Heironymous

Except they’re not giving actual valuable feedback, because being critical of something does not actually mean having constructive critical feedback.

Being able to offer constructive feedback is a skill. It doesn’t mean “having a negative opinion.”

You don’t need to be a professional writer or editor, but you do preferably need to have a basic understanding of technical writing skill, an understanding of the genre you are critiquing and a very basic grasp that just because you do not like something, does not make something objectively bad.

Messaging me to tell me you find something “cringe” isn’t valuable feedback. That’s you going out of your way to make sure a stranger knows you don’t like them.

Doubling down and emailing me back to tell me you “just wanted to help,” like help where? Where was the feedback?

What am I supposed to do with that except feel bad and stop writing?

You knew what you were doing and I will hold that mirror up. If the reflection you see makes you uncomfortable, that’s on you.

- -

Also, as a wider note: don’t do this in general, don’t tag or email authors in negative reviews.

SINNERS

“yeah can i get a deluxe quarter pounder with cheese?”

“absolutely, do you want the meal or just the sandwich?’

“uuuuuh hold on”

*fishes something out of my pocket*

“mikey what do i do?”

“get the fries. youll need the energy in the coming days”

*stuffs it back in my pocket*

"Without a tub of wax for my ears – which Himesh Patel’s ever anxious Eurylochus, Odysseus’s doomed right-hand man, uses to sail safely past the Sirens – I was exposed to the full din of thumping sticks, staffs, swords and clashing armour, thunderbolts, crashing waves, grunts, screams, toppling palaces and burning temples. But unlike Matt Damon, the wax-free Odysseus who is tied to the mast as he is conveyed past the Sirens (naked ladies reclining on some uncomfortable-looking rocks), I gazed at the shipwrecks and bloodbaths without any agony of emotion."

and

"There are more female characters than in most Nolan movies, thanks to the source material. But none of them has much to say, in contrast to the characterisations in the poem."

Well, that tracks for a Nolan film -

"The couple have no chemistry and nothing in common. Throughout his wanderings, the uxorious Odysseus clings to a little doll figure, intended to represent his wife (like the spinning top clutched by Leonardo di Caprio in Inception); the real woman is barely more interesting."

Yikes -

"If you’re not going to compose a script in Homeric Greek, or even in metrical English verse, you might as well use something like conversational American English. But writing dialogue is not one of Nolan’s talents. The language is relentlessly expository, humourless and flat."

The lines she calls out in this section will probably make a least a couple of my friends laugh incredulously -

"I was humbled to learn that Nolan has read at least the first line of my translation of The Odyssey into iambic pentameter. In at least one interview, he cited my version of the first line of the poem: ‘Tell me about a complicated man.’ But I would be ashamed to have written any part of this script."

....oh my GOD, EMILY -

"The most troubling ethical problem with Nolan’s Odyssey concerns the decision to film part of the movie in the occupied territory of Western Sahara, thus normalising the ongoing violence against the indigenous Sahrawi people. It is particularly galling that Nolan used this land simply as a visually striking backdrop for a film that centres, aggrandises and redeems the hero of a territorial war on account of his belated and partial acknowledgment of his own guilt."