This was interesting because - while I donāt claim to be much of an artist - I have a party trick of portraiture, as in capture-a-likeness-to-please people-in-a-pub-knack, which is a whole separate skill. And the face intrigued me.
For portraiture you have the unique challenge of capturing the distinctive features while flattering them. Thereās a tension of āwhat makes the person look like themselves?ā against what they WANT people to see.
Acknowledging and respecting that, reflecting a View of the Self instead of a simple photograph, has always been an ephemeral and noble challenge of portraiture. Itās a rare skill, and while Iām not claiming to be a brilliant practitioner, hereās how I go about it. You want the person to feel SEEN - on a level and in a way that only a portrait artist could.
If someone in a novel were to spend a paragraph studying the portrait, they ought to be able to say something plot-relevant, like āthe artist had faithfully captured the FAMILY RESEMBLANCE in the notable features and the PLOT POINT in the shape of her eyesā¦ but no photograph could have captured the wistful turn of the mouth. Across a hundred years of distance, her soul was clear, speaking to Protagonist as if she were merely in another roomā¦ā
Thatās the skill of portraiture, really, and itās rarer than the ability to do good lineart (which I canāt do either; note that Iām not claiming to be GOOD.)
The immediate outstanding features of the āfanā are
Dark, hooded, distinctive eyes - sheās probably proud of them
Challenging, knowing expression
Long dark hair is a feature sheās proud of; because itās well-cultivated
A sweet beauty of youth, but I can see what sheāll look like when sheās older
Roman nose thatās unusually short for the bridge type. Doesnāt have the space to be āhookedā but has the shape.
Natural brow with natural arch - fuzzing in to a shapely tapered form
Rounded face but with an interesting composition of flat slabby cheekbones and a high flat forehead. Iād love to look at it from other angles but she could model for a LOT of time periods and a LOT of artistic traditions.
Cool olive skin - very tricky!!! Especially with that pink lip. Frankly beyond me to depict fairly tbhā¦ but at least I tried
Dark pigmented undereye and eyelid, which I chose to handle in the sense of āflattering eye makeupārather than true depiction of her colouring.
Full mouth with NO CUPIDāS BOW - fullness in lower lip
Iād elide the faint double chin out of gracious recognition of the angle and acknowledgement of the fact that the sitter would PROBABLY prefer it not to be noticed. I ultimately alluded to it, but elided it.
Even without the double chin, her determined yet rounded chin is another charming and forceful contradiction that lends what we call ācharacterā to the face
Presumably a fan of Instagram anime art is familiar with conventions and is therefore hoping for a portrait with glow brushes and SHEEN and TEXTURE and anime petals and veils barfed all over it - so I did a final version with those things - presuming it would make the ācustomerā happy
Obviously you can see that Iām quite humbly and realistically not an ARTIST but I thought it was interesting to contrast what skills are valued in a party trick of portraiture (breaking down and flattering features, playing a delicate game of flattery/pleasure and clear-eyed recognisability) vs a much more skilled and stylish render that is based on replicating anime aesthetics and thus - despite being better which I acknowledge! - didnāt engage so much with the goals of portraiture. Returning to the goals of portraiture - likeness, gesture, expression, picking out features, affection for the subject - is so,so good for the soul. For one thing, it reminds you of your ability to fall in love with facesā¦
But as you can tell, you donāt have to take my word for it! Draw a person lovingly today!
