Went to go see the movie bout some pretty amazing digging
this was my favourite part

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let's talk about Bridgerton tea, my ask is open

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@baking-accident
Went to go see the movie bout some pretty amazing digging
this was my favourite part

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If you want to finish something you have to accept that its better to have it imperfect and real than perfect and only in your head
tumblr kinda lives in a weird paradox where lemon demon is cringe drivel but neil cicierega is cool and respected
desire to become a "desk covered in figurines and plushies" guy at my new job vs. those things are like 30 human dollars now

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still life
munch
He’s thinking about his behavior
i was born in the downloads folder all alone with only a readme file to my name
he seems to be doing a pretty good job tbh

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new enemy i came up with called the "false mimic" this is just some guy that hides in chests and bobs the lid up and down like a mimic breathing. he has 1 hp and if you smack the chest he starts begging for his life snot and tears running down his face
EVERYOBODY GET DOWN HES TAKING A CREATIVE LIBERTY
(Based on this!)
Okay, we got a new one, boys.
My analysis of "Asimov's Tail:"
It's the inverse of Chekov's Gun ("If there's a gun on the table in act 1, it should go off in act 3" or someone like that). Asimov's Tail is like saying "If a gun goes off in act 3, it should be on the table in act 1."
You don't need that for guns because we all know what guns are. A character in a modern setting pulling out a gun to win a fight on page 120 isn't going to bother the reader. But a tail is unexpected: You need the reader to buy in to and expect the tail before it becomes plot-relevant, or it'll read like a deus ex machina.
(Another comparison is Chekov was talking about the stage, and Asimov is talking about books. Asimov's Tail may not be as applicable to the stage, where the audience can all clearly see the character's tail in his costume.)
Separately, Asimov doesn't just say "You have to describe the tail," but "Someone has to step on the tail." Your character's trait or ability that will help them in a critical moment later in the plot must also have downsides. This will make the character feel more real, even if they're fantastical and alien.
tbh, i think "it must have downsides to make the character feel more real" really undersells what this accomplishes.
You set up the tool of their victory as a personal *challenge* they must overcome. This makes the victory more surprising, character-building, and satisfying. The very trait, tool, or skill that was presented as a weakness becomes a strength.

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“When we were kids, the Phonics Wizard came to our town to show off how the letter E can change the sounds of vowels. He turned a can into a cane, a pin into a pine. This one kid had a cap and he changed it into a cape, that kind of thing.
“And we loved it, we were all having a great time, but then he saw my sister and I, and he just got this - this look in his eyes, and then-”
She hesitated, worrying the coarse material between her fingers. “Things got pretty bad after that,” she muttered. “I know it’s silly, but I try to keep - her - comfortable. We don’t know if she can still hear us, or see us, or if she’s even still in here, but I like to think she is. I talk to her when I can, I leave music on when I’m out of the house. I tried to convince my parents to bring her with us when we went to Disneyland, but they didn’t - didn’t really take that well.”
After a moment, she put the ball of twine back onto its pillow. “Anyways. They tried to arrest the Phonics Wizard, but he had a plan in case something went wrong and he turned it into a plane and flew away.”
BUFFY THE VAMPIRE SLAYER | 1.08 "I Robot, You Jane"