Jul 17
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In the waning minutes of Walter Benjamin's birthday:
Two essays to reread soon: The Author As Producer, 1934, and The Work of Art in the Age of Mechanical Reproduction, 1936, worthy and important texts for artists of all sorts living and producing under fascism
Ho imparato presto
a nascondermi tra le parole
che, in realtà,
erano nuvole.
Walter Benjamin, Scritti 1934-1937
" Quando scese la sera del primo giorno di battaglia [della Rivoluzione del 1789], avvenne che in molti luoghi di Parigi, indipendentemente e nello stesso tempo, si sparasse contro gli orologi delle torri. Un testimonio oculare, che deve forse la sua divinazione alla rima, scrisse allora: «Qui le croirait! on dit, qu'irrités contre l'heure / De nouveaux Josués au pied de chaque tour / Tiraient sur les cadrans pour arrêter le jour*». "
*«Chi ci crederebbe! Si dice che, irritati dall'ora / i nuovi Giosuè ai piedi di ogni torre / tirassero i quadranti degli orologi per fermare il giorno».
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Walter Benjamin, Angelus Novus. Saggi e frammenti, traduzione e introduzione di Renato Solmi, Giulio Einaudi editore (Prima edizione nella collana Saggi), 1962.
[Edizione originale, postuma: Schriften, Suhrkamp Verlag, Francoforte sul Meno, 1955]
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Walter Benjamin, July 15, 1892 – September 26, 1940.
On Walter Benjamin’s birthday, July 15, 1892
Dora (Walter Benjamin’s ex-wife), in a letter to Gerhard Scholem, written on this day in 1941, after hearing of Walter Benjamin’s death:
“Dear, dear Gerhard, I cried when I saw your handwriting and at last got a letter from you after seven years… Dear Gerhard, Walter’s death has left a vacuum which is slowly but surely sucking in all my hopes and wishes for the future. I know that I shall not survive him long. You will be surprised at this, because I no longer formed part of his life, but he formed part of mine… I thought and felt that if the world was able to keep alive a creature of his worth and sensitiveness, it could not, after all, be such a bad world. It seems that I was wrong.”
