Beard5

You want to study abroad? Show us proof that there is a quadrillion dollars in your bank account. Oh, an average monthly salary in your country is $400 and you plan to work when you arrive? You can't do that, silly, a student visa only allows you to work 2 hours every third Wednesday, and if we find out that you're working a second more we will deport you.

You want to work abroad? Better be a programmer, then of course you are welcome. Doctor, scientist, white-collar or, god forbid, blue-collar worker? You can fuck right off, your visa application goes straght into trash.

You will have to prove that you can afford a guest, have some income and also usually take responsibility for possible deportation cost.

But if you really are inviting a friend over, they will give you a formal document you can send to your friend. Then the friend applies for a visa while attaching the Very Official document with it. They will get the Schengen visa and most probably will get it expedited too.

me: yeah i know, they’re all primary colors, it’s perfect

When you go for an MLS (Master’s of Library Science, which is a thing, and which is usually required for “professional-level” library work [which is also a weird and contentious concept that I won’t go into here]), one of the things you study is the organization of information. This deals with how to determine what a book or other material is “about"—a concept we tongue-in-cheek call “aboutness"—and how to convey that to a potential user of the item and make it easy for them to find. Things like keywords and subject headings, do I put this book about how often wild birds attack aerial drones in with books about birds or with books about technology, if its a fictional novel do I put fantasy in it’s own section or mix it in with all of the other fiction, so on and so on.

OP is organizing books by how they would look for them. OP’s partner is thinking in terms of aboutness. This is a system that works for OP because it’s their personal library: they know basically what books they own and they only own books that are relevant to them, and if they know what the book looks like, that can be a quick way to find it.

In a library that assumes the public (or people who do not own that particular collection of books) are using the collection, that doesn’t work. Books are often re-issued in multiple covers, or re-bound in new covers when they get worn out, and if the user doesn’t know what the book looks like or is expecting a different cover, they’re lost. That’s why non-personal libraries used standardized cataloging systems like the Dewey Decimal System or Library of Congress System to organize a book by what it’s “about”, and then put books about the same or similar topics together, marked with labels and signage so a person unfamiliar with the book or collection can find their way to it.

Basically, OP’s system works for their own personal library, because it’s best suited to how the primary user—OP themselves—looks for books. OP’s librarian partner is coming from a background of thinking in terms of a public-facing collection, where aboutness is the key criteria and communicating it to a user unfamiliar with the collection is the priority.

if you've ever watched a movie with your film buff friend and chatted about it afterwards, that friend might have pulled hours more of conversation out of the same 90 minutes of screentime, and wondered how the fuck they did that - it's not raw intelligence, it's a skill that's been honed. And I learned a lot about film from talking to friends who knew about film, and reading critique by film scholars

literature works exactly the same. so if you want to get more out of your reading, there are things you can do to train that. Find a book or short story you think you've got a pretty good grasp on, preferably from a widely read & respected author like Ursula K Le Guin or Ray Bradbury (if you're new at this don't swing for the Toni Morrison or the Samuel Beckett yet unless you feel very comfortable with the complexity of the text - the point is to develop a complicated new skill on good foundations). Then go to JSTOR, create a free account, and look up criticism on the story you've chosen. Find something that looks readable to you and at least somewhat interesting. Read that article, and look at what that writer got out of the same story you've read that you didn't get. Do you see the critic's points? Did they teach you something about the text? Go reread that story and see if the criticism has changed how you read it. Are you seeing more? Are you thinking about the implications of a line that you hadn't noticed before? Does the story feel richer now?

you don't have to read more deeply if you don't want to (but i'd recommend it, i genuinely think it makes you a better person)

if you want to learn to read more deeply, the resources are out there. try to find critical literature (that is, academic writing that analyzes the text) on works your familiar with so you can get a sense for how to do that analysis too

learning to deep read literature can help you deep read many areas of your life

so, ways to get around this:

turn off AI results. they're literally nonsense to us

don't use pinterest because the sources/provenance is often hard to trace

a standard internet search can be okay, but museum collections are the top tier (list of collections below this list)

instead of broad terms like victorian, regency, tudor, renaissance etc. try using the decade you're looking for. if you're not sure of what decade it is but have a vague image in your head, look on the fashion history timeline and just jump around until you find it. but even changing to e.g. 19th century will give better results than victorian

including terms like womenswear/menswear, daywear, formal wear, evening wear, court dress should increase the value of your search too

including "fashion plates" in your search can give you a nice impression of the intended silhouettes of the era. some of these might be a little stylised but will show you what was considered in vogue

for pre-fashion plate eras or things like makeup and styling, you'll have to look at portraiture or manuscripts. these are harder to actually find what you're looking for, but searching museum collections and limiting results to specific date ranges will be your friend

when looking at art, do bear in mind sometimes artists would paint fabric extra flow-y to show off their skills. it might not have been exactly like that in terms of fabric weight or drape. so, a pinch of salt required!

if you find something on image search where the provenance is dubious, reverse image search and you might find a source! i've been able to trace random pinterest images to real sources, but this does take a lot of time and effort and is often not worth the headache

some online resources and museum collections:

fashion history timeline is an invaluable resource if you're trying to get a feel for everything and should be your first port of call. it'll also link to good examples

the met has a vast number of extant examples of clothing, as well as fashion plates

costume institute fashion plates is a subcollection of the met for fashion plates (1800s-1922)

v&a also has many extant garments, fashion plates, and incredible articles on clothing and aesthetics. read the details of the objects because they'll often reveal a lot about the piece

lacma is good for C19th-20th pieces

nypl digital collection for photographs

national portrait gallery or similar for portraiture, or literally any museum in your country that has historical art

national museums scotland can be useful situationally but might be oddly specific

stout style history is a great collection for finding image references for fat people wearing historical clothes. survival bias of a lot of museum pieces tends towards smaller clothing that couldn't be repurposed, but this aims to counter that. it's not sortable, but is still a really nice resource

wikimedia commons is surprisingly handy! and the images, if you should need to link/repost them, are public domain

auction websites sound like a funny one to recommend. some won't have mannequins and some will. just look up historical garment auctions and you'll find some!

This is a spot from an italian estate agency (we are governed by the right-wing party)

The woman says "Ridiculous..."

So today I tripped. Fell flat on my face, it was awful but ultimately harmless. My service dog, however, is trained to go get an adult if I have a seizure, and he assumed this was a seizure (were training him to do more to care for me, but we didn’t learn I had epilepsy until a year after we got him)

I went after him after I had dusten off my jeans and my ego, and I found him trying to get the attention of a very annoyed woman. She was swatting him away and telling him to go away. So I feel like I need to make this heads up

If a service dog without a person approaches you, it means the person is down and in need of help

I honestly didn’t know that I was supposed to follow a service dog in a vest if it approached me by itself.

I do now.

So do you.

Let’s play the biggest game of kick the can on the internet.

Those of you who notice such things will know that in a little less than two weeks, it's going to be a year since @petermorwood departed this plane of existence.

As the date's been getting closer, I'm becoming increasingly clear (due to mood swings and sleep disturbances and other such stuff) that it would be a really good thing for me if I don't have to live through this first anniversary of his loss anywhere near the house where he breathed his last.

For that day, and ideally a couple/few days on either side of it, I really need to get away from here.

So that's my plan, if I can get all this to come together (with everybody's help). ...It's not like any brief escape will get the pain to stop, you know? That's years away... if ever. But at least this move will prevent a short-term crisis, and allow me (after the really painful day has passed) to start getting back to what around here now passes for "standard operating procedure"—meaning writing, and doing other work, and getting on with the rest of the current form of life—as quickly as possible.

What I have in mind is to spend the days on either side of May 9th—and the day itself—as far away from the cottage as physical issues will allow me to travel. Let's think of it as a long weekend, an hour or two's flight away. To manage that, though, I need to boost sales at the Ebooks Direct store over the days to come. If the necessary funds manifest themselves over the course of this week, I'll have time to make the necessary arrangements.

So can I get those of you who see this post to reblog it, and bring the Ebooks Direct store to people's notice as widely as possible? ...As numerous ebook bundles are available at discount prices. (There are more than show in the slide below: that's just a snapshot of how the front-page carousel looks.)

...And if none of these appeal (or if you've got them already and want to give them to somebody else): hey, there are gift cards! (I finally managed to get these things organized correctly...) 😅 They come in per-bundle versions, or in a number of cash values to suit your preference.

Finally: if you've already got too many ebooks, or otherwise just prefer to drop a little something into the kitty to help me escape for a few-ish days, here's my Ko-Fi.

...So let's see if this can be pulled off. And for all your past help, and assistance to come: thanks, friends. I appreciate you so much... as your voices, heard daily, are pretty much all that makes the local silence bearable.