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I’ve been thinking a lot about TMBG lately (as one does) and I noticed something about myself. I think TMBG was the first band that I was ever obsessed with. One of the first songs I ever loved was Birdhouse. I think TMBG is the reason that I gained a concept of what music could be as a toddler. TMBG shaped my music taste basically.
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There really is something cute about Dean looking at his apparent mini-me (Claire) and being like SAM. Talk to her about obsessions/hunting, please. Cas looking at HIS apparent mini-me (Jack) and being like DEAN PLEASE. Talk to him about his emotions.
Meanwhile, for Sam, Cas is very unfortunately like, "Let me go with Sam. That's a comfortable mentoring dynamic about the loss of the army and also all the pragmatisms and the insanities. <3"
Meanwhile MARY:
...bye.
EDIT: MARY: WHY MENTOR WHEN YOU CAN INSPIRE? (Later: Jack ofc, but that's not really a seeking-scenario so much as a desperate co-pilot one.)
I just got mogged by a repost of my post.
#countingstrawsandit’slookinglow
obsessed with scenes wherein Percy and Annabeth’s traumas/flaws exacerbate the others. Like the siren scene, wherein Annabeth’s hubris (her flaw) causes her to be tied up, and Percy’s inability to watch her while she’s in pain and unable to help her (his flaw) causes her to be put in greater danger. And the arai scene, wherein Annabeth is tortured because she believes Percy abandoned her (her worst fear) and Percy is tortured because he has to watch her feel grief and loss and be unable to help her (his fatal flaw).
High thought:
We have Sir & Ma’am for men and women what about the theys?
Does Th’am work???
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THEY is coming.
Spoiler for: Body Horror, Mouths, Monster
car
They faces killing me why nobody gaf
