Itsy-Bitsy-Bear

i think i found my new favorite artist on twitter

This is chat gpt trash prompted to “sound Japanese” and it’s based off of racist old movie dialogue. There’s zero correlation here to Japanese grammar and how Japanese translates into English or how a native speaker of Japan uses English. It’s slop. It’s racist ai slop rehashing Western exceptionalism, fantasizing about a Japanese person being in awe of how great the USA is. It’s depressing that people fell for this. I know it feels good to think that other people like us, and sometimes they do, but this only works if you assume Japanese people have extremely limited experience and worldview. It’s mortifying.

I made this transparent PNG the night he died in preparation for one of the many ways I was going to memorialize him--a surface rug in his likeness that I planned on laying directly in the line of his favourite sunbeam. And I uploaded that PNG here, because this is the website where people post their cats.

I was not expecting the reception I got. Many people have pointed out that this post has more reblogs than likes, and how insane that is in 2025 when reblog culture is at an all time low. I didn't even talk about the fact that Burger passed away in the original post, it wasn't a tearjerker reblog bait or anything like that. People just loved Burger that much, in the same way I fell in love with him at first sight. He was such an ugly kitten.

Anyways, it's really special to me that so many people have reblogged my best friend. I made this PNG to memorialize him in a completely different way, and you all wound up doing just that in ways I never even imagined.

Thank you. Wherever he is, I know the sun is shining.

I wasn’t taking notes during it, but this is what I remember to the best of my ability; apologies if there are any inaccuracies:

At this point there is more money coming into animanga from overseas markets than from domestic (i.e., Japanese) markets. Companies are aware that for something to get really financially successful, it has to appeal to international audiences.

And most of that overseas money comes from subscriptions to streaming services. Merch / purchase of physical copies / etc make up only a small % of revenue.

Shonen and isekai outperform everything else to a huge extent. So there continue to be lots of these produced.

About half of all recent/current anime views are going to just a few (like, a single digit # of) series. I believe it was: Solo Leveling, Sakamoto Days, Dan Da Dan, Gachiakuta, MHA, and (I think) JJK. Also Solo Leveling by itself gets far more than any other series.

Quote: "Statistically, if your favorite anime from the last year wasn’t one of these, then no one watched your favorite anime"

Note that these are all shonen (except technically Solo Leveling since the original material is manhwa, not manga, but close enough)

Don’t be surprised that these are the series winning awards, even if you don’t think they hold a candle to [insert your favorite anime here] — there’s just so many more people watching these that it’s virtually impossible for any other series to win.

The only series in the recent top 20 that wasn’t shonen demographic or isekai genre was Apothecary Diaries.

Quote: "Thank god for Apothecary Diaries." lol

Crunchyroll has by far the biggest market share of overseas anime viewership, followed by Netflix to a lesser extent. No other providers come close.

The perception among production companies is that Netflix is where people are getting converted from non-anime viewers into anime viewers, and CR is where established anime viewers go.

Average anime watch time among anime viewers on Netflix is 1.5 hours per month, whereas on CR it’s 1.5 hours per day (?!)

Discovery on Netflix is heavily determined by what the Netflix promotes / actively surfaces to users, and that tends to skew towards particular series — likely reinforces that views are going to already-popular series and that new anime viewers are getting funnelled into certain genres.

Netflix doesn't license all that much anime compared to what they could be licensing, so that further skews things. Also, even if a series is licensed to Netflix, if the Netflix algorithm doesn't actively push it to users, no one on Netflix will watch it.

Rating sites such as MyAnimeList tend to be skewed towards a particular type of fan that is not representative of the actual market, and these ratings are meaningless when it comes to actual success metrics. IIRC he said only a few% of very frequent anime watchers actually rate/review things.

He phrased it as "rating things on MAL is not normal behavior" which made me lol

Anime adapted from light novels tends to perform the best compared to anime adapted from other sources (manga, webcomic, games) and original anime. Adaptations from manga is #2; everything else is wayy behind.

Solo Leveling seems like quite an outlier in this regard since anime adaptations from webcomics tend to be among the least popular

The single feature most correlated with success of an isekai was whether the main female character has big breasts and that’s not a joke.

Quote: "If the main female character has big breasts your anime will likely overperform, and if the main female character is a monster girl your anime will likely underperform. Because things aren’t fair."

At one point he was like yes I really do have to go into serious business meetings and present this anime breast data to client companies.

There’s a perception among audiences that pirating animanga that isn’t legally available in your country will prove there’s a demand for it, and lead to it getting licensed in your country, but this isn’t true. Pirating stats don’t actually have much effect on whether stuff gets licensed — because there’s no reliable conversion from people who pirate -> people who will pay to view legally.

Studios get booked for projects 3-4 years out, so stuff for 2029-2030 is getting booked now. There are a lot of reboots/sequels/franchises/reusing-IPs type projects getting booked, just like what western media studios have been doing, because (as with western media) companies want the reliability of IP that is known to be successful rather than the risk of something new.

the parade

“Why”

“All snakes are liars”

Hedgehog-shaped jar, Neolithic period (3500-3000 BCE)

Things that I have actually struggled to deal with in my 2 years as a public defender so far (non-exhaustive list):

Having to put the criminal records and self-esteem and livelihoods of clients I believed were factually innocent, people I'd developed relationships with and knew how much they had to lose if something went wrong, in the hands of a group of strangers who I'd had no more than 20 minutes to question about their knowledge and beliefs and biases.

Worrying those strangers would favor the young, handsome white male prosecutors' arguments over my innocent clients who've had rough lives and it shows on their faces, because of whose voice sounds "authoritative" and who "looks like a criminal".

Never feeling like I had enough time to prepare a case for trial because I also had over 100 other cases pending at the same time.

Put simply, it is harder to represent a factually innocent person than a factually guilty person. I think basically all defense attorneys agree on this. It's more emotionally taxing because of the stakes. There are always material stakes for all of our clients, but for a factually innocent person there are also moral stakes.

Period-/Fantasyfilms + dancing (part 2)

A KNIGHT'S TALE (2001)

A LEAGUE OF THEIR OWN (1992)

MERMAIDS (1990)

MOULIN ROUGE! (2001)

SUCKER PUNCH (2011)

THE FALL (2006)

CINDERELLA (2015)

MUCH ADO ABOUT NOTHING (1993)

FRANKENSTEIN (2025)

MEMOIRS OF A GEISHA (2005)

OPHELIA (2018)

MR. MALCOLM'S LIST (2022)

TELL IT TO THE BEES (2018)

This Tumblr post is the first time someone has explained to me *why* I couldn’t feed them before those instances.

every single time i have had to say, "i understand that if he had food or water, he could aspirate it into his lungs under anesthesia. i am not lying to you." THEN someone would make a little note and i would stop being repeatedly asked.

not a single time was that risk explained to me. the only reason it came up was because i already knew. i still don't understand why it isn't standard pre-op counseling or pre-op check information, when me as a parent acknowledging the actual risk also put THE MEDICAL STAFF at ease because i conveyed that i had informed understanding as reason to not lie about giving my kid food.