SET IT OFF 1996 | dir. F. Gary Gray
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SET IT OFF 1996 | dir. F. Gary Gray

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thinking thoughts
"There is no safe investment. To love at all is to be vulnerable. Love anything, and your heart will certainly be wrung and possibly be broken. If you want to make sure of keeping it intact, you must give your heart to no one, not even to an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements; lock it up safe in the casket or coffin of your selfishness. But in that casket â safe, dark, motionless, airless â it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. The alternative to tragedy, or at least to the risk of tragedy, is damnation. The only place outside Heaven where you can be perfectly safe from all the dangers and perturbations of love is Hell." The Four Loves - C.S. Lewis
Two Utah court clerks have been dubbed "anti-ICE vigilantes" after they were allegedly caught "sneaking" immigrants out the back door of the
That's how you show real solidarity!
"After they overheard that ICE was at the courthouse to arrest someone, they improperly accessed court databases to determine who was not born in the United States," a DOJ detention filing says. "They then snuck every suspected illegal alien who was at the courthouse out a back door, where ICE, who was waiting in the parking lot for their target to leave the building, could not see them."
Think about what you can do at your job or in your daily life to resist fascism when the opportunity presents itself!
A few months back, you might have read about two Logan City, UT court c⌠William Joma needs your support for Support Legal Fees for Logan Ci
Here is the link to contribute to their legal fund. They are facing multiple felony charges and I have no info on whether they have any community support at this time. If their actions are something you support, consider helping them out through the aftermath and investigation by the "justice" system
rat prince nanami. is this anything
Sometimes you will be a lesbian to your parents and a straight man to your partners parents and a gay man to your partner and a woman to your grandparents and out to your friends and stealth to your classmates and a nice young lady to the cashier at the coffee shop and then people on your computer will ask you to choose which of these identities you ACTUALLY are and which you are Appropriating The Oppression Of because donât you know they contract each other. You can only be one thing solidly forever

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The fancy Redwinged Blackbird with potential bilateral gynandromorphism is still around, here are some more clips from the last couple of days. I have not edited them other than stringing them together for this video. This is how they were recorded. Every time I think it must be a molt, this bird turns around and looks completely like a female. So intriguing. It also has a lot of red on the face.
The male plumage suggests this bird is undergoing its very first molt into the adult male plumage but yeah, birds molt symmetrically. Both sides should be showing the young male plumage, not just one. This is a almost certainly a gynandromorph!!!
Edit: I also just noticed that you can see the right ('male') wing and leg are longer and thicker than the left ('female') side!! Male RWBL are usually a little bigger and heavier than the females so seeing this on the same bird is so cool!!
(Agelaius phoeniceus)
taipopo729 äťćĽăŽçľľ čąéă¸ăŽçŽčą
Today's drawing A floral tribute to a hero
as a regular donor to Gaza Soup Kitchen I get their email updates, and they said today that while they've continued to be able to expand, donations are slowing down as Gaza gets less coverage. If you have a few dollars to spare, I encourage you to send them here to continue the amazing work that Hani and his team are doing.
if you assume a trans woman is going to top because of her genitalia start running. I am coming to get you.
if you assume a trans man is going to bottom because of his genitalia start running. I am coming to get you.
if you assume a nonbinary person is going to fill some sexual role because of their genitalia start running. I am coming to get you.
Hot take but rigid divisions between queer identities and heavily-policed labels that are treated like diagnoses are really, really bad.
Trans men have shared histories with lesbians who have shared histories with bisexual women who have shared histories with ace people who have shared histories with aro people have shared histories with gay men who have shared histories with trans women who have shared histories with nonbinary people who have shared histories with etc etc etc etc etc.
Labels are important for people who want them, but we need to stop treating sexuality and gender as rigid boxes and checklists.
yes. labels arenât a fort you need to protect; labels are a pin you can add to your backpack to signal being part of something. You can, in fact, have more than one label (as a treat).

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The Three Graces by the late photographer Leonard Nimoy (yes, Spock from Star Trek!) from his Full Body Project
[image description: a photo of three fat women, one with darker skin and two with lighter skin, posing nude in a configuration reminiscent of classical sculptures of the three graces. they stand in a line, two women facing the viewer and one facing away, resting their hands on each other's chests, holding fruit, and looking at it peacefully. end description.]
Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.
just so yall know
art block is your brain telling you to do studies.
draw a still life. practice some poses. sketch some naked people. do a color study. try out a different technique on a basic shape.
art block doesnt stop you from drawing, it stops you from making your drawings look the way you want them to. and thats because you need to push your skills to the next level so you can preform at that standard
think of it as level grinding for your next work.
As a scientific illustrator- this is 100% true and going to review your basics will fix it every goddamn time. Not only does it keep your skills sharp, when youâre not emotionally invested in the final product of a piece, you relax and your brain makes more/better art juice for you. So, when you get back to that big/important piece? Youâll know what to do and how to do it.
Nothing in nature blooms all year round. Rest, and take care of yourself.
i want someone to put this into writerâs blocks now
Writerâs block means you need to relearn the whole alphabet. idiot.
For writers block- same thing. Do Studies.
Write a description of an object. write the weather today. Write a made up characterization of a random photo of an actor from the internet as to the character they are in that picture. Write a little story about your petâs day. Write about spilling soup and make it super dramatic and tragic. Write about someoneâs day being ruined and make it funny. Write a meetcute coffeeshop AU of two OCs youâd never put together- maybe from different stories. Write them breaking up.
Write a bunch of short stuff meant for no audience ever and super duper self indulgent.
@sweetiepie08
@kanerallels
I found out relatively recently that it really helps if I write short fiction surrounding the novels I write. Like oh? Iâm stuck for a bit? Ooh there was that section I wanted to explore but doesnât fit in the plot really. There was that what-if that could never happen in the actual story but would be fun to explore. It keeps me in the charactersâ headspace (tho thatâs not always what Iâm needing) but not right where they are exactly.
Yes! I have gotten past writersâ block multiple times by writing drabble collections. Making something coherent happen in just 100 words is a very different challenge from writing a long story and it also lets me get past plot points that I donât want to explore in-depth.
I am also going to have to start drawing studies nowâŚ
Something I have been thinking about a fair bit recently is how important it is to know how to talk to people with dementia, and how so many people don't actually have any real awareness of how to do that, so, off the top of my head, here are a few things that might help:
the way you frame your conversations is important! People with dementia are often, particularly at the earlier stages, very much aware that their memory is getting worse. This can make them very anxious, which isn't fun for anyone, least of all them. One of the most common things that people say to people with dementia is "do you remember ___?" as a way to try and prompt their memory. This feels helpful, but it's not. Because hey, in all likelihood, that person does not remember ___, and being confronted with this fact is not going to make them feel great. Remember that they literally have a degenerative brain disease; they're not going to suddenly regain their memories because you tested them. Instead, try talking about your own memories. Tell them what you remember. Tell it like a story. If they remember, then they can join in. If not, then hey, it's a nice story.
don't correct them if they say something wrong. Their version of reality is not going to be the same as yours. That's just a given. My grandma is often convinced that she's just on a very long holiday in a nice hotel, and that her dad is waiting outside in the car. I'm not going to tell her "uh, actually, you're in a care home and your dad died 50 years ago," because who's that going to help? Quite literally no-one. It'll just confuse her more, and she's already confused enough. Even if the person is saying something that's making them anxious - a common one is believing that people are stealing from them, or that someone is being unkind to them - then it's easier to try and distract them by trying to talk about something that you know makes them happy, rather than to outright tell them that they're wrong. Being consistently told that they're wrong can make them react defensively; they're not children, and they (usually) know it. It's just easier not to get into a confrontation.
get used to repetition. Don't get frustrated when you have the same conversation 25 times in two minutes. It's going to happen. For them, it's the first time you've had that conversation; they won't understand why you're angry at them for asking a question. It's completely normal to feel frustrated, but the onus is on you not to make it their problem. My grandma's short term memory is, charitably, about 3 seconds long. A conversation with her at this point is like rehearsing for a play; I know her lines, and I know mine. That's just how it is. She gets just as much joy out of telling me that she likes my cardigan for the 86th time as she did the first time she said it. People with dementia are not able to retain the information or the memory of that previous conversation; reminding them that you've already answered their question is just going to confuse and upset them.
don't take things personally. They might say things that are unkind. They might say completely inappropriate things. Again: their brain is deteriorating. It is a medical condition. They're not becoming bad people, or showing their 'true selves' to be evil and rage-fuelled. It's a combination of the fact that they're living in a perpetual state of confusion, which can lead to frustration and anger, and the fact that their ability to process and respond to information is affected by the dementia itself. If they say something cruel to you, you just have to take it on the chin and recognise it as a symptom of a disease that they're not able to control. Step out of the room for a moment if it gets too much. I've been fortunate in that my grandma has never experienced this symptom, but it's very common, and it's no reflection of you, or them.
don't treat them like children. My grandmother is 92 years old and she will look at you like you're the bane of her life if you try and tell her what to do, or use baby talk. Keep your sentences short and clear to avoid confusion, but don't ask them if they need you to clean their wittle fingies.
try and avoid open-ended questions, especially ones that involve memory recall, like "what did you do on the weekend?". My grandma was an absolute queen at making shit up when people asked her that, because she couldn't remember a damn thing, and she never liked to admit that she couldn't remember, because it made her stressed and anxious. "I picked up leaves" was her personal favourite, for some reason. I used to just tell her about my weekend instead, and sometimes she would joyfully tell me (completely falsely) that she also went to the shops, and that was much less stressful for her; she wasn't actively trying to come up with an answer to cover for her own lack of memory, and instead felt like she was part of the conversation on her own, equal terms.
most importantly: don't try and pull them back to reality. The best way I've learnt to communicate with anyone with dementia is to enter theirs instead. Sometimes, this is referred to as 'validation therapy'. It's about acknowledging that the reality of someone with dementia is as real to them as your reality is to you, and you're not going to be able to 'reorient' them to your version of reality, because they don't have the short term memory or ability to retain information that would enable that. Put simply: if my grandma asks when my uncle is going to come home, I gain nothing from (correctly) informing her that he's dead. This just upsets her, because every time she hears it, she's receiving the news of his death for the first time. That sends her into a spiral of grief and anxiety that remains even after the memory of his death has vanished again. Instead, I just tell her that he'll be home after lunch. She nods, accepts it, and we're both happy. My uncle is still dead, but in her world, he's going to come home soon. It's a way of having empathy for the person with dementia, and acknowledging that your reality, or objective 'truth', is not more important than their wellbeing.
Godspeed, and best of luck to anyone who needs this advice, because I truly wish that no-one did.
YOU are butch!

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shoutout to fat nonbinary people
everyone say thank you to fat nonbinary people