to be the original.

In this case, the earliest result was of the grey dress video variant posted on Instagram on Jan 17, 2026. However, upon checking the link it became apparently that the Instagram account was not the originator of the video and their repost was unsourced.

If the date check fails you, keep an eye out for any undated results that clearly stand out from the rest. In this case, I picked up on the following:

Which has the following unique traits:

A new outfit! This is the only result that features the woman in a pale brown blazer and pencil skirt.

Dimensions. This result is 1080 x 1920, while the majority of results were smaller in size. Reposts are more likely to be downscaled from the original than upscaled, so if the initial date-check fails you, you're better off checking the largest undated results first.

Specific username (Liang Li (@liangli521)). A lot of the other results just have captions or titles in various languages. Depending on the website, these are usually either captioned reposts or random search terms that don't even link to the actual video. Results with specific usernames are rarer and thus worth checking out, though some of them may turn out to be reposters.

In this case, I hit the jackpot! There they all were: OP's video, the grey dress video, the brown blazer & skirt video, and many, many more!

Legitimately, Liang Li's whole thing seems to be going ham in skirts, dresses, and frequently heels. Possibly for advertising purposes? Very beautiful. Very powerful.

Bonus videos:

Cool lights!

Obstacle courses and playgrounds with friend!

H-hot damn, ma'am...

I wanted to make a version of this with the epilogue included

if u like my work, you can help me make more by supporting me i designed a sticker of these two if you're interested <3

It was weird to see major publications tut tut when The Pitt fans had rightful, well documented, and thoroughly supported by context concerns about the treatment of WOC and all women on screen. It's weird now to see TVGuide whine 4/7 episodes into The Vampire Lestat, neé Interview with the Vampire, that it's unfair to "judge" the show.

Analysis is everything. Do not fall for this shit. They're very likely paid pieces. The writers who take them on might just be desperately trying to hit a quota, but if you dig and that person is also an editor, they're just someone you can't trust to be honest about media ever.

Just like the anti-Vietnam War protest songs that we associate with the 1960s, or the early nihilism that spawned punk music in the 1970s. But he didn’t *sound* like a punk anarchist; he sounded like a country rock singer. When he released Born in the U.S.A. people completely misinterpreted (or possibly ignored) the lyrics in favor of the tone of the music.

Politicians used his music to promote their ‘Murica Yes! brand, and he had to literally explain that that was not what he was about. He’s over here asking when we’re going to have jobs and heathcare, not stanning the politicians who weren’t helping the people.

It was also kind of a big deal that he had an integrated band, because even as late as the 1980s music was still kind of segregated and MTV was straight up racist. They refused to play and promote black artists and then claimed that were no black artists in the first place. Michael Jackson’s record company had to threaten a boycott of their white artists to get MTV to play his Thriller video.

Plus, the first black/white interracial kiss on TV was in 1968 (OG Star Trek). Also it took us until the 70s to get sympathetic gay characters on screen, and the 90s to get gay characters to kiss onscreen. And all of those firsts were met with outrage.

So keep that in mind when you see Bruce Springsteen not just playing with an interracial band, but engaging in an interracial, gay kiss on stage repeatedly.

https://www.gq.com/story/this-fucked-me-up-bruce-springsteen-singing-about-clarence-clemons

It was a story where… we remade the city. We remade the city, shaping it into the kind of place where our friendship and our love for one another wouldn’t have been such an exceptional thing. - Bruce Springsteen

It wasn’t about showmanship or rejecting bigots or anything it was just. Damn right that was one of the loves of his life and damn right he was going to kiss him onstage

It gets me a little that Bruce has had a divorce, that he’s been married twice, but he loved Clarence for the rest of Clarence’s life and will presumably love him the rest of his own

Clemons said in one interview. “Bruce and I looked at each other and didn’t say anything, we just knew. We knew we were the missing links in each other’s lives. He was what I’d been searching for.” In another version of the story, Clemons says “He looked at me, and I looked at him, and we fell in love.”

I’m having some emotions about it!

“He was elemental in my life,“ Springsteen adds, “and losing him was like losing the rain.”

Not just! I love you pure and deep and true but! I am going to love you like that in front of the whole damn world!

We have fewer narratives about taking risks and making statements for platonic love rather than romantic and supposedly it would be easier to downplay this onstage than romance and! They refused! They fucking refused! In front of hundreds of thousands of people, over the course of years! In the spotlight, in word and deed, I love you!

I mean, will you LOOK at this:

This was the pic chosen for the album cover from an extensive photoshoot, too. A few others:

Harry: Kim, what's following that kid?

Kim: ...

Harry: What?

Kim: What are you talking about?

Inland Empire [80%]

Looks like you're the only one who can see it.

Harry: The... bone monster?

Kim: The bone monster.

THE BONE MONSTER'S KID - "Good morning officers."

YOU - Continue looking at the bone monster.

THE BONE MONSTER - It tilts its head to the side quizzically at you.

YOU - Tilt your head in response.

THE BONE MONSTER - It begins leering over you, grinning even harder.

THE BONE MONSTER'S KID - The kid turns towards you.

PERCEPTION [LEGENDARY: SUCCESS] - For a moment he looked at the bone monster, and then to you.

THE BONE MONSTER'S KID - "Is there a problem, officers?"

KIM - "You will have to forgive my partner, he has quite an active imagination."

THE BONE MONSTER - "You hear that? I'm just a part of your imagination."

"Pardon me officer, I don't think I caught your name?"

"Uh, well that's the thing, I, uh, don't actually remember it at the moment."

Damn him! He knows I need a name to kill, and now he's taunting me! He can see Ryuk, too, so one wrong move could end me! I might have to make the eye deal at this point...

---------------------------------

LOGIC [Medium, failure]: This bone monster is obviously Kira. You are fucked.

Try to make Kim see the bone monster. [Suggestion, Legendary]

Attempt to arrest the bone monster.

Put yourself between the bone monster and Light.

Ask Light for some money.

PERCEPTION [EASY: FAILURE] - You can't tell what gender it is.

YOU - "Excuse me, sir-- or, uh, madam?-- Bone... person..."

THE BONE MONSTER - It laughs, a deep, gutteral sound, like air escaping from the lungs of a corpse. As its jaw moves, you can see rows upon rows of sharp teeth inside its gaping maw.

COMPOSURE [CHALLENGING: SUCCESS] - You stand your ground and manage not to freak out.

YOU - "I'm afraid I'm going to have to ask you to come down to the police station. You... uh, match the description of a suspect... I think."

THE BONE MONSTER - It lets out a loud, phlegmatic belly laugh. "What are you going to do, arrest me?"

AUTHORITY - Damn right you are. Cuff him.

YOU - "Yes, as a matter of fact, I will. You are under arrest on suspicion of being Kira. Put your hands forward, wrists together."

KIM - "How exactly are you going to handcuff a hallucination, Detective?"

THE BONE MONSTER - It laughs again, like this is the funniest thing in the world, before obediently sticking out its arms.

THE BONE MONSTER'S KID - His eyes go wide and his face goes pale as you place the cuffs on the monster's wrists, before his gaze darts to Kim.

KIM - He is staring at the cuffs. He looks bewildered. "Are those handcuffs... floating?"

-----------------------------------

Shit! Ryuk, why did you have to comply?! Is this a game to you? No matter... They still don't realize that I'm Kira, not Ryuk. All I have to do is stay calm and act surprised. I'm sure Ryuk can just escape later, once he gets bored. And this other cop obviously can't see him, so it seems it's only the first one who has touched a Death Note... I just need to make it seem that he's the only one who can see Shinigami. Then I'll seem innocent, and he'll be the suspicious one!

"How did you do that? Is it some kind of magic trick?"

--------------------------------------

SHIVERS [Heroic, Success]: As intimidating as it looks, the bone monster isn't the real threat.

Deduce who the real Kira is [Logic, Godly]

Ask Light what he knows about the bone monster.

Tell Kim I-told-you-so.

Convince Light you are a sorcerer [Drama, Impossible]