“this character did not act in the most objectively logical way possible!” is not ! actually valid literary criticism
i have trust that the media literacy enjoyers will find this one idk

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“this character did not act in the most objectively logical way possible!” is not ! actually valid literary criticism
i have trust that the media literacy enjoyers will find this one idk

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Suggested reading: Writing Is An Act Of Courage
Rest in peace Akihiro Miwa (1935-2026)
I haven't seen anyone talking about this and just wanted to make a quick post on here.
Akihiro Miwa recently passed away peacefully june 20th, and was not only a drag queen and a queer icon, but also the japanese voice of Arceus in the movie Arceus and the jewel of life, as well as the witch from Howl's moving castle and Moro from Princess Mononke.
Rest in peace and thank you for the wonderfull impact you made in this world.
Why is it so seemingly common to see crunchy gamebooks (not just D&D, lots of games) follow a method of writing where game terms that are invoked dozens or even hundreds of times will have only one passing mention of the term's definition.
Never repeated, never pointed to by any other passage, not even given in an index or glossary, just secreted away in a seemingly random spot like a game of Where's Waldo in a 200+ page text.
This isn't meant to be venting, it's genuinely perplexing that an approach so specific and so counterproductive seems to happen so often. What's the deal?
Most tabletop game designers are very bad technical writers.
(This isn't a knock against game designers in particular; most people in general are very bad technical writers, even among those whose job is to be good at it. It turns out that assessing how your own writing will read from the perspective of someone who doesn't know the things you know is an extremely difficult skill to learn!)
If you're bent in a very particular way, it can be a fun exercise to go through independently published tabletop RPGs and count how many times they just plain forgot to explicitly define some critical piece of jargon the text uses constantly. For most that number is higher than zero!
@rampagingpoet replied:
At least one RPG kept telling you how many dice to roll and how many successes you need for things without ever defining what kind of dice or which results constituted "a success".
You might be surprised how many games will instruct you to roll "dice" without thinking to specify at any point whatsoever how many sides the dice in question are meant to have, in a medium famously associated with dice with variable numbers of sides.
(One may be inclined to assume that a game that just says "dice" without further qualifiers must be talking about conventional six-sided dice. If so, one would assume wrongly.)

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Witchy Government: Sometimes witches go out into the world and found their own ateliers and raise and teach their students there away from easy oversight. This concerns us.
Me: Fair, honestly.
Witchy Government: So we assign each independent witch a Watchful Eye, who makes sure they haven't gone mad with power and aren't performing Forbidden Magic or abusing their students.
Me: Reasonable. So if you had like say a witch with a crazy traumatic mysterious backstory who was known for being a bit of a wild card and whose own master is visibly concerned for his mental health and over his behaviour, you would probably assign him a Watchful Eye who was maybe a bit older and experienced at dealing with witches who are sort of Worrying and who is very much neutral and would be quick to report back even the slightest concern since this particular guy seems a little more likely to fly off the rails than most?
Witchy Government: Haha wut no we would assign him his childhood best friend who is in love with him and who lets him have whatever he wants whenever he bats his eyelashes. Duh.
I love it when they do this...
+ Qifrey being Coco's DAD:
And if I said Megamind is one of the few movies that understands Superman.
And if I said Megamind through its three subversions of Superman shows a deeper understanding that the point of Superman is that he was loved and taught to love by good, present parents, and because of that he is able to return that love to a world even if it doesn't always accept it, and he is not corrupted by his power, than many other films either subverting or playing the superman story straight.
Megamind has three Superman subversions. One is obviously Megamind himself. He was not raised loved by the world, but rather was loved by those hated by the world. Because he was still raised with love, he does care about other people, hence his character development. But because he didn't receive wider love growing up, his own is misplaced at first.
Metro Man was not loved growing up in a way that mattered. His adopted father was clearly very absent, and while we don't know much about his family, their relationship seems superficial. Because of this, his sense of duty to the world is also superficial, hence his boredom.
Hal wasn't raised with power. He gained it and was shown how to use it by a 'space dad' who only taught him power and not love. Hence, he sees it only as a grasping means to an end.
All three of these subversions, in their negative space, create the silhouette of the superhero that they are parodying. That silhouette is of a space child that came to earth and was cared for very deeply by the world, and taught love through his experience of love, and because of that holds fast to his duty to the world. Which is Superman.
I want this person and this person only writing and directing Superman movies for the rest of my life
on another note, watched The Mummy (1999) the other day and I couldn’t help feel like the O’Connells and the Addams (Addams Family Values (1993) would get on really well ya know? The O’Connells are basically the pastel adventure version of the Addams, surely they would just be vibin’ over tea and crumpets in an extremely haunted mansion having a ball of a time
Morticia: “So what is it you do for a living my dear?”
Evelyn: “We dig up dead people who often have monstrous curses placed on them!”
Morticia: “fascinating”
Gomez: *leaping out from behind a pillar which is encrusted with ominous looking runes* en garde!
Rick: *grabs sword from equally ominous looking wall full of weapons one of which seems to be glowing* fantastic I was getting a bit rusty
Gomez: *nearly in tears* oh he’s screaming nonsensically, what spirit! what reslove!
*Rick and Gomez, still frantically sword fighting*
Rick: Have I mentioned how wonderful my wife is yet, I really feel like I haven’t really expanded enough on how wonderful she is
Gomez: do go on, I would be delighted to hear about how wonderful your wife is, I strongly encourge all men to extoll the virtues of their wives with rapturous praise, however I should perhaps mention my wife is in fact better
*sword fighting intensifies as both men rapturously extoll the virtues of their wives*
Jonathan and Fester and Cousin Itt watch from the bar, where Lurch and Thing are making the drinks.
Jonathan and Thing knew one another from The War; each thought the other to be dead
Their reunion is highly emotional
Rick, whilst swordfighting: My wife resurrected an ancient evil that brought about the plagues.
Gomez: What. A. Woman.
Do we acknowledge what Wednesday, Pugsley and Alex are up to? Or are we dismissing the fact that there’s a good chance they are raising a whole new level of dead tyrant due to their combined ancient language skills?

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Superman (2025) + Text posts
you can make most fandom drama disappear with this one cool trick
GET THE FUCK OFF TWITTER
kill la kill is one of those things where it's just like. yeah ok there's things to be said about the sexualization of high school girls and the rampant imagery of such a thing in otaku culture and that's probably not a good thing, i get it. i am not going to act like the show was made out of pure benevolent feminism either; there are a lot of bits where trigger very clearly tried to have their cake and eat it too, and while i don't think this is necessarily a bad thing because sexualized art and horny design is just as artistically valid as more strait-laced storytelling, i could not tell someone they're wrong for being made uncomfortable by all of the gratuitous ass shots of satsuki.
but if you change basically any single "problematic" facet of the show i just feel like all the intended themes don't work nearly as well. you can't make the characters not high-schoolers (the fascist imagery of japanese school uniforms is brought up by satsuki herself in the second episode) and you can't make senketsu and junketsu more modest (proud bodily autonomy and free-spirited nudity is thematic empowerment against the fascist antagonistic forces that want to garb themselves in clothing and only use sex as a nonconsensual means of humiliation and control). like it's so embarrassing to say "no dude you don't get it they look like that because of the story" but in kill la kill's case that's entirely it. they can't not look like that or else it's a completely different show thematically! ryuuko and satsuki are some of the best characters ever and are so refreshing for women in any sort of action fiction. please watch kill la kill.
theres this lovely youtuber i watch called "doreimani" who does alot of magical girl and baking based videos, and she has an ongoing series making desserts and foods themed around different colours of magical girls (shes made green, pink n purple so far), and in her latest one (yellow magical girls) she features aika as one of the girls and shouts out the series !!
heavily recomend her channel and just the video itself, its really awsome <3
yaaaa we’re twitter mutuals!! her videos are so great 🫶🏾
do any of you even enjoy reading or watching fiction at all? if i wanted the plot with virtually nothing else i would read the wikipedia page
I’m like 98% sure this comment is satire about people who hate on sex scenes guys
except they were leaving it on MY comment that was satire about sex scenes comparing them to dinner scenes, they’re just saying they agree with my original thought without the irony attached
Damn I should’ve recognized you bc I reblogged that post 😩 that’s why I thought it was satire bc I thought of your post which this essentially. My bad I just couldn’t believe people think like this 😞🙏🏻 plz forgive im a big fan of your actual diner satire

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People assume that being a magical girl is all about sparkles and moon beams and romance, but the thing that the masses miss about the power fantasy behind magical girls is that almost every single protagonist is a HUGE jock
“All magical girls are clumsy and personality-less”
Actually, all magical girls are RIPPED, little girls dream of physically dunking on you while looking cute doing it, and we SUPPORT
Understandable
Video caption: Good guy who talks like a bad guy
“Perhaps you’d like to see my pets. They were ALL … rescues.”
“And as always, gentlemen, our profits will be … donated.”
“Oh, I wish I could stay and chat, but I’m afraid I have to take my friend to the airport.”
Redeemed villain who can’t let the speech pattern go
Adopted child of a redeemed villain who grew up with this manner of speaking being the sound of safety and hope and “things are going to be okay, now.”