The real conflict in Smallville isnāt Clark vs Lex, itās Lex vs the Narrative.
Iām not even being pithy here. We have a character that is Going To Become Evil. That is the information we have going in. Then he shows up episode one, heās kind and hurting and being emotionally abused by his father and the whole town hates him and he keeps trying.
But he canāt win, because the pitch that got the show made depends on him Becoming Evil. It externalises the evil as something that happens to him, rather than the Lexes in other media who often start out as arseholes who only get worse. This Lex could have been good, but heās not allowed. The narrative says from the get-go, without subtlety because subtlety is not Smallvilleās strong point, āthereās darkness in himā. And then it shows us a kind and intelligent man trying to escape from his fatherās control and says āthat guy, there. Donāt you see it? Heās going to destroy everything. Why? Oh, because heās Lex Luthor. The narrative requires it.ā And that's the fucking tragedy.
And part of the tragedy is so many almost-moments where you wonder if Clark could have helped him. On the brink of sharing his secret, of speaking openly with Lex, of showing someone believed in him and Lex wasn't defined or doomed to be like his father - on the brink, and then turns aside. Superman's Narrative keeps his secret, and though Clark sees the good in this young Lex he has just enough doubt or hesitation that he doesn't commit to trusting Lex, and Lex can see it. And Lex of Smallville, who does want to help, who wants to be worthy of trust, is pushed further to the end he cannot escape.
Part of the frustration is the show's framing does Clark Kent no favours either, because they do the same thing with him in that they write him as already a hero, when in fact he is (allegedly) a teenage boy. He is supposed to be learning to be a hero, or to inherently be the nicest guy in the world, because that's who Superman is.
Instead they act like he's the nicest guy in the world, when in Smallville S1 (and somewhat beyond S1) he experiences selfishness, he's unkind, especially to Lex. It's not major, nothing beyond what you'd expect from any teen boy with powers... but he's not 'any teen boy with powers', he's the boy who will be Superman. But rather than have these mistakes and show us he's learning and improving, they have these mistakes but then it's okay, because he's Superman, he's a hero, best guy in the world. Everyone forgives him and he doesn't even have to show remorse.
And it's like, are you sure? That guy? Because he just snapped at his friend whose father is in a coma. Is seemingly blaming them for it. And according to the episode that's... that's okay actually, because that friend, you guessed it, is genetically evil.
(The only person Clark ever has to textually repent for upsetting or hurting is his dad. Which is weird.)
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Clark is THAT PERSON at Thanksgiving who will get into it with your racist step dad. One of the best things about SV's Clark Kent is his activist streak in farmboy clothes; how he calls out the people he loves even it's a perfect stranger on the other side getting the short end of the justice stick, even he has to stand in front of a bulldozer alone, even if he flips his "passing" privilege on its head and compares himself directly to an illegal immigrant, a town "Boo Radley" hidden away, and a stray dog that should not be euthanized but given a chance (that last one was astounding to me). I was working on meta for @smallvilleclexweek where I dig into the pattern of his advocacy. If this flu doesn't take me down first it will be fun to finish it and get others' thoughts. Who knew that in the big 2026 this would still be provocative :/
contains: angst with a happy ending. later seasons gangā ollie, jimmy, lois, chloe, pete, lexana mention. chloe is jealous, clark is protective and clingy, reader is sensitive. mentions of bars/alcohol. arguing, pet names, unresolved issues. *no use of y/n
a/n: this broke me to write bc i love my chloe i would never yell at her but it was actually a lot of fun to write at the same time⦠i hope this is to your liking, anon :) also i barely proofread this one so just be nice
It was customary for Clark to have his hands on you at all times, especially in situations where there were the most eyes to see. You had made peace with it oh so (un)begrudgingly, and your friends had, too, even when it was a bit excessive. Well, most of them had.Ā
It was no oneās fault. Clark was just an extraordinarily affectionate guy. From the moment he laid eyes on you, he was unstoppable; a hand on your back, his mouth on your temple, his nose nudging your jaw, his arms looping you in like a net. He stuck to you like you were made of honey. There wasnāt much to be complained about there, because it felt good to be loved. Even the part of you that felt embarrassed when he was over the top sort of loved the attention⦠to have a guy as handsome as Clark hanging off you, incapable of leaving you be, following your trail like you had bacon in your pocket? Who wouldnāt want people to see that? Who wouldnāt want to be the object of that kind of affection?
It was coming up on a year of being loved and loving. You practically had to swat Clark off of a proposal, insisting that you move in first, that it shouldnāt be rushed, but it was hard to resist the pull. He frequently joked that you had the opposite of the Medusa effect, he said, meaning that to look away from you even for a second would kill him. He settled to keep the ring he bought away for a while longer, but in exchange, you went everywhere with him and you lived life conjoined at the hip. It was a happy compromise, but not everyone saw it that way.Ā
Your friends were Clarkās friends, and for the most part, they found you two sweet. Pete was always easy when it came to being happy for his buddy, and Lois could roll her eyes however much she wished, but she admired his passion for you. Oliver offered nothing but brotherly claps on the back that made you scoff, and Jimmy was humorously jealous that Clark had managed to get his smartest friend to love him while Jimmy couldnāt even get a date. Lana and Lex cooed over you frequently, having the hindsight of their own love to keep them objective. But Chloe struggled to stomach it sometimes, and it was harder to hide the longer you two stayed together.Ā
Chloe had always been sweet, but you knew about her past feelings for Smallvilleās golden boy. She had known Clark long before youā you were only as old as his life at the Daily Planet. Her claim was staked when they were middle schoolers, and the fire of her love was stoked over and over again for years. Both she and Clark led each other on in the past, and even while growing up and dating other guys, Chloe harbored a tiny bit of uncontrollable passion for her best friend. She couldnāt seem to shake it, no matter how much she pushed it down, and seeing him drool over you in the way she wished he would for her for so long was starting to eat at her. It wasnāt healthy or fair, and she knew that, but she couldnāt stop the jealousy. It was her fatal flaw.Ā
Take tonight, for example. It was happy hour at the bar across the street from the Planet, and Oliver was buying with the bonus he wrangled out of a merger deal earlier in the day. Around a high top, you stood with Clark curled around your back like a clam, chin tucked over your shoulder, in a circle with Oliver, Lois, Jimmy, Chloe, and Pete. As you nursed a beer, you kibitzed with Pete over some story from his recent roadie adventures. You felt Clarkās fingers fiddling with the buttons on your cardigan, tracing shapes against the soft pudge of your tummy through your top. Your stomach fluttered, but you learned to listen to people even with his hands on you. He was even distracted in conversation with Lois, and you could feel the rumble of his soft, deep laugh between your shoulder blades. Two intertwined vines, just like always. But you could feel eyes on youā a familiar feeling, a nerve-wracking one. You glanced beside Pete to see Chloe sipping her beer and staring at Clarkās hands around your body, and you flushed a bit. You finished off your last swing and patted his arm.Ā
āIām gonna go grab another. Who wants more? Should I get a round?ā
Clark hummed softly and kissed your cheek, and then seemingly got dragged in, giving you three in a rowā and then one of your lips. āIāll go for you, bunny, you want the same thing?ā
You wiped your mouth with a sheepish hand and nodded. āSeriously, I canāā
āItās fine, baby, Iāll get you a fresh one. I could use another. Guys?ā
You watched him poll the table, and he didnāt step away until he kissed you one more time. Your hands stayed intertwined until he was too far to hold on, and he gave you one of those quiet winks that promised heād hurry back before turning to look at where he was going. You shifted back to the table and smiled loopily, grabbing up a few empty bottles. āIāll toss these. Be right back.ā
The trash was only a few feet away, which would have been convenient if all was in order. But as you stepped off to throw away the empties, you heard something over the thumping of the bar music and drunken voices bouncing off the walls.Ā
Back at the table, a familiar feminine voice complained: āThis doesnāt bother you guys? Seriously? Heās all over her.ā
āTheyāre in love, Chlo, itās sweet. You know how much Clark adores her,ā a male voice interjected. Low, smooth. Oliver.
āI mean, come on, though. Her? He acts like heās possessed or something. She must be a witch, honestly. I donāt see how he could be so enamored with her like he is. Sheās not all that.ā
āCome on, Chloe, donāt be an asshole.ā Snippy. Lois.Ā
āIām not! Iām just being honest. It beats meā¦ā
When you stepped back to the table, it was clear on your face that they hadnāt been quiet enough. You were pale under the skin and your eyes didnāt lift to look at them. Not even when Clark came back holding a fresh round. He passed you a new beer and rubbed your hip, tugging you into his side and kissing your head. āHere, bunny girl. Just how you like. I had them put the lime in for you.ā
Your stomach churned and you took the bottle, and you stared into the condensation running down the amber glass. You saw the reflection of your face in the glimmer, and in the back of your head you heard her again: She must be a witch, honestly. I donāt see how he could be so enamored with her like he is. Sheās not all that.Ā
Chloeās eyes were wide, darting around the table with guilt. The guys immediately shut their mouths with beer, but Lois stood there with her arms crossed, giving Chloe a harsh glare. Leave it to the cousin to reprimand her.Ā
āBaby? You okay?ā
You blinked and looked up at Clark, and in a split moment of impulse, you gently pulled yourself free from his grasp. His face fell, and as he moved to drag you back, you muttered, āJust⦠cool it, Clark, please.ā
Clark stared down at you like you had just shot him in the chest. Cool it? Don't touch? Since when? He frowned deep, the little lines of his forehead wrinkling to match, and your heart sank.Ā
āWhatās the matter?ā he inquired, brushing some hair back from your face. āDo you feel sick or something?ā
āIām fine. I just⦠the⦠the PDA is a little much for me tonight,ā you whispered, chewing on your nail. You looked back down at your beer, and Clark felt the air shift in the bar.Ā
āWhat do you mean? You donāt like it? I thought you liked it.ā
āIā itā itās not that, Clark, I justā¦ā
Around the table, his friends stood and gawked at him as if they knew something he didnāt. They must have, because nobody was talking, and this was notoriously a group of people who never shut the fuck up. He furrowed his brow and crossed his arms, scanning over Oliverās avoidant eyes and Loisā overt glances at her cousin. After a moment of silence, he cut through the music with a sharp, āWhat happened?ā
Jimmy shook his head and shrugged. āWhat? Nothing. Nothing happened. Everything is great. This beer is great. Thanks, man.ā
Your cheeks flushed with embarrassment. You had thought about this a million timesā about the possibility of talking to Chloe, or at least bringing it to Clarkās attention how she made you feel. You didnāt want to step on toes or hurt anyoneās feelings. You knew what it was like to be passed over for another girl, and now that you were the other girl, you had a lot more sympathy than she probably knew; but you also loved Clark, and you didnāt want to offend him. It wasnāt your place to make a conflict out of a friendship that came before you. But it was these moments, these little passing comments about how it seemed wrong or unbelievable Clark could love you this much that made everything harder. You already had the voice in your head trying to convince you that it was true. You spent more time reminding yourself that he adored you for real than anyone could possibly imagine, and now you knew that other people were thinking it and saying it behind your back. Your friends.
You cleared your throat and patted his arm. āI just feel a little sick, um⦠Iām gonna get some fresh air, okay? Iāll be right back, Clarkie.ā
Clark didnāt stop you. In fact, he stood right in his place and watched you go with a shocked, slacked jaw. He tracked your soft frame as it slipped out the front door of the bar, and when it shut behind you, his heart twinged with discomfort. You being far felt like losing a limb.Ā
Chloe scratched her head, because everyone was staring at her now. She saw frustration and embarrassment like a wall before her. She swallowed thickly and traced a wet ring on the table.Ā
Clark followed the visual trail and said, āChloe?ā
āHm?ā
āWhat happened?ā
Chloe glanced up to see her best friend watching her with suspicion. It made her lungs squeeze. His big, blue eyes seemed so disappointed, and she hated that look. It was never the one she wanted. But she couldnāt help but admire him for it. She hated how much she looked up to him sometimes, because it made her quick to justify his feelings, even if they were directed at her. Any attention was good attention if it came from Clark, in her book.
āNothing happened.ā
āSomebody upset her,ā Clark crossed his arms, his gaze darkening. āAnd one of you is going to tell me what happened.ā
āClarkāā
āTell me,ā he ordered, and just about every spine around the tabletop stiffened.Ā
Chloe flushed and mumbled, āIt wasnāt anything bad, seriously, she just⦠I made a joke about you two and I think she heard it. It was stupid.ā
Clark cocked his head, expressionless in a way that nobody liked, not one bit. āWhat did you say?ā
āI⦠it⦠it was just, like, a joke about you. How youāre so obsessed with her. I said something about her being a witch or something, because how else would you be so into her, or whatever. Like I said, it was stupidāā
āYou said that? That came out of your mouth? Are you serious, Chloe?ā
āI didnāt mean for her to hear me, Clark, it was just aāā
āAnd you guys let her say something like that?ā Clark surveyed his friends, and watched each of them shrug and look down, avoiding his judgement. āWhy would you even let that happen? Why would you say that?ā
āI mean, youāve gotta admit that you are all over her. Like, all the time. It gets obnoxious after a while,ā Chloe blurted, clenching her beer bottle in apprehension.Ā
Clark paused and clenched his palms. Something hot and sick rushed over him, and the struggle to keep his calm was one of the worst heād ever fought. Worse than kryptonite. Worse than anything. He thought of you standing outside on the sidewalk, cold and alone, mortified at having overheard something so ridiculous, something that suggested for even a second that his love for you was anything less than real. He thought of how many nights he kissed you quietly, shushed your worries about his intentions, his emotions. He thought of how beautiful you looked when you let go of the insecurity and believed him. He thought of how you loved him and all his overbearing touches, and he raised an accusatory eyebrow at the blonde across the way, who looked as though she already knew where this was going.Ā
āSheās my girlfriend. I think Iām well within my rights to touch her when I want.ā
āIām not telling you to stop, I was just joking about how itās a little excessive sometimes, Clark.ā
āAnd you get to make that judgement? Iām happy, Chloe. She makes me happy. Does everybody have a problem with how I act around my own girlfriend?ā
As Clark glanced around the table, he was met with a variety of expressionsā shrugs, shaking heads, sorry eyesā and his jaw clenched harder.Ā
āNobody has a problem with it, Clark,ā Lois added, trying to soften the blow, āand Chloe said it was a stupid joke. No need to get angry.ā
āItās a little late for that, Lois,ā Clark scoffed, running a hand down his face. āYou know what? I canāt believe you. All of you, actually, that you would let her get away with saying something so insensitive. All she has ever done is be kind to you. Come out to your bar nights, your parties, run your articles, bake for you, bring you coffees. That girl bends over backwards to be a good friend, and more than that, to be a part of our lives. She loves you guys! She looks up to us and the work we do. She loves me. Sheās the most precious thing I have, and this is how you treat her? You alienate her the second Iām not around to hear it, like a bunch of cowards, is that how you act without me?ā
Chloe paled. āI think youāre taking this a little far!ā
āOh, Iām taking it too far? Christ, Chloe, thatās rich coming from you! You called her a witch!ā
āYeah, well, at least I didnāt call her a bitch!ā
It was common for Chloe to lose her temper, but the second the words fell from her lips, everybody seemed to stop breathing. Chloe winced at her own mistake, and Clark seethed.Ā
You were outside in the cold, and all he wanted was you. Even more than he wanted to throw this sticky tabletop into the wall. So, he took a deep breath, and then grabbed his coat, your coat, and your purse off the stool before him.Ā
āAre you seriously leaving?ā
āYou know, Chloe, itās the weirdest thing. I feel this crazy urge to go out and kiss my girlfriend. Maybe she put a spell on me,ā he deadpanned.Ā
āClark,ā Chloe groaned.Ā
āNo, Chlo. You crossed a line.ā Clark walked around the table, and then he paused to point at her. His voice was so soft that it made her shiver. āDonāt you ever do this again. Donāt joke, tease, talk about her again. If I find out you did, or that any of the rest of you allowed it or do it yourselves, youāll be lucky if I leave you with functioning tongues.ā After seeing her remorseful eyes flicker over his face, Clark added, āShe is the love of my life. She deserves more respect from you, and so do I. I expect you to apologize and mean it, but not tonight. I think youāve done enough damage for one day. Got it?ā
Chloe just kept her mouth shut and nodded, feeling her chest tighten. The regret coursing through her veins was enough to make anybody feel nauseous, and it only grew more potent as Clark walked out of the bar, leaving the group to their own devices.
Lois sighed and pinched the bridge of her nose. āOne of these days youāre going to have to deal with your shit, Chloe.ā
āOh, so this is all my fault now?ā
Pete huffed and grabbed his jacket. āNo. Itās our fault for letting you keep it up.ā
Chloeās cheeks deepened to a mortified rose as her best friends gathered their things and threw down cash to cover the tab. āYouāre seriously mad at me? Heās the one who blew up on us!ā
āGoodnight, Chlo,ā Oliver urged, and the rest followed him as the first to leave. Chloe stood at the table, tracing the rim of her beer bottle with a shaky finger and wishing she never said a word.Ā
Outside on the sidewalk, Clark tugged your jacket over you and cradled your face. His hands were so warm. He was always hot as a heater. You leaned into the touch, and he pressed sweet little kisses all across the plane of your forehead.Ā
āHow about I take you out somewhere, just you and me, huh? Get you a better drink? Something sweet?ā
āYeah,ā you nodded, closing your eyes. āPlease. Just you.ā
āJust me, baby,ā he promised, and he coaxed his fingers through your hair. Clark studied the cherubic curve of your cheeks and the pout in your lips, and every inch of him seemed to buzz with love. āIām so sorry they hurt your feelings. If it helps, I yelled. And I never yell.ā
You left out a soft chuckle and gazed up into his eyes, reached out to brush a stray lock from his lashes. āYou yelled? My mild-mannered reporter yelled?ā
Clark flashed a sharp smile and kissed your nose. āMhm. Like a real adult.ā
āI wish I had been there.ā
āNo you donāt. You hate confrontation.ā
You giggled a bit, blushing. āI do. You know me too well.ā
āI know you because I love you,ā he murmured.
You bumped your nose against his, and he leaned over you like a blanket, pressing you against the side of the building. The cold night chill had nothing on him. He smooched your cheek, and then your eyes, and then your mouth, one, two, three times. Your hands curled in his button down and you smiled, all echoes of earlier escaping into the night. Nothing matteredā not words, not opinionsā when Clark touched you. You loved the PDA and you loved him. Nothing felt better, safer, more right than him.Ā
āMm,ā you hummed against his lips, āif I was a witch, I would be a good one, if I got you to want me this much.ā
Clark grinned and nipped your bottom lip. āIf you were a witch, you wouldnāt even need a spell. Iād love you in every lifetime, no matter who you were.ā
Your body melted like mush for him, and he scooped you up into a pressing hug, lifting you off the ground. You laughed and wrapped your legs around his hips, and Clark started off down the sidewalk holding you like a monkey. You peppered his cheeks with kisses. āThank you for standing up for me.ā
āPssh,ā he teased, scrunching his nose, āplease. Iād do it again in a heartbeat.āĀ
āI love you so, so much, Clarkie,ā you pledged. āI always will.ā
Clark peered up at youā your shining eyes, all that hair, all that beauty contained inside one perfect personā and he squeezed your hip under his grasp. āI love you too, bunny girl. Now let me buy you a real drink.āĀ
Getting time off together can sometimes be a challenge, so when the stars do align in their favour, Jack likes to go and pick Robby up after his shift, so they don't waste a moment of it.
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Star Trek: The Reanimated Series
Now back to other illustrations and seeing my friends again before my terrible short term memory makes me forget how time consuming animation is and has me starting a new one
some more silly squabbles and arguments for your otp to get into
a prompt list by @novelbear įµį“„įµ
"i didn't buy these coasters for nothing! use them."
getting annoyed when they decide to wash dishes right when the other gets in the shower, making their water cold unexpectedly
"do we seriously need all these lights on?" "uhhh, yeah."
"turn your music down. i can hear it blasting through your headphones, that's dangerous." "oh, it'll be fine..."
arguments over the way the heater/air conditioning temp is set
when they figure out they do laundry veryy differently (like whether or not they separate colors/whites, how they fold, how often laundry is done, etc.)
one setting off the smoke alarm somehow everytime they cook something (this actually happens in my house save me)
^ "it's got to be something you're doing! because when i cook, this doesn't happen!" "i'm telling you, it's sensitive! broken! something!"
"don't set the air conditioning too cool. you just got out of the shower, you're going to make yourself sick." "oh my god i'll be fine."
^ then they argue and bicker more so when they do end up getting sick like their partner said.
"where did you put all the spoons?" "in the drawer to the left." "why would you do that."
one taking too hot of showers, leaving the bathroom steamy and little to no hot water left.
"do you realize you slam like every door that you close?"
being shocked that they eat something in a peculiar way (like the whole how to eat a kitkat debate)
"oh my god, please don't take another water bottle out until you finish the last. i'm finding them everywhere."
"look, i don't know what you're doing and i don't think i want to, but clean the mirrors."
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I'm on a 70s TV kick right now and I thought about the potential of an amazing crossover episode that I could only imagine would have been wild
Picture this: The setting is the Love Boat.
Johnny and Roy (from Emergency!) are on the cruse for a paramedic conference on the ship. Or one in Acapulco because, let's face it, the Love Boat is 99% of the time going to Acapulco.
Starsky and Hutch are on the boat, undercover as guests as they look for two criminals on board. The two criminals are posing as paramedics.
Columbo is on board because one of the criminals, that Starsky and Hutch are also after, is one of his murder suspects, and Columbo by "sheer coincidence" just happens to be on board with them taking a cruse with his wife we never see-
Starsky and Hutch suspect Johnny and Roy and try to get close to them, acting friendly. Colombo hangs with the Love Boat crew and his suspect to gain information. When Columbo runs into Starsky and Hutch and says he's a lieutenant, Starsky and Hutch reveals to Columbo they're also detectives and work together to solve the case.
After some (minor) emergencies on board that Johnny and Roy take care of with Doc Bricker and the Love Boat crew, they prove their qualifications and clear themselves off Starsky and Hutch's suspect list, also helping with some information they may have witnessed.
Eventually, when the ship begins to dock in LA, the criminals try to escape using a fire as a diversion, which Johnny and Roy quickly put out. The criminals are able to escape into a getaway car, then a car chase occurs between them and Starsky and Hutch (naturally). When the criminals rush onto the highway, Jon and Ponch (from CHiPs) make a cameo and cut them off, allowing Starsky and Hutch to arrest them.
Oh, and of course Colombo get his criminal. And Johnny and Roy miraculously show up at the end so all the characters can all have a freeze frame of them together.
when two musicians sing into the same microphone and lean in very close to each other⦠like omg are you guys gonna kiss now to relieve the homoerotic tension?š³
Okay, but this is really important: Bruce Springsteen occupied this really weird place in music history. His songs were all from this pessimistic, nihilistic view of an America that had let him down:
Just like the anti-Vietnam War protest songs that we associate with the 1960s, or the early nihilism that spawned punk music in the 1970s. But he didnāt *sound* like a punk anarchist; he sounded like a country rock singer. When he released Born in the U.S.A. people completely misinterpreted (or possibly ignored) the lyrics in favor of the tone of the music.
Politicians used his music to promote their āMurica Yes! brand, and he had to literally explain that that was not what he was about. Heās over here asking when weāre going to have jobs and heathcare, not stanning the politicians who werenāt helping the people.
It was also kind of a big deal that he had an integrated band, because even as late as the 1980s music was still kind of segregated and MTV was straight up racist. They refused to play and promote black artists and then claimed that were no black artists in the first place. Michael Jacksonās record company had to threaten a boycott of their white artists to get MTV to play his Thriller video.
Plus, the first black/white interracial kiss on TV was in 1968 (OG Star Trek). Also it took us until the 70s to get sympathetic gay characters on screen, and the 90s to get gay characters to kiss onscreen. And all of those firsts were met with outrage.
So keep that in mind when you see Bruce Springsteen not just playing with an interracial band, but engaging in an interracial, gay kiss on stage repeatedly.
Passages from American Popular Music by Larry Starr and Christopher Waterman
I used to think that Bruce and Clarence kissing onstage was exuberance, showmanship, and telling racist homophobes to fuck off. Like, they picked up a certain kind of audience and went āRacist homophobes? Not in our house!ā And started the kissing then but then I actually looked it up and
It was a story where⦠we remade the city. We remade the city, shaping it into the kind of place where our friendship and our love for one another wouldnāt have been such an exceptional thing. - Bruce Springsteen
It wasnāt about showmanship or rejecting bigots or anything it was just. Damn right that was one of the loves of his life and damn right he was going to kiss him onstage
It gets me a little that Bruce has had a divorce, that heās been married twice, but he loved Clarence for the rest of Clarenceās life and will presumably love him the rest of his own
Clemons said in one interview. āBruce and I looked at each other and didnāt say anything, we just knew. We knew we were the missing links in each otherās lives. He was what Iād been searching for.ā In another version of the story, Clemons says āHe looked at me, and I looked at him, and we fell in love.ā
Iām having some emotions about it!
āHe was elemental in my life,ā Springsteen adds, āand losing him was like losing the rain.ā
Not just! I love you pure and deep and true but! I am going to love you like that in front of the whole damn world!
We have fewer narratives about taking risks and making statements for platonic love rather than romantic and supposedly it would be easier to downplay this onstage than romance and! They refused! They fucking refused! In front of hundreds of thousands of people, over the course of years! In the spotlight, in word and deed, I love you!
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During the first episode, when Carter finds the DHD on Abydos, she's amazed at how small it is compared to the dialling computer. She literally says that Earth's dialling system is macgyvered.
Hmm.
And then the camera cuts to O'Neill, who looks as if she said something distasteful.
Double hmm.
This implies one out of two things. Either MacGyver (the series) exists in the Stargate universe, the verb "to macgyver" got started there much as it did in the real world, and Colonel O'Neill is not a fan.
Or MacGyver (the man) exists in the Stargate universe, he's well-known enough that the verb "to macgyver" has spread beyond the Phoenix Foundation and into the US military, and Colonel O'Neill dislikes him for some reason.