Lin

after a couple hours chopping dried sea urchins into tiny pieces with a razor blade you start referring to the razor blade as yourself in your thoughts. a little while afterwards you'll inevitably think something along the lines of "i'm getting a bit dull, i'm going to have to throw myself out & get myself a new self" at which point your internal monologue has pretty much returned to baseline

This happens with mobility aids too. I bump into shit with my forearm crutches and say "ow" before I realize those are not, in fact, More Legs. Then when I get up and try to walk without them for a second there's a moment of feeling like a dog walking upright

I think there’s a teaboot(?) post about this with a huge security cam system

Yeah I get twitchy when I don't have my eyes

Can anyone recommend some entry level behaviours? Thinking of getting into being

this is the one meme that manages to age like a fine wine

i think it's ok to play fighting games to cum. there are worse reasons to do something

and yet, when i play magic the gathering to cum, suddenly its ok to make fun of me

it's never okay to play magic the gathering for any reason

nolan’s odyssey is such a textbook study on the idiocy and dangers of presentism. yes of course penelope is a modern day feminist who wants to rule ithaca by herself. they make telemachus say that GREECE IS THE GREATEST CIVILIZATION IN THE WORLD as if the entire point of the massing of achaeans at troy for one unified cause isn’t spectacular precisely because THERE IS NO CONCEPT OF A UNIFIED GREECE NATIONS DO NOT EXISTTTTTT YETTTTT. literally 101 on historical writing is making sure that you’re avoiding strict periodization because the people living in a “period” will not identify themselves that way. ever. five million cheeky nods to “the sea peoples” but we’re being cute and coy and calling them “the people from the sea.” the obsession with xenia but refusal to call it xenia yes let’s say “zeus’s law” a hundred times and reduce it to the literal expectation that any stranger could be a god in disguise. how was penelope just hanging out in the main hall of the palace with her husband’s dinner guests while they were playing with weapons with her HAIR COMPLETELY DOWN no veil no nothing just chilling casually. comical. stoppppp making movies that engage in historical viewpoints if you’re going to slather a modernized coat of paint over the top. “the past is a foreign country, they do things differently there.” or fucking whatever.

ALSO ODYSSEUS LITERALLY JUST GOES TO TROY HE JUST GOESSSSSSSS they don’t even TRY to put baby telemachus in the paper shredder he just dips without a fuss. they change odysseus hanging the maids to penelope kicking melantho out for girlboss reasons and they TOOK AWAY MY BAG OF WIND #mybagofwind they also took away the dipshit that falls off of circe’s roof and dies. deeply shallow meaningless movie.

I like when you click a link and it turns purple its like youre bruising it

it’s a pretty well-known phenomenon that you only get a couple seconds with your horror creature fully visible onscreen before it gets “chuckied,” a term coined by yours truly referring to the shift between the first and second acts of child’s play (1988) as the audience gets used to seeing the little chucky puppet moving around and consequently can no longer buy into the film’s serious slasher tone in the absence of the horror of the unknown. the tuunbaq in the terror and the dogomorph in alien 3 (1992) are also famous victims of chuckying—just like how lovecraftian horror usually falls flat on the screen, too much visibility and your scary, amorphous creature will become a very morphous puppet or cgi’d in picture. the easiest way to combat this is of course to keep the creature obscured for as much of the piece as possible; for instance, despite their oppressive presence throughout their respective works, the beast in over the garden wall is shown for less than six frames and the eponymous kaiju of cloverfield (2008) is never properly shown, allowing each to retain their mystery and danger. another route is to simply lean into the campiness of it, like the later child’s play franchise and alien resurrection (1997). in the case of the blob (1958) a mere satirical title sequence song is enough to completely transform a fairly standard creature feature into an enduring masterpiece of hokey fun. the third option to combat chuckying is for the horror creature to constantly transform—the thing (1982), the fly (1986), and aliens (1986) show their creatures in loving detail, but there is always something the audience hasn’t seen yet, something they don’t know to brace themselves for. it’s a fine line to walk, of course, but that’s the nature of the game when you want to turn the concept of the unknown into something knowable enough to bite you

oh em GEE! it's not accurate?? can you guys wake up homer? find his corpse and ask him what he thinks? was he the first writer of the odyssey? or was he the first person to write it down? did he exist? lets wake up the first ever bard to think of the odyssey! who is he? oh we dont know? that sucks. did you guys ask ovid? did you talk to hesiod? or sophocles? does mythology have one definite story? or does it evolve over time across centuries and milleniums? is there one true translation? or version? dont stories change? should nolan have stood there for 18 hours and recite it in ancient greek while you guys ate food? oh wait sorry thats not accurate. he should speak for one hour over dinner and then you guys come back for 17 straight days and listen for an hour at a time. oh wait sorry that wrong too. he hasnt mastered speaking classical greek. oh wait no one speaks that anymore, no one alive does. let's wake up and find euripedes' ghost too. and aeschylus. and apuleius! cant forget that guy. oh but wait they all lived hundreds of years apart and all told different versions of the different mythologies and added their own messaging and ideas. and they left out other parts too. according to you guys thats not allowed. god forbid. oh sorry. gods forbid.