Monuments

Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again). (Harcourt Inc, 1977), 112.

Pierre Macherey, A Theory of Literary Production. trans. Geoffrey Wall (Routledge, 1968), 3-4.

Paul Bergin,  “Andy Warhol: The Artist as Machine,” Art Journal 26, No. 4. (Summer, 1967) 359-63.

Walter Benjamin “The Task of the Translator” in Illuminations, ed. Harry Zohn. (Schocken, 1969), 77-8.

Walter Benjamin “The Task of the Translator” in Illuminations, ed. Harry Zohn. (Schocken, 1969), 80.

Walter Benjamin “The Task of the Translator” in Illuminations, ed. Harry Zohn. (Schocken, 1969), 73.

Buzz Aldrin and Tom Sachs, “Art in Space: Buzz Aldrin, Tom Sachs and Louise Neri in Conversation” in Tom Sachs: Space Program. (Gagosian Gallery, 2008), 31.

Piero della Francesca, De prospectiva pingendi in Robin Evans,  "The Projective Cast," (MIT, 2000) 149-50.

Claes Oldenburg and Barbara Haskell, "Nose," in Claes Oldenburg Object Into Monument. (Pasadena Art Museum, 1971), 83.

Claes Oldenburg and Barbara Haskell, "Banana," in Claes Oldenburg Object Into Monument. (Pasadena Art Museum, 1971), 17.

 Rosalind Krauss, “The Originality of the Avant-Garde: A Post Modernist Repitition,” October 18 (Autumn, 1981), 54.

Rosalind Krauss, "The Originality of the Avant-Garde: A Post Modernist Repitition," October 18 (Autumn, 1981), 53-4.

Rosalind Krauss, "Grids," October 9 (Summer, 1979),50-2.

Rosalind Krauss and Hal Foster, "Introduction," October 77 (Summer, 1996), 4.

Stan Allen, “Dazed and Confused,” Assemblage 27 (1995), 50.

Sianne Ngai, “Merely Interesting” Critical Inquiry 34, no. 4  (Summer, 2008): 786.

Kirk Varnedoe, “Minimalism” in Pictures of Nothing: Abstract Art Since Pollock. (Princeton University Press, 2006), 93.