Oh! So, they're just married-married.

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Oh! So, they're just married-married.

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EVERYONE STOP TELLING ME HOW OLD YOU WERE IN 2008 I DONT WANNA HEAR THAT SHIT
SOME OF YOU SHOULD BE AT THE OPRHANGE
preschool. I meant preschool.
Most underrated Byler proof is that those two boys jump every time someone walks in on them alone like what are y’all doing that’s got you so jumpy? Just all around startled that the other people who live in the house they’re currently in are also in the house. And it’s every damn time no matter where they are because no matter what’s going on they’re constantly being interrupted eye fucking each other which on some level they must both know would look weird to another person lol
Feels like when a little kid tells you unprompted the exact thing they most certainly did not do in order to exonerate themselves lmao like boys please take a breath sit still and quit telling on yall self
This though
Like i've been telling anti-bylers for ages: it's not just the way they look at each other, it's the fact that they feel the need to do it secretly
It's the way they whip their eyes away when they think someone might see
It's the fact that they act like they think they are doing something wrong
I would give you my firstborn for some unicorn punk Mike art 👀
it might seem crazy what i’m bout to say

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i need to come up with a way to say “i mean like, movies for grownups” that doesn’t make me feel like a villain
"I'm feeling something more serious, intended for an older demographic. Something kind of crunchy that addresses interesting, if often heavy topics. A film like [insert two examples here]."
Might make you sound a little pretentious, but it also makes it sound like a preference or a craving instead of risking putting the other person on the defense because they feel like their tastes are being insulted.
It also might get you good recommendations rather than the same old "you just don't get the themes!" discourse.
Diane, clear my schedule. I’m attempting a recipe that says “prep time: 15 minutes.”
Ahh the 80's when anything was possible if you had enough blow in your system.
Man, it is always so funny to look up a self-contained short anime series.
Because sometimes it is an original and those 12 episodes are the whole story.
And other times…
The wiki is just like:
'This anime is the adaptation of the 5th arc of an ongoing Manga series currently containing 24 volumes (or 240 chapters) that is itself based off of/adapting the 18 book light novel series. There are three spin-offs that all focus on different characters, as well as a radio drama, and two stage plays. A musical has been announced for 2030 [follow this link for a list of the cast].' XD
"He wouldn't say that" has a beautiful cousin, and her name is "That's Not What This Story is About".
And her slightly meme-ish brother: "This is a [Genre] Story: There's Gonna Be [Genre] Tropes Inside!"

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This is a comment someone appended to a photo of two men apparently having sex in a very fancy room, but it’s also kind of an amazing two-line poem? “His Wife has filled his house with chintz” is a really elegant and beautiful counterbalancing of h, f, and s sounds, and “chintz” is a perfect word choice here—sonically pleasing and good at evoking nouveau riche tackiness. And then “to keep it real I fuck him on the floor” collapses that whole mood with short percussive sounds—but it’s still a perfect iambic pentameter line, robust and a lovely obscene contrast with the chintz in the first line. Well done, tumblr user jjbang8
I hate that my aesthetic sense agrees with this but everything you just said was correct
I went back to dig up this post because I was thinking about poetry.
This is one of those non-poem things that are among my favorite poems.
As the OP stated, the use of alliterative consonants is aesthetically just great, especially the placement of the strongest use at the end: “fuck him on the floor.” The use of “chintz” is indeed great word choice.
Because I’m insane, decided to scan the poem:
Not only is the second sentence, indeed, perfect iambic pentameter, the entire poem is perfectly metered, though the first sentence has four iambs rather than five.
There are further things I love about this poem, though: I like the casual connotations of “keep it real” juxtaposed with “chintz.” It causes me to interpret the “chintz” more strongly as meaning something fake, a facade. There is also of course the coarseness of “fuck,” which is a contrast with “chintz” but a different kind of contrast, gutsy and carnal where “chintz” is flimsy and inanimate.
And then there is the storytelling: there is SO MUCH storytelling in just these two lines. To break it down: The speaker is having sex with a married man, in the house he shares with his wife, which is “filled with chintz”—something that here connotes fakeness, in contrast with “keep it real.”
The illicit encounter in the poem takes place within a house filled with facade, the flimsy construction of the wife’s marriage and domestic sphere, but the encounter itself is a taste of something “real.” That’s a story, and it’s just two lines.
This is EIGHTEEN SYLLABLES, y’all. The amount of meaning condensed into these eighteen syllables is stunning, and it is so elegantly done.
From a technical standpoint (and ive taken 300- and 400-level poetry classes so I can say this) this is damn near flawless as a poem.
Kept thinking about this ever since I saw it and had to do something
there's art now
Ah dang to go further; the floor is framed as a refuge. As if there is literally no other space in this house that hasn't been populated by his wife with flimsy inanimate fakery. There is no space for this man in this house save for the floor. There is no space for him on the sofa, oon the counter tops, and most notably, no space for him in the marital bed.
I’d also like to point out the use of the word “has.” The wife has filled the house with chintz. She isn’t filling the house with chintz. She doesn’t fill the house with chintz. She has filled the house with chintz. Use of the past-tense makes the wife a subtly removed element in the story, someone whose presence we see in the environment, but who is blissfully distant during the actors throes of passion. There is an element of physical as well as emotional separation from the wife that is catalyzed by being fucked on the floor. Use of the past tense is an end to the wife presence in the actors life, a carnal catharsis amid cold fragility and emotional distance.
This is my new favourite post in the world
everyone cheer for the one (1) time tumblr had reading comprehension
And, predictably, it's because it was about gay sex
I... shouldn't rewatch SPN
But, I am once again thinking about Dean Winchester
Sleepy boys 💤
.⭐️💙.
Clare Turlay Newberry (1903-1970)
Cat Napping, before 1940

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the thing is that childhood doesn't just end when you turn 18 or when you turn 21. it's going to end dozens of times over. your childhood pet will die. actors you loved in movies you watched as a kid will die. your grandparents will die, and then your parents will die. it's going to end dozens and dozens of times and all you can do is let it. all you can do is stand in the middle of the grocery store and stare at freezers full of microwave pizza because you've suddenly been seized by the memory of what it felt like to have a pizza party on the last day of school before summer break. which is another ending in and of itself
if i bring a book someplace it doesn't necessarily mean i want to read it mayb i just want to take her on a walk. Get her some fresh air and a change of scenery