Shenanagans

I usually walk everywhere with my headphones on, but I had them in my bag and I was reading a book on my phone instead (I do that when the foot traffic is light).  A young Latina was coming down the street as I was coming up the avenue, and when she got to the corner a few paces ahead of me, she turned to walk in the direction I was going.  We were traveling at the same speed, but since she was like ten paces ahead and it’s bright outside in the middle of the day, I didn’t feel the need to fall back or slow down to give her more space. At night, I try not to walk too close behind women just so they don’t feel like I’m any sort of threat.

We got to a corner and this dude standing outside of the bodega was like, “Slow down mama where you goin? You don’t have to work today, you can stop and speak.”

She didn’t break her stride. “I’m going to the gym.”  The Walk sign was on, so I didn’t break mine either.  

A block later, a young guy was coming toward us on the sidewalk riding his bike.

“What’s good shorty?”

She didn’t respond.

“Well you was lookin, you can say something, stuck up bitch.”

We kept walking.

In the middle of the next block, an older man was walking toward us and he put on a friendly smile and said, “Smile young lady, it’s a beautiful day.”

I don’t know if she smiled, but we kept walking. She went into the gym and I kept on toward where I was going thinking about how that was just five minutes of her day.  How many other blocks of five minutes are just like that?  

Only one of them was truly aggressive. The other two guys seemed nice enough and it felt more like a pleasant compliment. It felt like the kind of thing a guy says who argues with women online about catcalling. “We’re not all bad guys. We can’t even compliment women? We can’t even say something nice?”

No.  You really can’t.  I was annoyed in that five minutes and I just happened to be walking behind her with no headphones on.  Can you imagine those five minutes over and over every day of your life?  Nobody wants to be spoken to by strangers day in and day out forever regardless of what they’re saying.  

In the beginning when Mr. Incredible says, “Go home, Buddy. I work alone.” He’s holding up Bomb Voyage

In Syndrome’s flashback, he’s looking down on him, no bad guy in sight

oh 

In the flashback, it’s a different scenario completely!! The lighting is all focused on Bob as if he’s under a spotlight and it is only the two of them. Bob’s pose here is also ridiculously condescending. He has his hands on his hips like a superhero and is looking down at Buddy with contempt and scorn. In addition, when he turns to leave, he dismissively waves his hand as if saying “Get out of here.”

It’s also interesting to note Buddy’s position here. His arms are extended either in worship or as an expression of all he has to offer in this relationship. He sees himself as a victim because he thinks he gave all of himself to Mr Incredible, just got him to reject him.

It’s also amazing to me how much Buddy’s suit is a reflection of himself. Everything from the black and white color scheme representing his black and white way of thinking, to the huge S because here only thinks of himself.

That makes two things abundantly clear:

Bob doesn’t have an aversion to working with other people. Remember when he runs into Elastigirl earlier in the day? She reminds him not to “forget”, and he promises he won’t. They were standing over a thief they ended up accidentally nabbing together, or so we thought. They bantered back and forth about working alone, yet they nabbed that thief so seamlessly, you’d think they’d done it before. Then you find out later, Elastigirl is the woman at the altar. Making it clear that they had to have worked together, very frequently, enough to end up trusting each other to the point that they revealed their secret identities and had a romantic relationship outside of Super work, culminating in literally marrying each other. Bob is more than fine with a partner because he married his.

The other is that, Bob is trying to protect Helen. She may be more than capable of handling herself, as she flirtatiously reminds Bob on the rooftop just hours before their nuptials. But the one thing that’s priceless to the Supers are their secret identities. With Syndrome following Bob begging to partner with him, it puts Helen in danger. A fanatical fan like that can end up possessive, meaning once Syndrome discovers her, could see her as a direct threat stealing “his” position working with Bob. And because he obviously has a knack for following people undetected (he was right on Bob’s heels all over a huge metropolitan city for literal hours), he could very well stalk Helen, discover her secret identity and expose her in order to eliminate her, putting her directly in danger. Bob isn’t an idiot, he knows working with this kid doesn’t just put this child in danger, but also his own wife and their identities. It’s better to say he works alone and let this kid down as gently as possible, hoping to finally shake him off for good so he can work in safety and peace.

National Parks Cross Stitch Patterns