Phil Davies
"The Egret was in shadow and the background was in full sun"
Cosmic Funnies
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Game of Thrones Daily
Cosimo Galluzzi
KIROKAZE
dirt enthusiast
Three Goblin Art
h

⣠Chile in a Photography âŁ

Love Begins
"I'm Dorothy Gale from Kansas"
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oozey mess
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romaâ
taylor price
Not today Justin
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@ecofutural
Phil Davies
"The Egret was in shadow and the background was in full sun"

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tiny fingon sketch
amariĂŤ of the vanyar âď¸
Maedhros for the fanfiction "The Light of the Damned Stars" â¨
Goldberry; the River Daughter
I mixed her green and white dress into one

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India, 1960s: When they told him to âdress as his heart desiresâ to his first gay club night, nobody, least of all Fingon (who spent the present-day equivalent of Rs 50,000 on his own outfit for the evening), expected Comrade Maedhros to borrow a doggy harness off Celegormâs newest Alsatian and turn up dressed as a âsmall dachshund wearing a little Lenin hatâ, inadvertently influencing global gay culture for decades to come.
happy pride from prayers!au russingon đ
quick sketch of a "starfish" for @peasant-player.
I haven't really been active for a while, so imagine my face when I opened tumblr a few days ago and my dash was completely filled with these. It felt like a fever dream.
Yes I'm aware this was for mermay. Yes it is June 2nd. I don't really care, happy (late) mermay!!!
No but it always kills me how CURUFIN is the one who had Angrist all along and that he did fuck all with it until Beren and Luthien took it from him. The one knife strong enough to pry a Silmaril from Morgoth's crown.
And Celegorm had Huan!! These two Feanorian brothers specifically had all they needed to at least make an attempt at retrieving the Silmarils and it never really occurred them to TRY.
In my opinion, this does not even occur to them - because subterfuge as a means of attack is not an option in the institutional sense for princes accustomed first and foremost to achieving their ends by military & political machinations, by open battle or by rhetoric that takes advantage of the structures of power within which they have lived their entire lives entrenched. What Beren and LĂşthien do requires a certain forfeiture of pride - a forfeiture of pride necessitated by the fact that they do not have any feudal systemic power behind them, in fact they are acting against the interests and desires of that power, so they have to come to terms with using means that eschew pride in order to win the freedom to decide their own fate.
No such thing has ever been in question for Celegorm & Curufin, as princes who have always been backed by systemic power or only temporarily disadvantaged yet still construed as within the right in their framework of power; the Exile is a schism, Maedhros' abdication is unprecedented, Nargothrond is seized by rhetoric and populism, Doriath - as later Sirion - are assaulted by means of military power. And what examples has FĂŤanor given them? That subterfuge and infiltration are the tools of Morgoth (theft; disguise; lie) and the way that FĂŤanor himself had been wronged (infiltration of the family structure by Indis), not something a king or prince is liable or allowed to use. FĂŤanor himself utilises rhetoric and takes advantage of the legal framework, and if no other thing will avail, uses military power and force to achieve his objectives, and decries cowardice, where a line can be drawn to assume that direct, open conflict is thus assumed to be the morally correct path to attain what you want. Celegorm and Curufin, the two most likened to FĂŤanor, exemplify his lack of willingness to treat with anyone considered a traitor to the cause or compromise on their objectives perhaps best of all. To them, guile is both humiliating and morally suspect in this ideological framework; the sons of FĂŤanor in Beleriand utilise force, organise military operations, send intimidating letters and use political posturing, but nothing akin to guile even such as Fingon uses to rescue Maedhros from Thangorodrim. That brings me to the second reason: guile missions in the Silmarillion require a certain amount of faith and hope in things turning out the right way, and a certain amount of divine providence. Fingon would not have succeeded without prayer just as LĂşthien would not have enjoyed the fruits of their success without convincing Mandos. But hope in divine favour is not something that people famously eschewing the authority of the Valar and undertaking a blasphemous oath not once, but twice, would champion; clinging to hope for aid from the same people considered to have betrayed the cause & good of the Eldar is not to be expected. In light of that, relying on goodwill clearly seems like a suicide mission, especially in the aftermath of the Dagor Bragollach which has revealed that all of the military might the Noldor have been amassing is still insufficient to move any closer to their goal. The only possible way forwards is more power, more resources, more bodies. There is no hope to talk of.
So of course it does not occur to them to try; to try is not just humiliating and amoral, but a waste of resources and foolish to boot, inevitably doomed to fail.
#interesting meta. I could challenge a few points but it's a fascinating discussion and I do really think#the notion that the Feanorians should have tried at least to steal the Silmarilli isn't I think what the narrative frames here as#the missed opportunity but rather that they could have worked some way WITH Beren and Luthien (after all there is a point in#allying with the heir of a king like Thingol you're clashing with and earning thus an in to the Menegroth scene should you succeed)#but Otto makes very interesting points about why even that would be entirely outside of some fundamental worldviews of the#Feanorian camp. And I do think that though C+C are often framed as guileful for their acts in Nargothrond that they are indee really not#their provocations and speeches are very open and populist. The opposite of cloak and dagger really. Never understood where#behind the shadows manipulative Celegorm and Curufin comes from. as a trope. Like they are orating on the main floor.
@antlered-vixen allying with Beren (mortal Man; vassal of a second son of a lesser house; outlaw without any kind of feudal capital in the ill will of Thingol) and Lúthien (Sinda, Dark elf, woman going against the will of her father, again in the ill will of an actual authority they may want to extract resources from) would have to be seen as a viable option in the first place. While sticking it to Thingol for the insult of desiring a Silmaril in the first place may seem attractive narratively, it would mean aiding and abetting a perceived hierarchical lesser, forgoing their pride and even taking a risk against themselves on their behalf - for a quest that is framed ostensibly as a quest of love (and there is that 'neither law, nor love, nor league of swords' line in the oath that I find symbolically relevant here) rather than a quest of military opposition to Morgoth, and clandestine and as such in their eyes perceived as inherently doomed. And I really do not see C&C putting aside both ideology wrt/ how conflict should be led & their conceptions of hierarchy of power & their value framework of acceptable efforts just to stick it to Thingol, definitely not in this manner at least. IMO the very premise of a love-quest against the will of Thingol, who at least has the legal authority and resources on his side, would be seen as offensively frivolous. Anyway I really need to finish writing Herzkranzgefäà which is precisely about this
Oh, entirely agree. As I said, the worldview and character traits C+C carry would not permit for that to be seen as a possibility, for all the reasons you describe, and more. I was speaking more of Tolkien's own deontological implications. What he implies from that "negative space" (as this post by @magicalmanhattanproject points out) to be his ideal story-shape, that the tragedy of the Noldor makes intrinsically impossible. You know, what he feels C+C should have done - what Finrod actually does, and it is clearly framed as a redemptive arc. And I feel like Angrist and Huan symbolising there on some level the resources of C+C, seems to imply Tolkien imagined this possibility of their redemptives arcs that are, again, impossible to them - this is, after all, the whole tragedy. I am not, however, even implying I entirely agree with Tolkien's own framing in this, actually. I do think one can make a strong argument that Finrod's act and choice, and even the Oath of Barahir to begin with, are rather complex and not entirely noble and without concerns about what the priorities and loyalties of a King are meant to be in the feudal social contract.
POV the Feanorians if they locked in
I hate it when people are like âgimli was given a gift that was denied Even to Feanorâ as if Feanor is anywhere near Gimliâs league. Like if you just compare them Gimli is simply a better person in basically every wayâlike heâs sexier. Heâs polite. He doesnât go on random murderous rampages because he wants other peoples shit.

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NelyafinwĂŤ Maitimo
âThe Road Goes Ever Onâ, Lord of the Rings watercolour painting by me in 2025
arousal! repulsion! arousal! repulsion! arousal! repulsion! arousal! repulsion!
anniesymonscostumedesign.com/kiss-short-film
has everyone seen the website that gives you a rothko for your local weather?

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Annatar, allowing himself to be captured by Ar-PharazĂ´n: [in a Lucy Darling voice] Oh noooo, I've been overpowered by the big, strong men of NĂşmenor, please don't drag me off in chains to your impenetrable kingdom across the sea and allow me to sway you with the honey-sweet flattery of my tongue to influence your politics and shape the future of Middle Earth for centuries to come đŤŚđĽş
Anyway, here is my reverse mermay oarfish Annatar, thank you to @peasant-player for the inspiration, this idea struck me like a bolt of lightning. He's an oarfish because, you know, oarfish and tsunamis....yeah. yeahhh.
Palette cleaning painting (you know when you have a watercolour palette and you've got a billion muddied colours on the mixing tray??)