lobster kin

“No age gap??!?!?”

“And no non-con elements”

“NO NON CON?”

“And no coercion or otherwise manipulative behaviors”

“Joe they want a vampire with NOTHING”

original url http://www.geocities.com/Heartland/Hollow/8119/

I’m not upset or anything, I can kinda see what you mean! If you’re expecting anything cool on the internet these days to probably be fake, yeah, the colors on the meat do look incongruous.

Let’s take a second here and use this as an educational experience for everyone. Fake animal photos are totally an internet scourge these days. If you don’t trust the OP of a post like this saying it’s not AI, how else could you check and try to find out?

Three things to help you verify not slop:

1. There’s a bunch of other photos in series with this one on my website, which allows you to see context for when and how the photos were taken. There’s also other photos of this animal and this habitat in other lighting and weather conditions. That’s generally more work than people will go to if they just want to create a viral photo, and you can look for internal consistency.

2. AI isn’t good enough yet to replicate specific stripe patterns on individual tigers, they get all wonky. The animal and her location are named in this instance and it’s easy to google to see if everything lines up.

3. You can also check to see if the thing in photos actually happens. The meatball throwing demo is a very, very common occurrence at this facility! It’s a regular activity during talks when tigers are in that habitat (it is a multi-species rotational space). They posted a video on their Facebook fourteen hours ago of their curator getting a direct shot into a different tiger’s mouth.

Like hell you are

Another good example of this is Titanic. Even if you were somehow ignorant of the ship's sinking, the film makes sure you know that it sank with its framing device of Old Rose telling her story to people salvaging the Titanic's wreak. And Titanic's plot structure could only possibly work if you know the ship is going to sink. I'm not just talking about building tension, tragedy, and stakes for the characters like with the above example, I mean that if you didn't know that the Titanic was going down walking into the film, the abrupt shift from romance to suspense-disaster would be an increadibly tough pill to swallow. But it works because we expect it. You don't walk into a film called Titanic without expecting the damn boat to sink.

However, the sad thing about both of these examples, is that despite all the benefits that came from telling the audience these things ahead of time, I think the main reason the creators didn't make them plot twists was because they couldn't have. Treasure Island is the single most influential piece of pirate media out there, and you'd have to have been living under a rock for over a century to not know the Titanic sank. So, the writers had to work around the fact that these important turning points in the narratives were common knowledge, and they wound creating incredible stories as a consequence.

This part. This is the part I’m talking about

This is not a woman falling to pieces because her father won’t let her marry a man she just met.

This is a woman born to a life she has very little say in. She has never had a genuine friend (besides a tiger). She is facing a marriage to a man she doesn’t know and doesn’t like but duty (and the law) demands it. So she took a risk, ran away, ran to a world she doesn’t know or understand and when she landed in trouble (serious, serious trouble) a stranger came to her aid. She finally (finally!) made a real connection with someone but they didn’t get much time together before the guards showed up and she had to reveal who she was.

This moment when she’s crying her heart out? It comes after she’s been told that the first person she ever connected with, the first person to be genuinely interested in her for who she is and not what she is, the first real friend she has ever made, was executed… because of her.

Crying is normal. Even if it's over something trivial. We all face a lot of struggles in their lives, whether we acknowledge it or not. Something minor might end up breaking the camel's back.

Anyway, here's one of my favorite scenes in Beauty and the Beast:

Really, none of the classic princesses deserve the misinterpretation.

Cinderella?

Again, this is not after someone told her “yOu CaN’t MaRrY a MaN yOu JuSt MeT”—this is after she went to great lengths to get ready for the ball, adhering to the intentionally difficult (meant to be impossible) stipulations set by her abusive step-mother for her to be allowed to attend (when really she was invited and had as much right as the others to attend). She made that dress (I can’t recall off the top of my head if the classic animated version was also her mother’s old dress she restyled or not but still, she put in a ton of work on top of all the extra house work) and what did her step-family do? They tore to shreds while she was wearing it. Of course she’s lost hope: it’s the final straw after years and years of doggedly remaining optimistic despite constant harsh treatment.

Let’s go to another favourite: Mulan.

Mulan’s just had the worst day.

She tried her hardest to live up to her family’s and her society’s expectations and vision of a perfect bride but she failed. Not only did it go wrong, but she was publicly humiliated by the Matchmaker—by extension, humiliating her family.

Granted, her family has been kind and sympathetic about the whole thing. Her father even goes to encourage her, assuring her of his unconditional love for her and his confidence that she’ll get it right next time.

She’s just beginning to smile when the drums pound and news of war reaches their village. Her father—her beloved father who’s already a veteran and lives with a disability—is expected as the only male in their family to suit up and head out in the morning.

Mulan can’t help. Nothing she says will be listened to and she can’t take his place (until, of course, she thinks of a way to do so which this moment of crying it out in the rain leads to—score one for having a good cry and clearing your head).

There’s of course more. Take any princess’ dramatic crying momentTM and review the context and I’ll bet you’ll see it’s never as trivial as some have framed it. And, yes, like prev pointed out, it’s this awful thing of people believing boys can’t cry and girls can but then they can never be taken seriously.

She didn't deserve to see the things that she held dearly destroyed right before her eyes by her own father. No, it wasn't just about the cute guy she just met. Her family had never approved of her interests and she felt so isolated that she hid them away. Just collecting random stuff that she felt oddly inspired by. Then Triton obliterated it. Her memories, all the care she put into organizing it and keeping it safe—gone. He couldn't accept her passion because it didn't align with his beliefs, so he destroyed it. The ultimate rejection from a parent, the very people who are supposed to love you and make you feel safe.

Or Briar Rose, who she thought she was.

She's not just crying because her aunts/the three fairies told her she couldn't be with this guy she just met. She's crying because she just found out her entire life is a lie. She's not a simple peasant girl living with her eccentric aunties, she's a princess. She's a princess of a kingdom she knows little about, has parents she's never met, she's going to go see them today, they're going to leave their little cottage to go to this castle she doesn't even remember, meet people she can't remember... The 'hunter' she met in the woods? She can't keep visiting him after all, she's a princess and has to leave everything about this life behind her today