Silly Brained

By “other ideas,” I mean “side-project fanfic.”

It’s younger Darius and Hunter’s predecessor. He goes by “Reb.” Belos also calls him Hunter, because at a certain point he decided he liked the “witch hunter” reference name too much and stopped bothering with naming subsequent Golden Guards anything different. I already headcanon that “mentor” was an obfuscation regarding the relationship between these two. They were absolutely romantically entangled, but Darius wasn’t about to admit that to Hunter at that moment. Kid was still completely in Belos’ thrall. “Mentor” was the word that would lead to the fewest questions.

I saw a theory once that the little abomination in “Them’s the Breaks Kid” was Darius’ palisman, and that he hid them on his head. While I don’t think the palisman wig is the actual case for what we see in the show, I liked the idea and decided to use it. Darius also has purple eyes like we see in the flashback bit in “King’s Tide.” We do see the green eyes as well, but I’m saying he got the green eyes when he figured out the abomination form.

Regarding story background:

My brain started jumping to what their relationship actually looked like when I was exploring some ideas for the grimwalkers in general for my main fic. It got dark. I think it works for how things have been developing, but it’s pretty bleak. I felt like I needed to explore those ideas with characters who don’t die horribly. I mean, obviously, Reb does, but the central idea for the fanfic is Hunter learning to cope with both the grief of Flapjack’s death while Darius is now finally able to safely actually feel the grief that had been shoved down before. Hunter’s also starting to process just how much Belos had hurt him, something forced by Flapjack’s magic causing some …interesting… trauma responses. Look, when your fight or flight response gets triggered unexpectedly, having teleportation magic you haven’t learned how to control is not the best thing in the world.

The present storyline is juxtaposed against Darius and Reb’s story. It is incredibly dark (the fic is absolutely in Dead Dove territory), but their romance is adorable. Reb was never an official mentor, but Darius did learn a lot from him. First off, he figured out his abomination form because of his relationship with Reb. But, most importantly, Reb knew exactly what sort of person Belos was better than anybody, even Belos himself. Didn’t change that he was powerless to escape him, but it did inform his survival strategy. He knows just how sadistic Belos is, but also that Belos refuses to admit it to himself. He tries to use that, as well as Belos’ ego, to cope. His “mentorship” of Darius is teaching him that, which allows Darius to operate inside Belos’ inner circle without getting caught, eventually getting Eberwolf appointed head witch of the Beast Keeping Coven as well.

I have a couple more Reb designs here:

The light skin on Reb’s shoulder is part of the reason why the Golden Guards generally didn’t look as much like Caleb. Caleb had a genetic mutation that Belos had no control over how it expressed. The light ends of his ponytail is because Belos likes to force the Guards who end up with darker hair to bleach it. Reb managed to get away with that only happening a couple times.

1. Do you think a post pointing out an issue with fandom racism and misogyny is an appropriate place to bring up your favorite white male character? Why or why not?

2. Did this post call you racist for relating to a white male character? If you thought or think so, consider why you got defensive.

3. Think about the disproportionate amount of art and writing about white male characters in fandom spaces. Do you think this is, across all boards, due to them being written better or more relatably than the POC protagonist?

a. If so, consider why you notice the writing of white male characters more often. Are white male characters written "better" than the POC protagonist, or do you have an internalized fear of relating to non-white characters that you need to work through?

b. If not, consider what ingrained biases might lead to this phenomenon in fandom spaces.

c. If you read a. and thought that white male characters literally just are usually or always written better than the POC and/or female protagonist, accept you are wrong and consider some self reflection.

4. Have you researched how to write and draw characters that are non-white and/or non-male? If not, does this limitation lead you to gravitate towards characters you feel "qualified" to make content about, therefore inflating the issue?

5. If people are telling you to reconsider your point of view in my replies section, did you stop to consider what they said apart from your human instinct to be defensive? Have you considered that arguing against those trying to educate you about fandom racism and misogyny, which can be difficult to see in yourself, in the notes of a post talking about fandom racism and misogyny, might be short-sighted and counterproductive?

6. If you are inclined to defend your favorite white male character, pause. Are all of your other favorite characters also majority white? Are they majority male? Are they either of these and NOT the main character of the show, movie, or game they originate from?

a. If not, this comic is not for you. Please move on and give it a reblog if you're feeling generous.

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

This is one of my favorite tricks, picked up from E.M. Forester and filtered through my own domestic-homebody lens.  Forester says that you should never ever tell us how a character feels; instead, show us what those emotions are doing to a character’s posture and tone and expression.  This makes “I felt sadness” into “my shoulders hunched and I sighed heavily, staring at the ground as my eyes filled with tears.”  Those emotions-as-motions are called objective correlatives.  Honestly, fic writers have gotten the memo on objective correlatives, but sometimes struggle with how to use them.

Objective correlatives can quickly become a) repetitive or b) melodramatic.  On the repetitive end, long scenes of dialogue can quickly turn into “he sighed” and “she nodded” so many times that he starts to feel like a window fan and she like a bobblehead.  On the melodramatic end, a debate about where to eat dinner can start to feel like an episode of Jerry Springer because “he shrieked” while “she clenched her fists” and they both “ground their teeth.”  If you leave the objective correlatives out entirely, then you have what’s known as “floating” dialogue — we get the words themselves but no idea how they’re being said, and feel completely disconnected from the scene.  If you try to get meaning across by telling us the characters’ thoughts instead, this quickly drifts into purple prose.

Instead, have them wash the dishes while they talk.

To be clear: it doesn’t have to be dishes.  They could be folding laundry or sweeping the floor or cooking a meal or making a bed or changing a lightbulb.  The point is to engage your characters in some meaningless, everyday household task that does not directly relate to the subject of the conversation.

This trick gives you a whole wealth of objective correlatives.  If your character is angry, then the way they scrub a bowl will be very different from how they’ll be scrubbing while happy.  If your character is taking a moment to think, then they might splash suds around for a few seconds.  A character who is not that invested in the conversation will be looking at the sink not paying much attention.  A character moderately invested will be looking at the speaker while continuing to scrub a pot.  If the character is suddenly very invested in the conversation, you can convey this by having them set the pot down entirely and give their full attention to the speaker.

A demonstration:

1

“I’m leaving,” Anastasia said.

“What?”  Drizella continued dropping forks into the dishwasher.

2

“I’m leaving,” Anastasia said.

Drizella paused midway through slotting a fork into the dishwasher.  “What?”

3

“I’m leaving,” Anastasia said.

Drizella laughed, not looking up from where she was arranging forks in the dishwasher.  “What?”

4

“I’m leaving,” Anastasia said.

The forks slipped out of Drizella’s hand and clattered onto the floor of the dishwasher.  “What?”

5

“I’m leaving,” Anastasia said.

“What?”  Drizella shoved several forks into the dishwasher with unnecessary force, not seeming to notice when several bounced back out of the silverware rack.

See how cheaply and easily we can get across Drizella’s five different emotions about Anastasia leaving, all by telling the reader how she’s doing the dishes?  And all the while no heads were nodded, no teeth were clenched.

The reason I recommend having it be one of these boring domestic chores instead of, say, scaling a building or picking a lock, is that chores add a sense of realism and are low-stakes enough not to be distracting.  If you add a concurrent task that’s high-stakes, then potentially your readers are going to be so focused on the question of whether your characters will pick the lock in time that they don’t catch the dialogue.  But no one’s going to be on the edge of their seat wondering whether Drizella’s going to have enough clean forks for tomorrow.

And chores are a cheap-n-easy way to add a lot of realism to your story.  So much of the appeal of contemporary superhero stories comes from Spider-Man having to wash his costume in a Queens laundromat or Green Arrow cheating at darts, because those details are fun and interesting and make a story feel “real.”  Actually ask the question of what dishes or clothing or furniture your character owns and how often that stuff gets washed.  That’s how you avoid reality-breaking continuity errors like stating in Chapter 3 that all of your character’s worldly possessions fit in a single backpack and in Chapter 7 having your character find a pair of pants he forgot he owns.  You don’t have to tell the reader what dishes your character owns (please don’t; it’s already bad enough when Tolkien does it) but you should ideally know for yourself.

Bad writing means you took the time to write something, you, a real human being. It means you created something! And you have the awareness to see that there's room for improvement, too!!!

Bad writing is wonderful!!! Bad writing is a platform from which you can build your masterpiece! Bad writing is the backbone of good writing!

Give yourself permission to write badly. No, actually- give yourself permission to write something TERRIBLE. Give yourself permission to write such drivel that you can barely read it.

Nothing comes out a masterpiece the first time!! You think Isaac Asimov never wrote a total stinker he had to rebuild from the ground up? You think Jules Verne never wrote utter slop for a first draft?

Level 1: browser extensions

This one is basically impossible to get wrong, or at least to get wrong badly enough that it causes any problems.

Get Firefox, or a Firefox fork like Waterfox. If you use a fork, make sure it's one that will let you use add-ons. On a PC, pretty much any Firefox fork will take add-ons, but on mobile devices, many don't. Iceraven is one that does.

Get the add-ons uBlock Origin, YouTube Sponsorblock (if you use YouTube), and FBCleaner (if you use Facebook).

uBlock Origin comes with a built-in list of filters to block ads and trackers, but you can add your own filters to block any specific element of a website you don't like. You know those goddamn floating frames on fandom.com sites that block half the screen? Now you can zap 'em.

Sponsorblock uses crowdsourced timestamps to automatically skip sponsor spots and self-promotion in YouTube videos. Never listen to anyone say "hit like and subscribe" or "Raid Shadow Legends" again.

FBCleaner hides all content from your feed except posts from people, groups, and pages you've actually chosen to follow.

Level 2: leaving enshittified services

The software that's become standard over the years in a lot of fields is steadily selling more of your data, showing you more ads, and pushing you to buy more expensive subscriptions. Time to tell them to get fucked.

Dump Adobe apps for Affinity or Krita. Drop Microsoft for LibreOffice. Change your default search engine from Google to DuckDuckGo or Qwant. Use OpenStreetMaps instead of Google or Apple Maps.

Level 3: network-level DNS fuckery

DNS, or Domain Name Service, is the thing that tells your computer where www.website.com is actually located. By hacking your network's DNS you can force it to tell your devices that ad-hosting domains don't exist at all. Some of the steps on this one can get pretty technical, but because you're doing all the difficult stuff on a dedicated device, you can't really fuck up anything that seriously.

Get yourself a Raspberry Pi (a cheap older one like a model 3B will work just fine for this purpose), and follow a guide like this one to get it set up running AdGuard Home. AdGuard, like uBlock, has built-in filter lists, but you can also add your own if there are specific domains you want to block.

Once it's up and running, you'll need to change the DNS settings on your router to point to your AdGuard service. This is different for every router but will always start with logging into the admin panel with a password printed on a little sticker somewhere on the router.

With that done, every time a device on your home network looks for ads.website.com, it'll get back a message that says "sorry, can't find it", so it won't be able to load any ads.

Level 4: Android-specific DNS fuckery

Because AdGuard runs on your home network, it can't block ads on your phone when you're away from home - and what's worse, your phone will sometimes remember the addresses it got when you were out and about, and ads will get past your AdGuard wall even when you're home.

To avoid this, get AdAway for DNS-based ad-blocking directly on your phone. The easy, but less seamless, way of using AdAway is the "local VPN mode", which doesn't require you to do any mucking about with your phone's operating system.

Level 5: automated media piracy

The best way to stop seeing ads on all your streaming services is to stop using streaming services. There are loads of ways to do this, but the best ones involve setting up what's called an "arr stack" (Google that for setup guides) along with nzbget and a usenet account. Most of the time you'll want to set this stuff up on a dedicated device - an old laptop gathering dust in the closet is a great option, or you can grab something used from a charity shop or a local electronics recycler.

The great thing about usenet is that unlike with torrents, you don't have to do any sharing from your computer, so you're in a lot less legal jeopardy - legally speaking, distributing pirated content is waaayyy more serious than accessing it. I pay about £3 a month for a secure, high-bandwidth usenet service.

Once you start getting your own collection of media on your own computer, use the open-source media library manager Jellyfin to browse and play things from basically any device.

Oh, and don't be a dick. Pirate all you want from big corporations, but please pay independent small-time creators for their work.

Level 6: fucking with Android

Android phones are a lot more locked-down than they used to be, but depending on the device you own you can still do a lot of messing around under the hood. Note that if you get something wrong while doing this, there is always the possibility that it will turn your device into a paperweight.

Before you buy a device, check where it sits on the Bootloader Unlock Wall of Shame. Once you've bought it, check the xda-developer forums for guides on how to unlock it and "root" it (gain admin access) with Magisk.

Once Magisk is installed, you can add modules to do all sorts of cool stuff, including using AdAway in "root mode" which makes it basically invisible.

You can also install YouTube ReVanced, which will do all the ad- and sponsor blocking stuff we took care of in your Windows browser a few paragraphs ago. Be careful: there are a lot of fake sites out there pretending they're associated with the ReVanced project which might be injecting malware into their downloads. This Reddit post has the official instructions and links.

Also, try out the modded version of Facebook from APKmoddone, which will block most of the same shit as the FBcleaner add-on from earlier. There's always a possibility that modified apps like this are doing something dodgy, but I've never had any issues with this one personally.

Level 7: fucking with Windows

This one is scary because it can seriously fuck up your shit if something goes wrong, but some really cool people have actually made it very simple to strip all the bloat, ads, and spyware out of Windows. The tool I use is ReviOS. Start reading at https://www.revi.cc/docs. Basically, you'll need to download a tool called AME Wizard and the ReviOS "playbook" that tells AME what to do. Read the documentation before you do any of this.

Level 8: switching to Linux

I'm not going to pretend this is an option for everyone. Half the software I use on a weekly basis isn't available on Linux. But if you can switch? Do it. These days, Ubuntu - one of the most popular flavours of Linux - is built with people switching from Windows in mind, and a lot of things will be pretty intuitive. It also has great documentation and a huge community you can go to for help if you're confused about stuff.