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Alisa U Zemlji Chuda

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if i look back, i am lost
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@uququ
by following me you accept all responsibility for your being exposed to every thoughtless, stupid or vulgar thing i post. it's not my fault anymore

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Cindy Davis, Niq'odałin Notin Nixidaxin / The Two Girls Who Lived There, illustration for Engithidong Xugixudhoy / Their Stories of Long Ago by Belle Deacon, 1987
7.75" Carboniferous Fossil Fern Frond - France
All Ashore - Jack Standish
American , b. 1949 -
Watercolour, 21 x 25.5. in.
old news but i'm just finding out that apparently the PE schwa in west greenlandic is attested in early written material & didn't finish merging into /i/ until the eighteenth century. that's really late!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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J. Leslie Boffa, illustration for Iłuuqiñġum Atuutaa / The Song of the Blackfish from Unipchaaŋich Imaġluktuġmiut / Stories of the Black River People by Nasruk / Robert Cleveland, 1980
Wisteria (1900 - 1930) by Ohara Koson.
Colour woodblock print on Japanese paper.
Rijksmuseum.
Wikimedia.
Sam Szafran - Escalier, 1988, watecolour on paper, 50.4 x 32.6 cm
i recognize the convenience & utility of using <?> for /ʔ/ in a practical orthography but there is absolutely no excuse to do so in published materials. hideous. do not print t?iscihóti at me
J. Leslie Boffa, illustration for Aagruukaaluk from Unipchaaŋich Imaġluktuġmiut / Stories of the Black River People by Nasruk / Robert Cleveland, 1980

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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J. Leslie Boffa, illustration for Amaġuġlu Tiġiaqpaglu / How the Mink Defeated the Wolf from Unipchaaŋich Imaġluktuġmiut / Stories of the Black River People by Nasruk / Robert Cleveland, 1980
J. Leslie Boffa, illustration for Siuliglu Kaviqsuaġlu / The Pike & the Mudsucker from Unipchaaŋich Imaġluktuġmiut / Stories of the Black River People by Nasruk / Robert Cleveland, 1980
Émile Bernard - Paysage de Bretagne (Paysage avec deux Bretonnes et vache), 1892, oil on paperboard mounted on panel, 116 x 83 cm
Ernst Ludwig Kirchner - Wildboden (Bergwald, Sommerlicher Waldweg), 1927-28, oil on canvas, 135.3 x 99.7cm
The four tongue heights in the unrounded front series are a serious obsta- cle to any binary vowel feature system and serve to make Danish an often quoted example in discussions of binary versus scalar features, cf Fischer- Jørgensen (1975, pp. 220 ff) and her references, Ladefoged (1967), Lass (1984, p. 104 ff) and Rischel (1968). But worse is to come!

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Wildflowers and a Grasshopper - Paula von Goeschen-Rösler
German , 1875-1941
Gouache, watercolour and pencil on vellum, with framing lines in green watercolour, 42.2 x 35 cm. 16 5/8 x 13 3/4 in.
J. Leslie Boffa, illustration for Qanuq Tulukkam Siḷa Qaupchałha / The Origin of Daylight from Unipchaaŋich Imaġluktuġmiut / Stories of the Black River People by Nasruk / Robert Cleveland, 1980